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DTSTART;TZID=America/Los_Angeles:20260502T101500
DTEND;TZID=America/Los_Angeles:20260502T101500
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SUMMARY:Saturday Shakespeare - Macbeth
DESCRIPTION:Saturday Shakespeare in Santa Cruz Presents Macbeth by William Shakespeare Aptos Library on Aoril 18\, 25\, May 2\, 9 & 16 2026 at 10:15 a.m in the Aptos Library Betty Leonard Community Room (in person or join by Zoom). The first hour will be a conversation with the scheduled guest speaker followed by a volunteer read aloud of the play. On May 16\,a video of a live stage production will be shown. This event series is co-sponsored by the UC Santa Cruz Shakespeare Workshop. \nFor more information\, Zoom Link\, or to volunteer to be a reader\, contact: saturdayshakespeare@gmail.com \nGuest Speakers / Video Recording \n\nApril 18: Julia Reinhard Lupton\, Distinguished Professor Emerita of English & Comparative Literature & Co-Director of the New Swan Shakespeare Center at UC\, Irvine. Reading: Act 1\nApril 25: Paul Mullins\, Acclaimed New York-based theatre director and actor\, Paul will direct Santa Cruz Shakespeare’s 2026 production of Macbeth. Reading: Act 2 through Act 3\, Scene 3\nMay 2: Abigail Heald\, Lecturer in Literature @ UC Santa Cruz & Stanford. She is writing a book on the relationship between art and emotion in Shakespeare’s work. Reading: Act 3\, Scene 4 through Act 4\, Scene 2\nMay 9: Charles Pasternak\, Actor / Director\, Artistic Director of Santa Cruz Shakespeare. Reading: Act 4\, Scene 3 through Act 5\, Scene 8\nMay 16: Video recording of a live stage production at the Globe Theatre\, directed by Tony Award winning director Eve Best\, and starring Joseph Millson (Macbeth) and Samantha Spiro (Lady Macbeth).
URL:https://thi.ucsc.edu/event/saturday-shakespeare-macbeth-may2/
LOCATION:Virtual and In Person
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260504T190000
DTEND;TZID=America/Los_Angeles:20260504T190000
DTSTAMP:20260403T161120
CREATED:20260224T205618Z
LAST-MODIFIED:20260224T212147Z
UID:10007860-1777921200-1777921200@thi.ucsc.edu
SUMMARY:Kuumbwa Jazz Presents - Gregorio Uribe
DESCRIPTION:“Colombian artist Gregorio Uribe\, whose blend of contemporary cumbia and timeless charisma has marked him as an artist to watch.” – Billboard \nUribe was recognized by the Colombian government as one of “The 100 Most Successful Colombians Abroad”\, and has received honors from the city of Boston and the state of Massachusetts for his contribution to Latin music. He is currently recording his fourth studio album\, a groundbreaking collection of songs that will take the Colombian accordion to a new level of versatility. This concert date will feature a dynamic combination of solo and band performances.\n\n \nGregorio Uribe is a Latin GRAMMY-nominated Colombian singer-songwriter and accordionist. He graduated from Berklee College of Music and has performed his music at NPR’s Tiny Desk Concert\, Carnegie Hall\, Madison Square Garden\, and the New Orleans Jazz Fest\, among others. He has collaborated with renowned artists such as Rubén Blades\, Carlos Vives\, and Paquito D’Rivera\, as well as with folklore masters Alfredo Gutiérrez\, Carmelo Torres\, and Martina Camargo. \nFor more information: Kuumbwa Jazz – Gregorio Uribe \n\nPresented by the Kuumbwa Jazz Center and Co-sponsored by The Humanities Institute at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/kuumbwa-jazz-presents-gregorio-uribe/
LOCATION:Kuumbwa Jazz Center
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2026/02/Untitled-design-38.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260506T121500
DTEND;TZID=America/Los_Angeles:20260506T133000
DTSTAMP:20260403T161120
CREATED:20260323T225935Z
LAST-MODIFIED:20260323T225935Z
UID:10007889-1778069700-1778074200@thi.ucsc.edu
SUMMARY:Sanjay Barbora - Territorial Autonomy\, States and Politics in the 21st Century: Notes from a Frontier
DESCRIPTION:How can we interpret the increasing centralisation of political authority and decision-making in the 21st century\, and can movements for autonomy provide an answer to this question? The concept of territorial autonomy has been a complex issue in modern politics\, especially since the emergence of postwar nation-states in the 20th century. While it provided a useful framework for understanding the structure of the modern state and its legal systems\, it has also been a convenient tool for governance\, where calls for autonomy have often been subject to the shifting nature of power. In this presentation\, I will draw on my personal involvement with autonomy movements in the region James Scott\, Willem van Schendel\, and Sanjib Baruah refer to as “Zomia\,” to explore the challenges faced by much of the world today. \nSanjay Barbora studies agrarian change\, social movements\, wildlife conservation\, human migration and urbanisation in the global south\, especially in South Asia. Before coming to UCSC\, he worked as a media development professional with Panos South Asia and as one of the founding faculty members of the Tata Institute of Social Sciences\, Guwahati Campus. He reads Seamus Heaney’s poems when he is confused\, and cook for friends and family when he is able. \n\nPresented by the Center for Cultural Studies and co-sponsored by the Center for South Asian Studies and the Department of Anthropology Colloquium. This event is open to all students\, faculty\, staff\, and members of the public consistent with University policy and state and federal law. \n\n \nSpring 2026 COLLOQUIUM SERIES \nTHE CENTER FOR CULTURAL STUDIES hosts a weekly Wednesday colloquium featuring work-in-progress by faculty & visitors. We are pleased to announce our Spring 2026 Series. Sessions begin promptly at 12:15 PM and end at 1:30 PM (PST) in Humanities Building 1\, Room 210. \nStaff assistance is provided by The Humanities Institute.
