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X-WR-CALNAME:The Humanities Institute
X-ORIGINAL-URL:https://thi.ucsc.edu
X-WR-CALDESC:Events for The Humanities Institute
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TZID:America/Los_Angeles
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131003T160000
DTEND;TZID=America/Los_Angeles:20131003T173000
DTSTAMP:20260502T033931
CREATED:20130924T172416Z
LAST-MODIFIED:20130924T172416Z
UID:10005466-1380816000-1380821400@thi.ucsc.edu
SUMMARY:Otávio Bueno: "Seeing with a Microscope"
DESCRIPTION:In this talk\, Professor Bueno will propose an empiricist account of visual evidence in the sciences and examine the role it plays in scientific representation (particularly\, in microscopy). To motivate the view\, a critical examination of Bas van Fraassen’s empiricist proposal will be provided. \nOtávio Bueno is Professor of Philosophy and Chair of the Philosophy Department at the University of Miami. His research concentrates in philosophy of science\, philosophy of mathematics\, and philosophy of logic. He has published widely in these areas in journals such as: Noûs\, Mind\, British Journal for the Philosophy of Science\, Philosophy of Science\, Synthese\, Journal of Philosophical Logic\, Studies in History and Philosophy of Science\, and Analysis. He is editor-in-chief of Synthese. In his free time\, he enjoys to run ultramarathons.
URL:https://thi.ucsc.edu/event/otavio-bueno-seeing-with-a-microscope-2/
LOCATION:Humanities 1\, Room 320
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131003T160000
DTEND;TZID=America/Los_Angeles:20131003T180000
DTSTAMP:20260502T033931
CREATED:20130830T165549Z
LAST-MODIFIED:20130830T165549Z
UID:10005435-1380816000-1380823200@thi.ucsc.edu
SUMMARY:Joanne Barker: "In Debt: A Reconsideration of 'Race\, Empire\, and the Crisis of the Subprime' from Manna-Hata"
DESCRIPTION:Intervening in populist\, Occupy Wall Street discourses about the subprime crisis and its remedies\, this talk critically uncovers Manna Hata from Manhattan. Offering a long genealogical view of the militarized dispossession\, genocide\, and enslavement of Native peoples in order to problematize the subprime crisis as a signifier of racism\, this talk focuses on territorial expansion\, resource destruction and extraction\, labor exploitation\, and debt as past and present depredations upon Native nations and their citizens within the United States. In so doing\, this talk addresses Native debt in ways left unaccounted for in a proliferation of recent scholarship on debt\, including the special issue of American Quarterly\, “Race\, Empire\, and the Crisis of the Subprime.” By tracing current U.S. and global economic formations and their crises to inaugural violence upon Native nations and their citizens\, this talk examines the foundational nature of the U.S. military foreclosure of Native lands as part of its territorial homeland and its appropriation of Native bodies into its system of indentured labor relative to the crisis of home mortgages and their speculative securities. \nJoanne Barker (Lenape [Delaware Tribe of Indians]) is associate professor of American Indian Studies at San Francisco State University. She received her Ph.D. in the History of Consciousness Department from the University of California\, Santa Cruz\, in 2000 on the work of identity and identification in indigenous struggles for sovereignty and self-determination. She is author of Native Acts: Law Recognition\, and Cultural Authenticity (Duke University Press\, 2011) and editor of Sovereignty Matters: Locations of Contestation and Possibility in Indigenous Struggles for Self-Determination (Nebraska\, 2005). She is involved in cultural repatriation rights\, environmental issues\, human rights\, and anti-war politics. She has been the recipient of fellowships from the University of California\, the Rockefeller Foundation\, and the Ford Foundation.