URL:https://thi.ucsc.edu/event/sanjay-barbora-territorial-autonomy-states-and-politics-in-the-21st-century-notes-from-a-frontier/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2026/03/Copy-of-banner-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260507T120000
DTEND;TZID=America/Los_Angeles:20260507T133000
DTSTAMP:20260403T161120
CREATED:20260318T185608Z
LAST-MODIFIED:20260319T200017Z
UID:10007884-1778155200-1778160600@thi.ucsc.edu
SUMMARY:Gukha Amin — From the Margins: The Lives and Labor of Yemen’s "Undesirable" Subjects
DESCRIPTION:Join the Center for the Middle East and North Africa for a presentation by Gukha Amin.  Her talk follows the lives of social outcasts and marginalized Black people who lived and moved across Southern Arabia in the first half of the twentieth century using deportation records\, petitions\, and criminal cases. These include street performers\, sex workers\, sanitation laborers\, and others who colonial officials labeled as “undesirables.” Moving across Somalia\, Djibouti\, Ethiopia\, and Southern Arabia\, these subaltern actors reveal the porous contours of an “Oceanic Yemen\,” a global space that reincorporates Southern Arabia into its historic oceanic networks and makes legible Yemen’s deep links to the Horn of Africa. The talk centers these individuals’ labor\, mobility\, and gendered experience to unpack the complex subject and racial formations unfolding in twentieth-century Southern Arabia and the broader region. It asks who were the men and women that made up the social margins of this global space? How does their labor and gendered experience challenge our understanding of gender and sexuality? And what do these internal outsiders teach us about how categories of race\, Blackness\, and caste overlapped and operated in the twentieth-century Middle East and beyond? \nGukha Amin is a historian of modern Yemen and a current UC President’s Postdoctoral Fellow at UC Santa Cruz. She is interested in questions of race and racialization in the Middle East and North Africa. Her book project\, The Nesting Margins: Identity and Belonging in Oceanic Yemen is a social history of racial and social minorities living and moving across late-nineteenth and early twentieth-century Southern Arabia. Gukha is the founder and curator of The Global Yemen Project\, an ongoing digital humanities project that narrates the global histories of an “Oceanic Yemen” through the lives of those on the margins of Yemeni society. \n\nPresented by the Center for the Middle East and North Africa. Lunch will be served during the talk.
URL:https://thi.ucsc.edu/event/from-the-margins-the-lives-and-labor-of-yemens-undesirable-subjects/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260509T101500
DTEND;TZID=America/Los_Angeles:20260509T101500
DTSTAMP:20260403T161120
CREATED:20260402T180248Z
LAST-MODIFIED:20260402T213736Z
UID:10007909-1778321700-1778321700@thi.ucsc.edu
SUMMARY:Saturday Shakespeare - Macbeth
DESCRIPTION:Saturday Shakespeare in Santa Cruz Presents Macbeth by William Shakespeare Aptos Library on Aoril 18\, 25\, May 2\, 9 & 16 2026 at 10:15 a.m in the Aptos Library Betty Leonard Community Room (in person or join by Zoom). The first hour will be a conversation with the scheduled guest speaker followed by a volunteer read aloud of the play. On May 16\,a video of a live stage production will be shown. This event series is co-sponsored by the UC Santa Cruz Shakespeare Workshop. \nFor more information\, Zoom Link\, or to volunteer to be a reader\, contact: saturdayshakespeare@gmail.com \nGuest Speakers / Video Recording \n\nApril 18: Julia Reinhard Lupton\, Distinguished Professor Emerita of English & Comparative Literature & Co-Director of the New Swan Shakespeare Center at UC\, Irvine. Reading: Act 1\nApril 25: Paul Mullins\, Acclaimed New York-based theatre director and actor\, Paul will direct Santa Cruz Shakespeare’s 2026 production of Macbeth. Reading: Act 2 through Act 3\, Scene 3\nMay 2: Abigail Heald\, Lecturer in Literature @ UC Santa Cruz & Stanford. She is writing a book on the relationship between art and emotion in Shakespeare’s work. Reading: Act 3\, Scene 4 through Act 4\, Scene 2\nMay 9: Charles Pasternak\, Actor / Director\, Artistic Director of Santa Cruz Shakespeare. Reading: Act 4\, Scene 3 through Act 5\, Scene 8\nMay 16: Video recording of a live stage production at the Globe Theatre\, directed by Tony Award winning director Eve Best\, and starring Joseph Millson (Macbeth) and Samantha Spiro (Lady Macbeth).
URL:https://thi.ucsc.edu/event/saturday-shakespeare-macbeth-may9/
LOCATION:Virtual and In Person
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260511T190000
DTEND;TZID=America/Los_Angeles:20260511T200000
DTSTAMP:20260403T161120
CREATED:20260310T192113Z
LAST-MODIFIED:20260310T200246Z
UID:10007871-1778526000-1778529600@thi.ucsc.edu
SUMMARY:Reyna Grande - Migrant Heart
DESCRIPTION:Bookshop Santa Cruz welcomes award-winning author Reyna Grande (The Distance Between Us) back to the store to celebrate the release of her newest book Migrant Heart: Essays About Things I Can’t Forget—an ambitious memoir in essays that illuminates the hidden cost of the American Dream and the complex journey of healing that follows survival. Grande will be in conversation with Sylvanna Falcón\, Professor of Latin American and Latino Studies at UC Santa Cruz. \nMigrant Heart is a powerful testament to Grande’s role as a storyteller and cultural witness. It is an essential\, moving read that continues to expand what we understand about the United States and the complex people who cross and live within its borders. It is a book for anyone seeking to understand the true price of belonging and the enduring power of finding one’s voice. \n \nReyna Grande is an award-winning author\, motivational speaker\, and writing teacher. As a young girl\, she crossed the US-Mexico border to join her family in Los Angeles\, a harrowing journey chronicled in The Distance Between Us\, a National Book Critics Circle Award finalist. Her other books include the novels A Ballad of Love and Glory\, Across a Hundred Mountains\, and Dancing with Butterflies\, the memoirs Migrant Heart\, The Distance Between Us: Young Readers Edition\, and A Dream Called Home\, and the anthology Somewhere We Are Human: Authentic Voices on Migration\, Survival\, and New Beginnings. She lives in Woodland\, California\, with her husband and two children. Visit ReynaGrande.com for more information. \nSylvanna Falcón is a Professor of Latin American and Latino Studies at UC Santa Cruz. She is the winner of the 2016 Gloria Anzaldúa Book Prize from the National Women’s Studies Association and of a teaching award from the Division of Social Sciences at UC Santa Cruz. \nMore information at: Bookshop Santa Cruz – Reyna Grande \n\nThis event is cosponsored by Latin American and Latino Studies and The Humanities Institute at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/reyna-grande-migrant-heart/