URL:https://thi.ucsc.edu/event/joanne-barker-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131003T190000
DTEND;TZID=America/Los_Angeles:20131003T210000
DTSTAMP:20260502T033931
CREATED:20130926T160053Z
LAST-MODIFIED:20130926T160053Z
UID:10005470-1380826800-1380834000@thi.ucsc.edu
SUMMARY:Poetry and/or Revolution
DESCRIPTION:Oct 3-5\, UC Santa Cruz\, UC Davis\, UC Berkeley. \nThis conference is a pendant to the recent UK conference on Militant Politics and Poetry at Birkbeck College (Saturday\, 18 May 2013). It features a large number of US and UK scholar-poets. \nThe conference will take up from a variety of perspectives the relationship of poetry to political antagonism\, one which has recently been reanimated through the extensive participation of poets in political militancy. There will be an opening plenary and discussion including a summary of and response to the Birkbeck conference\, held at UC Santa Cruz. The second day will feature “scene reports”: from the UK poet-scholars on recent debates and on the situation in the UK\, and from poetics scholars and poets involved with Bay Area political struggle — to be held at UC Davis. The third day will feature discussions about the situation going forward\, including both theorizations of the poetry/politics relation\, problems of identity and representation\, and practical proposals for next activities — to be held at UC Berkeley. There will be poetry readings on each campus. Of interest to poets and to scholars of poetics\, modern/contemporary British literature\, British Studies\, modern/contemporary US literature\, Cultural Studies\, Transatlantic\, Political Science & Theory. \nUC Santa Cruz • October 3\, 2013\n7-9 PM\nChris Chen\, “Antagonism and/or Difference: Reading Race”\nJennifer Cooke\, “Poetic Sensations: Bodies\, Emotions & Change”\nPoetry Reading: Wendy Trevino\, Danny Hayward\, Jasper Bernes\, Jennifer Cooke\, Juliana Spahr\nHumanities 1\, Room 210\, Santa Cruz \nUC Davis • October 4\, 2013\n10-12 PM\nReport from six UK poet-scholars including organizers of the “Militant Poetry and Politics” conference at Birkbeck University\nVoorhies Hall 126\, Corner of First and A Streets\, Davis \n2-4 PM\nPoetics & Ports: a report from eight poet-scholars involved in Occupy Oakland and Bay Area political organizing\nVoorhies Hall 126\, Corner of First and A Streets\, Davis \n7-9 PM\nOffsite Poetry Reading: David Buuck\, Keston Sutherland\, Jill Richards\, Marianne Morris\, Chris Chen\nThird Space\, 946 Olive Drive at Richards Blvd.\, Davis \nUC Berkeley • October 5\, 2013\n10-12 PM\nRoundtable discussion of the relation between identity-based oppression and literary representation in militant poetics\nWheeler Hall 300\, English Department Media Room \n2-4 PM\nManifestos and/or practical proposals: 13 concise and eloquent considerations of the situation for revolution and/or poetry\nWheeler Hall 300\, English Department Media Room \n7-9 PM\nOffsite Poetry Reading & Farewell Celebration: Sean Bonney\, Imad Hassan\, Francesca Lisette\, Joshua Clover\nLocation announced at afternoon session\nMade possible by generous support from the UCSC Department of Literature and the Institute for Humanities Research at Santa Cruz. \nConference blog with schedule PDF’s of readings:\nhttp://revolutionandorpoetry.wordpress.com
URL:https://thi.ucsc.edu/event/poetry-andor-revolution-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131004T110000
DTEND;TZID=America/Los_Angeles:20131004T140000
DTSTAMP:20260502T033931
CREATED:20130830T165851Z
LAST-MODIFIED:20130830T165851Z
UID:10005437-1380884400-1380895200@thi.ucsc.edu
SUMMARY:Joanne Barker Seminar
DESCRIPTION:Joanne Barker will be lead a seminar followed by a Critical Race and Ethnic Studies (CRES) program building discussion. Please register to obtain the seminar readings. \n\nJoanne Barker (Lenape [Delaware Tribe of Indians]) is associate professor of American Indian Studies at San Francisco State University. She received her Ph.D. in the History of Consciousness Department from the University of California\, Santa Cruz\, in 2000 on the work of identity and identification in indigenous struggles for sovereignty and self-determination. She is author of Native Acts: Law Recognition\, and Cultural Authenticity (Duke University Press\, 2011) and editor of Sovereignty Matters: Locations of Contestation and Possibility in Indigenous Struggles for Self-Determination (Nebraska\, 2005). She is involved in cultural repatriation rights\, environmental issues\, human rights\, and anti-war politics. She has been the recipient of fellowships from the University of California\, the Rockefeller Foundation\, and the Ford Foundation.
URL:https://thi.ucsc.edu/event/joanne-barker-seminar-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131004T160000
DTEND;TZID=America/Los_Angeles:20131004T173000
DTSTAMP:20260502T033931
CREATED:20130917T235057Z
LAST-MODIFIED:20130917T235057Z
UID:10004833-1380902400-1380907800@thi.ucsc.edu
SUMMARY:Jim McCloskey: "Preverbs\, Phases\, and Objecthood: An Irish Perspective on Some Old Problems"
DESCRIPTION:The direct object relation is a relation of central importance in syntactic theory and so it was an important moment when the nature of that relation was re-thought in a fundamental way in work of the 1990’s. This paper examines some of the issues raised in that re-thinking\, by looking closely at the expression of the direct object relation in Irish (infinitival) clauses. It focuses in particular on what is to be learned from an intricate pattern of dialectal\, idiolectal\, and generational variation which\, it is claimed\, sheds light on how we should understand `Burzio’s Generalization’\, which is\nitself a central aspect of theories of objecthood which derive from Government Binding Theory. \nJim McCloskey is Professor of Linguistics at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/linguistics-colloquium-jim-mccloskey-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
ORGANIZER;CN="Linguistics Department":MAILTO:mjzimmer@ucsc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131005
DTEND;VALUE=DATE:20131007
DTSTAMP:20260502T033931
CREATED:20130929T061934Z
LAST-MODIFIED:20130929T061934Z
UID:10005474-1380931200-1381103999@thi.ucsc.edu
SUMMARY:THATCamp Alt-Ac: an Alternative Academics Unconference
DESCRIPTION:A space for grad students and recent Ph.D.’s to think through the multiple career options we can explore amidst a declining tenure track job market. We will invite professionals in administrative academic\, non-profit\, arts administration\, tech\, ed-tech\, digital humanities\, and secondary education careers to join our two-day unstructured conference. Planned sessions will include a C.V. to resume workshop\, but the rest will be up to the participants to curate each day of the event. \n Please see http://altac2013.thatcamp.org/ to register and for more information.