LOCATION:Bookshop Santa Cruz\, 1520 Pacific Avenue\, Santa Cruz\, CA\, 95060\, United States
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2026/03/Untitled-design-46.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260513T121500
DTEND;TZID=America/Los_Angeles:20260513T133000
DTSTAMP:20260403T161120
CREATED:20260323T230626Z
LAST-MODIFIED:20260323T230626Z
UID:10007890-1778674500-1778679000@thi.ucsc.edu
SUMMARY:Camilla Hawthorne\, Michael Whalen\, Christina Zanfagna\, and John Gennari - BLACKITALIAN: A Documentary Screening and Discussion
DESCRIPTION:What are the meanings of belonging and cultural identity at a time of resurgent white nationalism\, large-scale transnational migration\, and the increasingly convulsive dynamics of nation and imperium? We address this question in a screening and robust critical discussion of scenes from a documentary film-in-progress called BLACKITALIAN. A collaboration between cultural geographer Camilla Hawthorne\, ethnomusicologist Christina Zanfagna\, cultural historian John Gennari\, and filmmaker Michael Whalen\, BLACKITALIAN interweaves “story walks\,” interviews\, and media representations to explore cross-racial contact zones of music\, foodways\, and other forms of expressive culture in the cities of New York\, New Orleans\, and Milan. What emerges is a dynamic story about the ways social outsiders move to the inside and create new forms of culture and belonging\, challenging us to confront our differences and understand our entwined histories. \n \nCamilla Hawthorne is Associate Professor of Sociology and Critical Race and Ethnic Studies at the University of California\, Santa Cruz. The bilingual\, dual citizen daughter of a Black American father and an Italian mother\, Hawthorne has studied the politics of race\, citizenship\, and Blackness in Italy and the wider Mediterranean region for over a decade. She is the author of the monograph Contesting Race and Citizenship: Youth Politics in the Black Mediterranean (Cornell University Press 2022; published in Italian as Razza e cittadinanza. Frontiere contese e contestate nel Mediterraneo nero\, Astarte Edizioni 2023) and co-editor of The Black Mediterranean: Bodies\, Borders and Citizenship (Palgrave Macmillan 2021) and The Black Geographic: Praxis\, Resistance\, Futurity (Duke University Press\, 2023). She also serves as program director and faculty member with the Black Europe Summer School in Amsterdam\, The Netherlands. In 2020\, Hawthorne was named one of the Corriere della Sera (Italy’s largest national newspaper) Women of the Year for her contributions to the study of the Black diaspora in Italy \n \nMichael Whalen is the Knight Ridder/San Jose Mercury New Endowed Professor at Santa Clara University. A member of the Director’s Guild of America since 1996\, Whalen has extensive experience writing one-hour documentaries focusing on humanities scholarship for A&E (a dozen episodes of “Ancient Mysteries” and “Biography”) and the Discovery Channel/TLC (six episodes of “Super Structures”). He has also produced documentaries for The Discovery Channel\, NBC\, MTV\, and The Learning Channel (TLC). As an independent filmmaker\, Whalen regularly explores themes of identity and culture with his documentaries. Another First Step (1994\, Cine Golden Eagle Award) tells the story of an Irish American father trying to care for his autistic deaf and mute son in the 1950s and 60s. FRESH women (2007\, Worldfest Gold Medal) profiles four 40-year-old women leaving the corporate world to launch careers in art. A Christmas in Tent City (2008\, multiple Best Short Film awards) recounts the experience of a Mexican immigrant child living in a migrant worker camp. A Question of Habit (PBS\, 2011) uncovers how popular culture (think Sister Mary Margarita cocktail napkins and nun porn) has erased the real history of American nuns. The Farmer & The Chef (Australian Public Television\, 2014) takes the audience behind the scenes of a working relationship between a world class chef and farmer\, and Gringos at the Gate (2012\, ESPN) explores US/Mexican relations and national identity through the intense rivalry of the two nations’ soccer teams. \n \nChristina Zanfagna is an Associate Professor of Music and Ethnic Studies at Santa Clara University. An ethnomusicologist and bicoastal Italian-American who grew up on hip hop and basketball\, her research explores the intersections of Black popular music\, race\, and urban space. She is the author of Holy Hip Hop in the City of Angels (University of California Press\, 2017)\, an ethnographic monograph that examines the everyday lives of former gangsta rappers turned gospel rappers in Los Angeles. Zanfagna’s writing has appeared in a variety of publications\, including Journal of Popular Music Studies\, Black Music Research Journal\, Oxford Handbook of Mobile Music and Sound Studies\, Cambridge Companion to Hip Hop\, Routledge Handbook of Religion and American Culture\, and Nonstop Metropolis: A New York City Atlas\, as well as journalistic publications such as The Beat\, fRoots\, and Stranger’s Guide. She has written on topics ranging from hip hop’s religious history to digital DJing practices\, “krump” street dancing in South L.A.\, the globalization of flamenco\, Harlem’s musical and religious diasporas\, and the soundscapes of American gentrification. She is also a flamenco dancer\, regularly performing throughout the San Francisco Bay Area. \n \nJohn Gennari is Professor of English and Critical Race and Ethnic Studies at the University of Vermont. He is an American Studies-trained U.S. cultural historian with specializations in jazz and popular music\, race and ethnicity\, Italian American culture\, food\, sports\, and cultural criticism. He is the author of Flavor and Soul: Italian America at Its African American Edge (University of Chicago Press\, 2017. His earlier book\, Blowin’ Hot and Cool: Jazz and Its Critics (University of Chicago Press\, 2006)\, was awarded the ASCAP-Deems Taylor Award for Excellence in Music Criticism and the John Cawelti Award for the Best Book in American Culture. Gennari has held fellowships from the National Endowment for the Humanities\, the W.E.B. Du Bois Institute at Harvard University\, and the Carter G. Woodson Institute at the University of Virginia. \n\nPresented by the Center for Cultural Studies and co-sponsored by the Center for South Asian Studies and the Department of Anthropology Colloquium. This event is open to all students\, faculty\, staff\, and members of the public consistent with University policy and state and federal law. \n\n \nSpring 2026 COLLOQUIUM SERIES \nTHE CENTER FOR CULTURAL STUDIES hosts a weekly Wednesday colloquium featuring work-in-progress by faculty & visitors. We are pleased to announce our Spring 2026 Series. Sessions begin promptly at 12:15 PM and end at 1:30 PM (PST) in Humanities Building 1\, Room 210. \nStaff assistance is provided by The Humanities Institute.
URL:https://thi.ucsc.edu/event/camilla-hawthorne-michael-whalen-christina-zanfagna-and-john-gennari-blackitalian-a-documentary-screening-and-discussion/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260514T100000
DTEND;TZID=America/Los_Angeles:20260514T113000
DTSTAMP:20260403T161120
CREATED:20260317T171037Z
LAST-MODIFIED:20260317T212110Z
UID:10007880-1778752800-1778758200@thi.ucsc.edu
SUMMARY:Jean Drèze - "Yummy: School Meals in India"
DESCRIPTION:Join the Center for South Asian Studies for a virtual talk by Jean Drèze\, “Yummy: School Meals in India.” School meals have been a legal entitlement of Indian children since 2001. It took some years for this legal entitlement to translate into functional schemes\, but from then onwards school meals have made important contributions to child nutrition\, school attendance\, and social equity. From time to time\, they faced some resistance from the biscuit industry\, finance ministries\, upper-caste parents\, and other parties. School meals are alive and well today\, yet much scope remains to expand their nutritional\, educational\, and social benefit \n \nThis event is virtual. Register above. \nJean Drèze is a development economist based in Ranchi (Eastern India). His work focuses on various aspects of social policy\, from employment guarantee to school meals. He is also active in various campaigns for economic and social rights. \n  \n\nPresented by the Center for South Asian Studies.
URL:https://thi.ucsc.edu/event/jean-dreze-yummy-school-meals-in-india/
LOCATION:Virtual Event
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2026/03/Untitled-design-57.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260514T172000
DTEND;TZID=America/Los_Angeles:20260514T185500
DTSTAMP:20260403T161120
CREATED:20260402T175450Z
LAST-MODIFIED:20260402T175450Z
UID:10007903-1778779200-1778784900@thi.ucsc.edu
SUMMARY:Living Writers
DESCRIPTION:In Nourishment\, Us. \nAbout the Living Writers Series\nThe Living Writers Series (LWS) is a live reading series organized especially for the Creative Writing Program community at UCSC. There is a new series each quarter\, and each series features writers with unique voices. The LWS is open to all creative writing students and the public. \n\nSponsored by the Porter Hitchcock Poetry Fund\, The Humanities Institute\, The Laurie Sain Endowment\, and the Bay Tree Bookstore.
URL:https://thi.ucsc.edu/event/living-writers/
LOCATION:Humanities Lecture Hall\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260514T190000
DTEND;TZID=America/Los_Angeles:20260514T190000
DTSTAMP:20260403T161120
CREATED:20260331T213150Z
LAST-MODIFIED:20260331T220412Z
UID:10007896-1778785200-1778785200@thi.ucsc.edu
SUMMARY:An Evening with Journalist David Noriega
DESCRIPTION:In partnership with City on a Hill Press and with support from The Humanities Institute and Critical Race and Ethnic Studies\, Kresge’s Media and Society Series presents an evening with award-winning journalist David Noriega. \nDavid Noriega is an award-winning journalist and National Correspondent for NBC News. He has reported from all across the United States and more than a dozen countries on five continents\, covering migration\, politics\, armed conflict\, organized crime\, labor\, the environment\, and more. Noriega is the recipient of an Edward R. Murrow Award for his reporting from Mexico\, as well as awards from the National Association of Hispanic Journalists\, the New York Press Club\, the Los Angeles Press Club\, and the French American Foundation. His work has been nominated three times for the News and Documentary Emmy Awards. \n 
URL:https://thi.ucsc.edu/event/an-evening-with-journalist-david-noriega/
LOCATION:Namaste Lounge – College 9\, Namaste Lounge\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260515T193000
DTEND;TZID=America/Los_Angeles:20260515T193000
DTSTAMP:20260403T161120
CREATED:20260310T200043Z
LAST-MODIFIED:20260311T173000Z
UID:10007874-1778873400-1778873400@thi.ucsc.edu
SUMMARY:CMENA's Annual Concert Featuring Aza
DESCRIPTION:CMENA is proud to present AZA for our 2026 Spring concert. AZA weaves the rich musical traditions of North Africa’s Tamazight culture with contemporary global influences\, creating a unique and captivating sound. Led by Moroccan-born musician Fattah Abbou\, AZA blends the intricate melodies and dynamic rhythms of styles like Ahwash\, Rwais\, and Gnawa. The band celebrates Amazigh heritage through music\, art\, and education – building bridges between cultures across continents. \n\nPresented by the Center for the Middle East and North Africa
URL:https://thi.ucsc.edu/event/aza-celebrating-amazigh-heritage-through-music/
LOCATION:Woodhouse Brewery\, 119 Madrone St.\, Santa Cruz\, United States
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2026/03/Untitled-design-45.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260516T101500
DTEND;TZID=America/Los_Angeles:20260516T101500
DTSTAMP:20260403T161120
CREATED:20260402T174105Z
LAST-MODIFIED:20260402T214004Z
UID:10007900-1778926500-1778926500@thi.ucsc.edu
SUMMARY:Saturday Shakespeare - Macbeth
DESCRIPTION:Saturday Shakespeare in Santa Cruz Presents Macbeth by William Shakespeare Aptos Library on Aoril 18\, 25\, May 2\, 9 & 16 2026 at 10:15 a.m in the Aptos Library Betty Leonard Community Room (in person or join by Zoom). The first hour will be a conversation with the scheduled guest speaker followed by a volunteer read aloud of the play. On May 16\,a video of a live stage production will be shown. This event series is co-sponsored by the UC Santa Cruz Shakespeare Workshop. \nFor more information\, Zoom Link\, or to volunteer to be a reader\, contact: saturdayshakespeare@gmail.com \nGuest Speakers / Video Recording \n\nApril 18: Julia Reinhard Lupton\, Distinguished Professor Emerita of English & Comparative Literature & Co-Director of the New Swan Shakespeare Center at UC\, Irvine. Reading: Act 1\nApril 25: Paul Mullins\, Acclaimed New York-based theatre director and actor\, Paul will direct Santa Cruz Shakespeare’s 2026 production of Macbeth. Reading: Act 2 through Act 3\, Scene 3\nMay 2: Abigail Heald\, Lecturer in Literature @ UC Santa Cruz & Stanford. She is writing a book on the relationship between art and emotion in Shakespeare’s work. Reading: Act 3\, Scene 4 through Act 4\, Scene 2\nMay 9: Charles Pasternak\, Actor / Director\, Artistic Director of Santa Cruz Shakespeare. Reading: Act 4\, Scene 3 through Act 5\, Scene 8\nMay 16: Video recording of a live stage production at the Globe Theatre\, directed by Tony Award winning director Eve Best\, and starring Joseph Millson (Macbeth) and Samantha Spiro (Lady Macbeth).