URL:https://thi.ucsc.edu/event/thatcamp-alt-ac-an-alternative-academics-unconference-2/
LOCATION:60 Evans Hall and Dwinelle Classrooms\, UC Berkeley
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131008T190000
DTEND;TZID=America/Los_Angeles:20131008T203000
DTSTAMP:20260502T033931
CREATED:20130930T230141Z
LAST-MODIFIED:20130930T230141Z
UID:10005476-1381258800-1381264200@thi.ucsc.edu
SUMMARY:"The Motherhood Archives" film screening and discussion
DESCRIPTION:Archival montage\, science fiction\, and an homage to 70s feminist filmmaking are woven together to form this haunting and lyrical essay film excavating hidden histories of childbirth in the twentieth century. Assembling an extraordinary archive of over 100 educational\, industrial\, and medical training films (including newly rediscovered Soviet and French childbirth films)\, The Motherhood Archives inventively untangles the complex\, sometimes surprising genealogies of maternal education. Revealing a world of intensive training\, rehearsal\, and performative preparation for the unknown that is ultimately incommensurate with experience\, The Motherhood Archives is a meditation on the maternal body as a site of institutional control\, ideological surveillance\, medical knowledge\, and nationalist state intervention.\n  \nIntroduction by Neda Atanasoski (Feminist Studies) \nPost-screening discussion with the filmmaker\, Irene Lusztig\, and:\nNancy Chen (Anthropology)\nJenny Horne (Film & Digital Media)\nFelicity Schaeffer (Feminist Studies) \nReception to follow in Communications 139\n  \nPresented by the Center for Documentary Arts and Research and the Departments of Anthropology\, Feminist Studies\, and Film & Digital Media.
URL:https://thi.ucsc.edu/event/the-motherhood-archives-2/
LOCATION:Communications 150\, Studio C
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131009T121500
DTEND;TZID=America/Los_Angeles:20131009T140000
DTSTAMP:20260502T033931
CREATED:20130906T233308Z
LAST-MODIFIED:20130906T233308Z
UID:10005456-1381320900-1381327200@thi.ucsc.edu
SUMMARY:Deborah Gould: "Becoming Coalitional: The Strange and Miraculous Alliance Between Queer to the Left and the Jesus People\, USA"
DESCRIPTION:Interested in the emotional terrains of activism\, Deborah Gould’s current project explores political appetites\, encounters\, and the “not-yet” of politics. \nDeborah Gould is Professor and Director of Graduate Studies in Sociology at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/ccs-deborah-gould-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131009T193000
DTEND;TZID=America/Los_Angeles:20131009T210000
DTSTAMP:20260502T033931
CREATED:20131003T194722Z
LAST-MODIFIED:20131003T194722Z
UID:10005478-1381347000-1381352400@thi.ucsc.edu
SUMMARY:Film Screening of "Maestra" with Filmmaker Catherine Murphy
DESCRIPTION:Cuba\, 1961: 250\,000 volunteers taught 700\,000 people to read and write in one year. 100\,000 of the teachers were under 18 years old. Over half were women. Maestra explores this story through the personal testimonies of the young women who went out to teach literacy in rural communities across the island – and found themselves deeply transformed in the process. \nThere will be a Q & A with the filmmaker after the screening. \nCo-sponsored by The Chicano/Latino Research Center\, The Presidential Chair in Feminist Critical Race and Ethnic Studies\, and the Social Documentation Program. \nFor more information contact the Latin American and Latino Studies Department\, or Professor Lourdes Martínez-Echazábal at: lourdes@ucsc.edu
URL:https://thi.ucsc.edu/event/film-screening-of-maestra-2/
LOCATION:Charles E. Merrill Lounge
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131010T133000
DTEND;TZID=America/Los_Angeles:20131010T180000
DTSTAMP:20260502T033931
CREATED:20130607T185935Z
LAST-MODIFIED:20130607T185935Z
UID:10005423-1381411800-1381428000@thi.ucsc.edu
SUMMARY:Undisciplining Feminism: Formations in Critical Race and Ethnic Studies