URL:https://thi.ucsc.edu/event/saturday-shakespeare-macbeth-may16/
LOCATION:Aptos Library\, 7695 Soquel Dr\, Aptos\, 95003\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260519T120000
DTEND;TZID=America/Los_Angeles:20260519T133000
DTSTAMP:20260403T161120
CREATED:20260331T215829Z
LAST-MODIFIED:20260331T220331Z
UID:10007897-1779192000-1779197400@thi.ucsc.edu
SUMMARY:Privacy’s Defender: Fight Against Digital Surveillance with Cindy Cohn
DESCRIPTION:Cindy Cohn has devoted her life to the fight for digital rights. She’s tangled with federal officials to keep our online conversations secure from the government’s prying eyes\, fought to ensure that you are told when your information has been turned over to the government\, and argued before judges to protect our right to speak and to share science and knowledge on the internet. \nIn Privacy’s Defender: My Thirty-Year Fight Against Digital Surveillance (MIT Press)\, Cindy weaves her own personal story with her role as a leading legal voice representing the rights and interests of technology users\, innovators\, whistleblowers\, and researchers during the Crypto Wars of the 1990s\, battles over NSA’s dragnet internet spying revealed in the 2000s\, and the fight against FBI gag orders. \nDuring this national book tour\, Cindy will be at UC Santa Cruz to give a book talk on May 19\, 2026 from 12:00-1:30 pm. \n \nFree and open to the public with registration. This event is both in-person and virtual. \nCindy Cohn is the Executive Director of the Electronic Frontier Foundation\, which works to ensure that technology supports freedom\, justice and innovation for all the people of the world. Before becoming Executive Director a decade ago\, Cindy was the organization’s Legal Director from 2000-2015\, and led the organization’s impact litigation work on bringing balance to copyright law\, stopping mass spying and protecting freedom of expression online. She’s won many awards for her work and even more court decisions. \n\nInstitute for Social Transformation\, The Humanities Institute\, Dolores Huerta Research Center for the Americas\, The Center for Information Technology Research in the Interest of Society and the Banatao Institute (CITRIS)\, and the Security Research Lab.
URL:https://thi.ucsc.edu/event/privacys-defender-fight-against-digital-surveillance-with-cindy-cohn/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2026/03/Privacy-Defender.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260519T180000
DTEND;TZID=America/Los_Angeles:20260519T180000
DTSTAMP:20260403T161120
CREATED:20260324T220549Z
LAST-MODIFIED:20260330T223730Z
UID:10007892-1779213600-1779213600@thi.ucsc.edu
SUMMARY:The Deep Read: Faculty Salon on Entangled Life
DESCRIPTION:Join us for a salon-style event at the Hay Barn on campus where our participating Deep Read faculty\, Professors Benjamin Breen (History)\, Gregory Gilbert (Environmental Studies)\, and Donna Haraway (History of Consciousness and Feminist Studies) will give brief presentations and discuss Entangled Life with the Deep Read community in a Q&A moderated by Deep Read Faculty Co-Lead\, Laura Martin. Participants can also attend virtually. \n \nIn person at the Cowell Ranch Hay Barn. Doors open at 5:30pm. \nEvent Logistics: Bicycling\, carpooling\, ridesharing\, and public transportation are encouraged as parking is limited on campus. If you drive to the event\, please plan to park in UCSC Lot #115 or #116. To reach these lots\, proceed through the main entrance to campus\, continue up the hill from the information kiosk on Coolidge\, then turn right at the Ranch View/Carriage House Road stoplight into the Carriage House/Campus Facilities parking lot. The Hay Barn is a 5-minute walk across the street from the parking lot. There will be directional signage to help you get to the correct parking lot and the Hay Barn entrance. Overflow parking will be available in lot #122. View the campus parking map here. \n\n \nThe Deep Read is an annual program of The Humanities Institute at UC Santa Cruz made possible through the generous support of the Helen and Will Webster Foundation. We invite curious minds to think deeply about books and the most pressing issues of our contemporary moment.
URL:https://thi.ucsc.edu/event/the-deep-read-faculty-salon-on-entangled-life/
LOCATION:Virtual and In Person
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2026/03/Deep-Read-Event-Page-Banners.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260520T121500
DTEND;TZID=America/Los_Angeles:20260520T133000
DTSTAMP:20260403T161120
CREATED:20260323T231059Z
LAST-MODIFIED:20260323T232223Z
UID:10007891-1779279300-1779283800@thi.ucsc.edu
SUMMARY:Alyssa Battistoni - Free Gifts: Capitalism and the Politics of Nature
DESCRIPTION:Co-sponsored by the Center for Critical Urban and Environmental Studies \nAlthough capitalism is typically treated as a force for relentless commodification\, it consistently fails to place value on vital aspects of the nonhuman world\, whether carbon emissions or entire ecosystems. Free Gifts argues that to understand contemporary ecological problems from biodiversity collapse to climate change\, we have to understand how some things come to have value under capitalism—and how others do not. The book recovers and reinterprets the idea of the free gift of nature used by classical economic thinkers to describe what we gratuitously obtain from the natural world\, and builds on Karl Marx’s critique of political economy to show how capitalism fundamentally treats nature as free for the taking. This novel theory of capitalism’s relationship to nature not only helps us understand contemporary ecological breakdown\, but also casts capitalism’s own core dynamics in a new light. \nAlyssa Battistoni is Assistant Professor of Political Science at Barnard College. She works and teaches on climate and environmental politics\, capitalism\, Marxism\, feminism\, and other topics in contemporary social and political thought. Alyssa is the co-author of A Planet to Win: Why We Need a Green New Deal (Verso 2019)\, and Free Gifts: Capitalism and the Politics of Nature (Princeton 2025)\, and her academic work has been published in the American Political Science Review\, Political Theory\, NOMOS\, Perspectives on Politics\, Contemporary Political Theory\, among other outlets. \n\nPresented by the Center for Cultural Studies and co-sponsored by the Center for South Asian Studies and the Department of Anthropology Colloquium. This event is open to all students\, faculty\, staff\, and members of the public consistent with University policy and state and federal law. \n\n \nSpring 2026 COLLOQUIUM SERIES \nTHE CENTER FOR CULTURAL STUDIES hosts a weekly Wednesday colloquium featuring work-in-progress by faculty & visitors. We are pleased to announce our Spring 2026 Series. Sessions begin promptly at 12:15 PM and end at 1:30 PM (PST) in Humanities Building 1\, Room 210. \nStaff assistance is provided by The Humanities Institute.
URL:https://thi.ucsc.edu/event/alyssa-battistoni-free-gifts-capitalism-and-the-politics-of-nature/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2026/03/Copy-of-banner-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260520T190000
DTEND;TZID=America/Los_Angeles:20260520T203000
DTSTAMP:20260403T161120
CREATED:20260318T190045Z
LAST-MODIFIED:20260402T225615Z
UID:10007885-1779303600-1779309000@thi.ucsc.edu
SUMMARY:Film Screening with Raed Rafei - "Tripoli: A Tale of Three Cities"
DESCRIPTION:Pre-Screening Reception: 5:30-7pm\, Communications 139 \nFilm Screening:  7-8:30\, Communications\, Studio C \nWhile living abroad\, a filmmaker returns to Tripoli\, Lebanon\, to confront a hometown that once rejected him as a queer child. With a microphone in hand\, he walks around coffee shops\, public squares\, and a park to ask the city’s inhabitants about their cultural and social beliefs and their embrace of new ideas. Gradually\, he meets a group of marginalized individuals whose eccentric life choices contradict the general lifestyle in this religiously and socially conservative city. Through intimate conversations with a communist activist\, a queer music producer\, and other unconventional characters\, Tripoli: A Tale of Three Cities explores the complicated relations one forms with a hometown in crisis. This contemplative urban symphony paints a picture of a city trapped in a self-spun web\, paralyzed by a deep economic crisis\, a faltering revolution\, and a looming doomsday. \nJoin us for a screening of the film followed by a discussion between UC Santa Cruz alum\, Raed Rafei\, and Professor of Film and Digital Media\, Peter Limbrick. \nRaed (El) Rafei is a filmmaker\, scholar\, and multimedia journalist who has directed award-winning documentaries and experimental films. As a journalist\, he has worked for international publications like the Los Angeles Times and news outlets like CNN and Al-Jazeera Documentary Channel. Rafei holds a PhD in Film and Digital Media from the University of California\, Santa Cruz\, and an MA in Journalism from the City University of New York Graduate School of Journalism. He is an Assistant Professor of Film and Media Studies at the University of Pittsburgh and his research focuses on queer cinema in the Arab region and its diasporas. His films\, which include Tripoli: A Tale of Three Cities\, 74 (The Reconstitution of a Struggle) and Al-Atlal (The Ruins)\, have screened at international film festivals and venues like IDFA\, the Centre Pompidou in Paris\, Doc Lisboa\, Visions du Réel\, and the Pacific Film Archives in Berkeley. \n\nPresented by the Center for the Middle East and North Africa and co-sponsored by Film and Digital Media \n 
URL:https://thi.ucsc.edu/event/film-screening-tripoli-a-tale-of-three-cities/
LOCATION:Communications 150\, Studio C
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T110000
DTEND;TZID=America/Los_Angeles:20260521T130000
DTSTAMP:20260403T161120
CREATED:20260317T171351Z
LAST-MODIFIED:20260317T212354Z
UID:10007881-1779361200-1779368400@thi.ucsc.edu
SUMMARY:Prof Dr Laura Van Broekhoven - Indigenous-Led Regenerative Partnerships: Reframing Museum Ethics for Reconciliation and Societal Healing
DESCRIPTION:For over a decade\, the Pitt Rivers Museum has engaged in sustained\, collaborative work with Indigenous peoples whose cultural belongings\, acquired through histories of dispossession and colonial violence\, are now held in Oxford. Part of the work has helped reposition the museum as a site of cultural care rather than a repository of extracted\, well-preserved “assets.” Drawing on four recent projects that have prioritised listening and collaboration grounded in Indigenous self-determination—including “Maasai: Living Cultures\,” “Naga: A Path Home\,” “Shuar: Proyecto Tsantsa\,” and “Evenki: Wandering in Other Worlds”—Prof. Van Broekhoven explores how Indigenous-led partnerships can enable transformational change through shifting power dynamics on an institutional and societal level. \nThis lecture examines how Indigenous-led partnerships challenge entrenched academic norms that privilege written documentation over Indigenous knowledge systems. In some contexts\, communities have chosen not repatriation but cultural care\, reconciliation\, and processes of peace-building through reparative justice\, using collaboration as a catalyst to renew and strengthen their own governance structures and to address internal inequities shaped by colonial histories. In others\, existing peace-making frameworks have been reactivated to collectively confront the enduring impact of colonialism and to imagine pathways for recovery and decolonising the present. Across these contexts\, regenerative partnerships can support peace\, healing\, and structural repair\, even as such shifts may be experienced as loss by those long accustomed to institutional advantage. \nProfessor Laura Van Broekhoven is the Director of the Pitt Rivers Museum and Professor of Museum Studies\, Ethics\, and Material Culture at the University of Oxford. As a member of the Colonial Collections Committee\, she advises the Dutch Ministry of Culture on repatriation. She is an international authority on museum ethics and the development of new praxis in the field of ethnographic museums\, especially with regards to redress and repatriation\, always working through partnership. At the 2022 European Museum of the Year Awards\, Laura was awarded the Kenneth Hudson Award for Institutional Courage and Professional Integrity by the European Museum Forum as recognition of four museum directors for their ‘”personal courage and professional integrity in their continuous contributions to developing a new global ethics for museums\, addressing the urgent and contentious issues of decolonization\, restitution\, reparation\, and repatriation.” In May 2025\, Laura won the “Making a difference globally” VC award and the Museum+Heritage ‘Partnership of the Year’ award for the groundbreaking Maasai Living Cultures project.