DESCRIPTION:Bringing together a core group of UC and Cal State faculty working at the intersections of feminist studies and ethnic studies\, we will generate a curricular vision that\, rather than being negatively constructed as a critique (of patriarchy\, mainstream feminism\, “wave”-based periodizations\, etc.) begins with concepts like race\, empire\, and settler colonialism. Conversely\, we imagine ethnic studies as foundationally organized around gender and sexuality\, centered on concepts such as reproduction and sexual violence. While critiques of Women and Gender Studies and Ethnic Studies as disciplinary formations have long existed\, we hope that by generating shared curricular materials\, we can further engage the intellectual repercussions of (inter)disciplinarity and strategize ways to make institutional interventions. We aim to collectively generate the kind of work called for by such critiques\, and to share strategies for the careful institutionalization of such work. \nThis event is intended to support current efforts to establish a Critical Race and Ethnic Studies (CRES) program at UC Santa Cruz\, in addition to enabling a conversation amongst group participants. While student efforts at establishing ethnic studies as a major have a long history at UCSC\, it was not until the disestablishment of American Studies\, which led to massive student protests against the lack of institutional support for the study of race and ethnicity in 2011-12\, that these efforts received administrative attention. In 2012-13\, a working group consisting of faculty\, undergraduates\, and graduate students has met regularly around a series of talks and workshops aimed at developing a CRES major. The major was approved in Spring 2012\, with courses scheduled to begin 2012-13. The public portion of our event\, sponsored by Bettina Aptheker and Karen Tei Yamashita’s Presidential Chair in Feminist Critical Race and Ethnic Studies\, is intended to be in conversation with and to raise the profile of CRES\, as well as the launch of the Feminist Studies graduate program. \nSome questions that we hope to address through this event: \nWhere\, why and to what effect does the complicity of feminisms with the security state\, the carceral turn\, settler colonial states\, and so forth take place?\nWhat are some alternative genealogies of feminism (perhaps not recognizable or identified as such) that we might consider as generative for thinking about difference? Why might they not be as legible as points of departure for feminism? What are the political possibilities and perils of visibility and legibility?\nHow might existing scholarship already be producing alternative genealogies for a practice and politics of feminism?\nTo learn more about the conference\, and to access the agenda and abstracts\, please visit: http://ihr.ucsc.edu/undisciplining-feminism/. \nThis event is free and open to the public.\n \n 
URL:https://thi.ucsc.edu/event/undisciplining-feminism-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131010T180000
DTEND;TZID=America/Los_Angeles:20131010T194500
DTSTAMP:20260502T033931
CREATED:20131004T025919Z
LAST-MODIFIED:20131004T025919Z
UID:10005491-1381428000-1381434300@thi.ucsc.edu
SUMMARY:Living Writers Series: Lucy Corin
DESCRIPTION:Thresholds and Breaking Points \nThe writers in this series will present across multiple genres\, to include poetry\, fiction\, criticism\, and various hybrid genres. Each will explore ways that language tests thresholds of culture\, race\, nation\, sex\, gender\, and desire through the creative imagination. Central to each will be how these thresholds are performed\, tested\, broken\, clarified and complicated in their works. \nLucy Corin is the author of the short story collection The Entire Predicament (Tin House Books) and the novel Everyday Psychokillers: A History for Girls (FC2). The collection One Hundred Apocalypses and Other Apocalypses was just released from McSweeney’s Books. Stories have appeared in American Short Fiction\, Conjunctions\, Ploughshares\, Tin House Magazine\, New Stories From the South: The Year’s Best and other places. She’s been a fellow at Breadloaf and Sewanee\, and spent last year at the American Academy in Rome as the 2012 John Guare Fellow in Literature. She now directs the Creative Writing Program at the University of California\, Davis. \nLocation and Time: All Readings located at Kresge Town Hall 466 | 6-7:45pm \nThe Living Writers Series is co-sponsored by the Porter College George Hitchcock Poetry Fund\, a Poets & Writers through the grant from the James Irvine Foundation\, the Literature Department and the Creative Writing Program\, Morton Marcus Memorial Poetry Reading\, and a Laurie Sain Creative Writing Endowment.