URL:https://thi.ucsc.edu/event/prof-dr-laura-van-broekhoven-indigenous-led-regenerative-partnerships-reframing-museum-ethics-for-reconciliation-and-societal-healing/
LOCATION:Social Sciences 1\, Room 261\,  Social Sciences 1‎ University of California Santa Cruz\, College Ten\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260521T172000
DTEND;TZID=America/Los_Angeles:20260521T185500
DTSTAMP:20260403T161120
CREATED:20260402T175607Z
LAST-MODIFIED:20260402T175607Z
UID:10007904-1779384000-1779389700@thi.ucsc.edu
SUMMARY:Living Writers with Terri Witek
DESCRIPTION:In Nourishment\, Us. \nTerri Witek (Stetson University Emeritus). Poet/Visual Artist \nAbout the Living Writers Series\nThe Living Writers Series (LWS) is a live reading series organized especially for the Creative Writing Program community at UCSC. There is a new series each quarter\, and each series features writers with unique voices. The LWS is open to all creative writing students and the public. \n\nSponsored by the Porter Hitchcock Poetry Fund\, The Humanities Institute\, The Laurie Sain Endowment\, and the Bay Tree Bookstore.
URL:https://thi.ucsc.edu/event/living-writers-with-terri-witek/
LOCATION:Humanities Lecture Hall\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260526T180000
DTEND;TZID=America/Los_Angeles:20260526T180000
DTSTAMP:20260403T161120
CREATED:20260325T220522Z
LAST-MODIFIED:20260331T192956Z
UID:10007893-1779818400-1779818400@thi.ucsc.edu
SUMMARY:The Deep Read: The Literature and Poetics of Fungi Salon
DESCRIPTION:Join us for a salon-style event at the Hay Barn on campus where we will hold a salon focused on the literary and poetic influence of fungi and its relation to Entangled Life. The salon will feature Professors Hannah Cole (Assistant Professor of Literature at UC Santa Cruz)\, Brenda Hillman (Professor Emerita of Poetry at Saint Mary’s College)\, A. Laurie Palmer (Professor Emerita of Art at UC Santa Cruz)\, and Jennifer Tseng (Associate Professor of Literature and Creative Writing at UC Santa Cruz) in conversation with moderator Laura Martin and the Deep Read community. Participants can also attend virtually. \n \nIn person at the Cowell Ranch Hay Barn. Doors open at 5:30pm. \nEvent Logistics: Bicycling\, carpooling\, ridesharing\, and public transportation are encouraged as parking is limited on campus. If you drive to the event\, please plan to park in UCSC Lot #115 or #116. To reach these lots\, proceed through the main entrance to campus\, continue up the hill from the information kiosk on Coolidge\, then turn right at the Ranch View/Carriage House Road stoplight into the Carriage House/Campus Facilities parking lot. The Hay Barn is a 5-minute walk across the street from the parking lot. There will be directional signage to help you get to the correct parking lot and the Hay Barn entrance. Overflow parking will be available in lot #122. View the campus parking map here. \n\n \nThe Deep Read is an annual program of The Humanities Institute at UC Santa Cruz made possible through the generous support of the Helen and Will Webster Foundation. We invite curious minds to think deeply about books and the most pressing issues of our contemporary moment.
URL:https://thi.ucsc.edu/event/the-deep-read-the-literature-and-poetics-of-fungi-salon/
LOCATION:Virtual and In Person
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2026/03/THI_Website_Event_Page_Craft_Banner.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260527T121500
DTEND;TZID=America/Los_Angeles:20260527T133000
DTSTAMP:20260403T161120
CREATED:20250321T025355Z
LAST-MODIFIED:20260323T231900Z
UID:10007638-1779884100-1779888600@thi.ucsc.edu
SUMMARY:Murad Idris – Against Hate: On the Politics of a False Diagnosis
DESCRIPTION:Co-sponsored by the Global Political Thought Working Group \nThe idea that “hate” names a fundamental problem of our time has engulfed Anglophone public discourse. Republicans and Democrats\, university presidents and doxxing campaigns\, advocacy organizations and journalists\, scholarly experts and “hate glossaries” criticize what they oppose as hate\, demand standing against hate\, and seem to treat hate as a diagnosis—one that comes with its own institutional prescriptions. In recent years\, Gaza has put the pervasiveness and power of this discourse on full display. What is the long history of this way of diagnosing politics and the world? Who hates\, what counts as hating\, who is hated\, and what broader philosophical structures and shifts underlie the subject for whom hate is a cipher or a code for understanding the world? The presentation offers a genealogy of “hate” through the question of Palestine over the last six decades\, its transformations\, and its intersections with anti-Muslim racism. \n \nMurad Idris is Associate Professor of Political Theory in the Department of Political Science at the University of Michigan and is currently a Fellow at the Wissenschaftskolleg zu Berlin. His award-winning book\, War for Peace: Genealogies of a Violent Ideal in Western and Islamic Thought (Oxford\, 2019)\, examines how philosophers fantasize about peace in order to promote hierarchy\, war\, and repression. He co-edited The Oxford Handbook of Comparative Political Theory (Oxford\, 2020)\, with Leigh Jenco and Megan Thomas\, and co-authored Political Theory: A Global and Comparative Introduction (SAGE\, 2025)\, with Leigh Jenco and Paulina Ochoa Espejo. He is completing projects about Sayyid Qutb’s global and critical thought\, the genealogies of racializing Islam\, and the politics of hate. He received his PhD in Political Science from the University of Pennsylvania with specializations in Political Theory and Middle East Politics. \n\nPresented by the Center for Cultural Studies and co-sponsored by the Center for South Asian Studies and the Department of Anthropology Colloquium. This event is open to all students\, faculty\, staff\, and members of the public consistent with University policy and state and federal law. \n\n \nSpring 2026 COLLOQUIUM SERIES \nTHE CENTER FOR CULTURAL STUDIES hosts a weekly Wednesday colloquium featuring work-in-progress by faculty & visitors. We are pleased to announce our Spring 2026 Series. Sessions begin promptly at 12:15 PM and end at 1:30 PM (PST) in Humanities Building 1\, Room 210. \nStaff assistance is provided by The Humanities Institute.