URL:https://thi.ucsc.edu/event/living-writers-series-lucy-corin-2/
LOCATION:Kresge Town Hall
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131015T090000
DTEND;TZID=America/Los_Angeles:20131015T163000
DTSTAMP:20260502T033931
CREATED:20131009T222535Z
LAST-MODIFIED:20131009T222535Z
UID:10005531-1381827600-1381854600@thi.ucsc.edu
SUMMARY:Exhibition: Albert Camus\, 1913-2013
DESCRIPTION:Beginning on October 15\, UC Santa Cruz will be one of 500 venues worldwide to host an exhibit commemorating the 100th birthday of the French Nobel Prize winning author and philosopher Albert Camus. \nThe new digital/paper exhibit combines print editorial with QR code technology. \nThe exhibit was conceived and produced by the Institut Francais\, an arm of the French State Department in partnership with Camus’ publisher\, Gallimard and Ecole Normale Superieure. \n“There are over 100 images\, and more than 15 minutes of audio and video recordings linked to the various QR codes\,” noted Douglas Hull\, a board member of the Silicon Valley branch of the Alliance Francaise. \n“The exhibit works chronologically\, and is divided into five major periods of his life. Some of the images were never published before\, particularly from his life in Algeria\,” Hull added. \nCoded QR codes allow the viewer to select the nature of the information experienced (magenta equals context/background; codes with a symbolic eye equal zoom in; with a quotation mark equal citations; and with an arrow in a white circle equal audio or video). \nRecordings include Camus’s Nobel acceptance speech in Stockholm\, and zooms include articles he wrote anonymously during WWII for an underground paper and copies of manuscript pages. \nHull added that viewers will also have the chance to upload their own picture with a time and location stamp onto a  global mosaic which will be scrollable and accessible to anyone who has downloaded the exhibit’s app. \nThis exhibit is free and open to the public. It runs through November 14. Open hours are 9 a.m.to 4:30 p.m.
URL:https://thi.ucsc.edu/event/exhibition-albert-camus-1913-2013-2/
LOCATION:Humanities 2\, Room 259
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131016T121500
DTEND;TZID=America/Los_Angeles:20131016T140000
DTSTAMP:20260502T033931
CREATED:20130906T233657Z
LAST-MODIFIED:20130906T233657Z
UID:10005457-1381925700-1381932000@thi.ucsc.edu
SUMMARY:Daniel Selden: "'Our Films\, Their Films': Postcolonial Critique of the Cinematic Apparatus"
DESCRIPTION:PAs a former director of the Satyajit Ray Film and Study Center\, Dan Selden’s long-standing interest in cross-cultural aesthetics extends to film production. Selden focuses on the application of the Western cinematic apparatus to non-Western contexts in an effort to better understand the work of such directors as `Abbās Kiyārostamī and Wong Kar Wai. \nDaniel Selden is Professor of Literature at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/ccs-daniel-selden-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131017T180000
DTEND;TZID=America/Los_Angeles:20131017T194500
DTSTAMP:20260502T033931
CREATED:20131004T030755Z
LAST-MODIFIED:20131004T030755Z
UID:10005512-1382032800-1382039100@thi.ucsc.edu
SUMMARY:Living Writers Series: Frances Richard
DESCRIPTION:Thresholds and Breaking Points \nThe writers in this series will present across multiple genres\, to include poetry\, fiction\, criticism\, and various hybrid genres. Each will explore ways that language tests thresholds of culture\, race\, nation\, sex\, gender\, and desire through the creative imagination. Central to each will be how these thresholds are performed\, tested\, broken\, clarified and complicated in their works. \nFrances Richard is the author of Anarch. (Futurepoem\, 2012)\, The Phonemes (Les Figues Press\, 2012) and See Through (Four Way Books\, 2003)\, as well as the chapbooks Shaved Code (Portable Press at Yo-Yo Labs\, 2008) and Anarch. (Woodland Editions\, 2008). She writes frequently about contemporary art and is co-author\, with Jeffrey Kastner and Sina Najafi\, of Odd Lots: Revisiting Gordon Matta-Clark’s “Fake Estates” (Cabinet Books\, 2005). She has been a visiting scholar at the Canadian Centre for Architecture\, the recipient of a Creative Capital/Warhol Foundation Arts Writers Grant and\, most recently\, a research grant from the Graham Foundation. Currently she teaches at the California College of the Arts in San Francisco. \nLocation and Time: All Readings located at Kresge Town Hall 466 | 6-7:45pm \nThe Living Writers Series is co-sponsored by the Porter College George Hitchcock Poetry Fund\, a Poets & Writers through the grant from the James Irvine Foundation\, the Literature Department and the Creative Writing Program\, Morton Marcus Memorial Poetry Reading\, and a Laurie Sain Creative Writing Endowment.
URL:https://thi.ucsc.edu/event/living-writers-series-frances-richard-2/
LOCATION:Kresge Town Hall
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131018
DTEND;VALUE=DATE:20131019
DTSTAMP:20260502T033931
CREATED:20130607T153954Z
LAST-MODIFIED:20130607T153954Z
UID:10004820-1382054400-1382140799@thi.ucsc.edu
SUMMARY:7th Annual Founder's Day Celebration Gala Dinner and Awards Ceremony
DESCRIPTION:Please join us to celebrate the spirit of community and honor outstanding achievement. \nSeventh Annual Founders Celebration Gala Dinner and Awards Ceremony \nFriday\, October 18\, 2013 | 6:30 pm | $125 per seat\nCocoanut Grove Ballroom\, Santa Cruz \n[rb_button size=”small” style=”light” url=”http://community.ucsc.edu/redirect.aspx?linkID=22245&eid=306944″ label=”Register Today” target=”_blank” width=”1/1″ el_position=”first last”]\n  \nThis year’s dinner will sell out early. \nPlease purchase your tickets today!\n  \nFounders Celebration Dinner 2013 Honorees:\nFoundation Medal | Frank Gehry\nFiat Lux Award | Don & Diane Cooley\nAlumni Achievement Award | Jock Reynolds\nFaculty Research Lecturer | Howard Haber & Abraham Seiden\n  \nThe UC Santa Cruz Foundation Forum — In Conversation with Frank Gehry\nFriday\, October 18\, 2013 | 3:00 pm\n  \nForum tickets have sold out. A livestream of the event will be available here: \n[rb_button size=”small” style=”light” url=”http://community.ucsc.edu/redirect.aspx?linkID=22244&eid=306944″ label=”Livestream” target=”_blank” width=”1/1″ el_position=”first last”]
URL:https://thi.ucsc.edu/event/founders-day-2/
LOCATION:Cocoanut Grove\, 400 Beach Street \, Santa Cruz\, CA\, 95060\, United States
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131021T123000
DTEND;TZID=America/Los_Angeles:20131021T140000
DTSTAMP:20260502T033931
CREATED:20131017T231717Z
LAST-MODIFIED:20131017T231717Z
UID:10005539-1382358600-1382364000@thi.ucsc.edu
SUMMARY:Rocio Rosales: "Stagnant Immigrant Social Networks and Cycles of Exploitation"
DESCRIPTION:Based on over four years of ethnographic research among street vendors in Los Angeles and on interviews with family members of vendors and former vendors living in Mexico\, Rocio Rosales examines the influence of a sending community and its social networks on migrant outcomes in the US. These social networks affect migration patterns\, ease entry into the fruit vending business but also facilitate exploitation. Furthermore\, these social networks do not always function as effective conduits of information because its members\, due to feelings of shame or embarrassment\, often fail to add to the existing body of knowledge. As a result\, international migration patterns\, job placement\, and exploitative practices do not change or improve for subsequent migrants. This creates a cycle in which social networks become stagnant and successively fail to function as effective conduits of information and resources in ways that might help network members equally and in the aggregate. \nRocio Rosales is a Chancellor’s Postdoctoral Fellow in the Center for Comparative Immigration Studies at the University of California\, San Diego. She completed her Ph.D. in Sociology at UCLA in 2012 and received her A.B. in Sociology (cum laude) with a certificate in Latin American Studies from Princeton University. Her dissertation\, “Hidden Economies in Public Spaces: The Fruit Vendors of Los Angeles\,” examines the social and economic lives of a group of undocumented Latino street vendors. Her research interests include international migration\, informal work\, immigrant and ethnic economies\, Latinos/as in the US\, qualitative methods and urban ethnography. Her work has been funded by the American Philosophical Society (2011)\, John Randolph and Dora Haynes Foundation (2010)\, Ford Foundation (2005-2008)\, and the SSRC Mellon Mays Foundation (2003-2012). Her research appears in the Journal of Ethnic and Migration Studies and in Ethnic and Racial Studies (forthcoming). \nLecture presented by the UCSC Sociology Colloquium Series and the UCSC Center for Labor Studies. \nFor more info\, go to: http://socyeventsucsc.wordpress.com/.\nFor info about access to College 8\, contact: Barbara Laurence\, balauren@ucsc.edu.\n 
URL:https://thi.ucsc.edu/event/rocio-rosales-2/
LOCATION:Rachel Carson College\, Room 301\, Rachel Carson College 1156 High Stree\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131021T143000
DTEND;TZID=America/Los_Angeles:20131021T160000
DTSTAMP:20260502T033931
CREATED:20131016T233001Z
LAST-MODIFIED:20131016T233001Z
UID:10005537-1382365800-1382371200@thi.ucsc.edu
SUMMARY:Graduate Seminar with Visiting Artist Carrie Mae Weems
DESCRIPTION:The recipient of a 2013 MacArthur Foundation grant\, Carrie Mae Weems is a photographer and video installation artist examining the complex and contradictory legacy of African American identity\, class\, and culture in the United States. On October 21st\, she will meet with graduate students in a seminar setting for a conversation about how artists talk about their work to the public and to the critics\, scholars\, and journalists who write about it. Ms. Weems’ art practices intricately document and participate in the ongoing and centuries-old struggle for racial equality\, human rights\, and social inclusion in America. Through photography\, installation\, and video\, Weems addresses an array of issues and demonstrates an overarching commitment to understanding the present by closely examining history. We hope you will join us in a conversation with Ms. Weems about communicating politically and emotionally charged practices to different audiences. \nPlease join us October 21st at 2:30 P.M. in the Digital Arts Research Center (DARC) 230. This will be a participatory conversation so please come with questions and prepared to discuss and present aspects of your work. A public lecture will take place later the same day at 7 P.M. in the Media Theater. \nInformation on Ms. Weems work can be found at http://carriemaeweems.net/ \nSponsored by UC Santa Cruz Arts Division\, Art Department\, UC Presidential Chair in Feminist Critical Race and Ethnic Studies\, Film & Digital Media\, Visual and Media Cultures Colloquia\, The Office for Diversity\, Equity\, and Inclusion\, and Institute of the Arts & Sciences.