URL:https://thi.ucsc.edu/event/murad-idris-dialogue-for-hate-a-global-genealogy/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260531T160000
DTEND;TZID=America/Los_Angeles:20260531T160000
DTSTAMP:20260403T161120
CREATED:20251204T183855Z
LAST-MODIFIED:20260326T155624Z
UID:10007796-1780243200-1780243200@thi.ucsc.edu
SUMMARY:The Deep Read - A Conversation with Merlin Sheldrake
DESCRIPTION:Join us for a free\, public conversation with British mycologist and author\, Merlin Sheldrake\, at UC Santa Cruz’s Quarry Amphitheater on May 31\, 2026. He’ll discuss his New York Times bestseller\, Entangled Life: How Fungi Make our Worlds\, Change our Minds\, and Shape our Futures with Associate Professor of History Benjamin Breen and the Deep Read community. Together\, we’ll explore the dependence of all life—human\, plant\, animal\, and beyond—on fungal networks and how the resulting interconnections provoke us to reconsider our understanding of existence\, identity\, intelligence\, and more. \n \n\n \nThe Deep Read is an annual program of The Humanities Institute at UC Santa Cruz made possible through the generous support of the Helen and Will Webster Foundation. We invite curious minds to think deeply about books and the most pressing issues of our contemporary moment.
URL:https://thi.ucsc.edu/event/the-deep-read-a-conversation-with-merlin-sheldrake/
LOCATION:Quarry Amphitheater
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260601T120000
DTEND;TZID=America/Los_Angeles:20260601T133000
DTSTAMP:20260403T161120
CREATED:20260318T190225Z
LAST-MODIFIED:20260319T201139Z
UID:10007886-1780315200-1780320600@thi.ucsc.edu
SUMMARY:CMENA Student Choice Lecture:  Razan Ghazzawi -Carceral Geographies to Racialized Borders: A Queer Feminist Ethnography
DESCRIPTION:Join us for the annual student choice lecture presented by the Center for the Middle East and North Africa:  Razan Ghazzawi\, “Carceral Geographies to Racialized Borders: A Queer Feminist Ethnography.”  From a positionality of an exiled protestor in Europe and a former political prisoner in Syria\, this project traces the journeys of eight self-identified Syrian and Palestinian LGBTQ artists\, workers\, performers\, and refugees from their temporary exile locations in Lebanon to their refugee destinations in Europe. It explores the interlocutors’ temporal encounters with geographies of checkpoints and prisons in Syria and Lebanon\, on one side\, and racialized borders of Europe\, on the other. This project investigates narratives of what Rima Hammami calls “carceral geographies” as well as surviving checkpoints\, prisons\, and asylum journeys from Syria and Lebanon to Europe. The talk will focus on one of the book’s chapters\, which examines stories of navigating and surviving racialized borders as LGBTQ refugees of color\, and how this experience is securitized and militarized; it will also explore emotional labor and care as affective forms of protest within the context of military carceral states in Syria and Lebanon as well as Europe’s “refugee crisis.” \nDr. Razan Ghazzawi (they/them/هي\هن) is an award-winning human rights defender\, former political prisoner\, and recovering blogger. They are an Assistant Professor in the Department of Women\, Gender\, and Sexuality Studies at Oregon State University. A MESA Global Academy Fellow for 2024–2025\, Ghazzawi’s work has appeared in ARTE\, Al Jazeera English\, The Middle East Journal of Culture and Communication\, and Kohl: A Journal for Body and Gender Research. They are currently developing their first book monograph\, an ethnographic study of sexuality politics in Syria and Lebanon that examines revolution\, the “war on terror\,” and the “refugee crisis” from south–south perspectives. \n\nCo-presented by the Center for the Middle East and North Africa and the Arab Students Union. Lunch will be served during the talk.
URL:https://thi.ucsc.edu/event/from-carceral-geographies-to-racialized-borders-a-queer-feminist-ethnography/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20260604T172000
DTEND;TZID=America/Los_Angeles:20260604T185500
DTSTAMP:20260403T161120
CREATED:20260402T175729Z
LAST-MODIFIED:20260402T175729Z
UID:10007905-1780593600-1780599300@thi.ucsc.edu
SUMMARY:Living Writers Student Reading
DESCRIPTION:In Nourishment\, Us. \nAbout the Living Writers Series\nThe Living Writers Series (LWS) is a live reading series organized especially for the Creative Writing Program community at UCSC. There is a new series each quarter\, and each series features writers with unique voices. The LWS is open to all creative writing students and the public. \n\nSponsored by the Porter Hitchcock Poetry Fund\, The Humanities Institute\, The Laurie Sain Endowment\, and the Bay Tree Bookstore.
URL:https://thi.ucsc.edu/event/living-writers-student-reading-8/
LOCATION:Humanities Lecture Hall\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
END:VCALENDAR