URL:https://thi.ucsc.edu/event/graduate-seminar-with-visiting-artist-carrie-mae-weems-2/
LOCATION:Digital Arts Research Center (DARC) Light Lab\, Room 306
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131021T190000
DTEND;TZID=America/Los_Angeles:20131021T203000
DTSTAMP:20260502T033931
CREATED:20131015T161944Z
LAST-MODIFIED:20131015T161944Z
UID:10005535-1382382000-1382387400@thi.ucsc.edu
SUMMARY:Lecture: Carrie Mae Weems\, photographer
DESCRIPTION:Photographer and video installation artist Carrie Mae Weems examines the complex and contradictory legacy of African American identity\, class\, and culture in the United States. \nWeems will discuss her work and ideas\, drawing on three decades of artistic activity. The recipient of a 2013 MacArthur Foundation “genius” grant\, Weems has exhibited nationally and internationally over the course of her career. \nPresented by the Art Department\, Arts Division\, Digital Arts and New Media\, and Film and Digital Media. Cosponsored by the UC Presidential Chair in Feminist Critical Race and Ethnic Studies\, the Office for Diversity\, Equity\, and Inclusion; Visual & Media Cultures Colloquia\, and the Institute of the Arts & Sciences.
URL:https://thi.ucsc.edu/event/lecture-carrie-mae-weems-photographer-2/
LOCATION:Media Theater\, M110
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131023T121500
DTEND;TZID=America/Los_Angeles:20131023T140000
DTSTAMP:20260502T033931
CREATED:20130906T234038Z
LAST-MODIFIED:20130906T234038Z
UID:10005458-1382530500-1382536800@thi.ucsc.edu
SUMMARY:Jennifer L. Derr: "Embodied Politics and Bilharzia Infection in Colonial Egypt"
DESCRIPTION:Jennifer Derr’s work explores the configuration and experience of the colonial state in Egypt through its construction of the agricultural environments that lined the banks of the Nile River. Derr traces the intersections of the colonial state in Egypt with the material experiences of environmental infrastructure\, resource allocation\, disease\, and the geographies of colonial capitalism. \nJennifer Derr is Assistant Professor of History at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/ccs-jennifer-derr-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131023T170000
DTEND;TZID=America/Los_Angeles:20131023T183000
DTSTAMP:20260502T033931
CREATED:20130906T162958Z
LAST-MODIFIED:20130906T162958Z
UID:10005455-1382547600-1382553000@thi.ucsc.edu
SUMMARY:Gihan Abou Zeid: "Egyptian Women in Struggle: Then and Now"
DESCRIPTION:Egyptian human rights activist\, journalist and author GIHAN ABOU ZEID is an authority on women’s rights in the Arab world. She was part of the revolution of 2011 that brought millions of people to Tahrir Square. Gihan is the managing editor for the magazine Politics and Religion and writes for the Qatari newspaper Al Arab. She is developing a regional strategy for the United Nations Population Fund (UNFPA) on cooperation between UN agencies and faith-based organizations. Gihan served 9 years as vice president of the NGO’s Forum for Women in Development\, and was a policy adviser for the Ministry of Family and Population in Egypt. \nSponsored by the UC Presidential Chair in Feminist Critical Race and Ethnic Studies. Co-sponsored by the Institute for Humanities Research. For further information\, including disabled access\, please contact Evin Guy\, ecguy@ucsc.edu\, (831) 459-5655. \n  \n \n  \n \n 
URL:https://thi.ucsc.edu/event/gihan-abou-zeid-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131024T180000
DTEND;TZID=America/Los_Angeles:20131024T194500
DTSTAMP:20260502T033931
CREATED:20131004T031116Z
LAST-MODIFIED:20131004T031116Z
UID:10005523-1382637600-1382643900@thi.ucsc.edu
SUMMARY:Living Writers Series: Ruth Ellen Kocher
DESCRIPTION:Thresholds and Breaking Points \nThe writers in this series will present across multiple genres\, to include poetry\, fiction\, criticism\, and various hybrid genres. Each will explore ways that language tests thresholds of culture\, race\, nation\, sex\, gender\, and desire through the creative imagination. Central to each will be how these thresholds are performed\, tested\, broken\, clarified and complicated in their works. \nRuth Ellen Kocher is the author of Ending in Planes (Noemi Press\, date TBA)\, Goodbye Lyric: The Gigans and Lovely Gun (Sheep Meadow Press 2014)\, domina Un/blued (Tupelo Press 2013)\, One Girl Babylon (New Issues Press 2003)\, When the Moon Knows You’re Wandering\, winner of the Green Rose Prize in Poetry (New Issues Press 2002)\, and Desdemona’s Fire winner of the Naomi Long Madget Award for African American Poets (Lotus Press 1999). Her poems are widely anthologized\, and she has been awarded fellowships from the Cave Canem Foundation\, the Bucknell Seminar for Younger Poets\, and Yaddo. She is Associate Chair of English and Director of the Creative Writing Program at the University of Colorado where she teaches innovative Poetry\, Poetics\, and Literature. \nLocation and Time: All Readings located at Kresge Town Hall 466 | 6-7:45pm \nThe Living Writers Series is co-sponsored by the Porter College George Hitchcock Poetry Fund\, a Poets & Writers through the grant from the James Irvine Foundation\, the Literature Department and the Creative Writing Program\, Morton Marcus Memorial Poetry Reading\, and a Laurie Sain Creative Writing Endowment.
URL:https://thi.ucsc.edu/event/living-writers-series-ruth-ellen-kocher-2/
LOCATION:Kresge Town Hall
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131025
DTEND;VALUE=DATE:20131027
DTSTAMP:20260502T033931
CREATED:20130607T155938Z
LAST-MODIFIED:20130607T155938Z
UID:10004824-1382659200-1382831999@thi.ucsc.edu
SUMMARY:"Unfixed Itineraries: Film and Visual Culture from Arab Worlds"
DESCRIPTION:[vc_column width=”1/3″ el_position=”first”] [rb_section_title title=”Organizers” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nPeter Limbrick\, Associate Professor\, Film and Digital Media\, UCSC\nOmnia El Shakry\, Associate Professor\, History\, UC Davis \n[/vc_column_text] [rb_blank_divider height=”35″ width=”1/1″ el_position=”first last”] [rb_section_title title=”Steering Committee” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nShelby Graham\, Director/Curator\, Mary Porter Sesnon Art Gallery\, UCSC\nSoraya Murray\, Assistant Professor\, Film and Digital Media\, UCSC\nIrene Lusztig\, Assistant Professor\, Film and Digital Media\, UCSC\nNeda Atanasoski\, Associate Professor\, Feminist Studies\, UCSC\nJennifer Derr\, Assistant Professor\, History\, UCSC \n[/vc_column_text] [/vc_column] [vc_column width=”2/3″ el_position=”last”] [rb_section_title title=”Unfixed Itineraries” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nUnfixed Itineraries has two components: \na symposium\, free and open to the public\, that will take place October 25-26 2013 at the Digital Arts Research Center (DARC)\, bringing scholars and artists together for two days of screenings\, presentations\, and conversations. \na concurrent exhibition at UCSC’s Mary Porter Sesnon Gallery that runs from October 25-December 10. \nBoth events coincide with the series “Moumen Smihi\, Poet of Tangier\,” curated by UCSC film and digital media professor Peter Limbrick\, which takes place at the Pacific Film Archive\, Berkeley\, between October 10 and 27. Smihi will also be a participant at the symposium. http://bampfa.berkeley.edu/filmseries/smihi \nThe Unfixed Itineraries symposium will encourage innovative perspectives on Arab film and visual culture\, emphasizing their multifaceted and plural nature. Rather than homogenize “the Arab world\,” for example\, we stress the multiple worlds that have been made by diverse histories. Instead of taking for granted the meaning of the word “Arab\,” our event continually questions fixed narratives that produce rigid identities. And by refusing the common tendency to reduce Arab art to the realm of the political or the religious\, we also affirm the inspiring\, arresting pleasures of the aesthetic\, the sensory\, the intellectual\, and the social aspects of film and media from the region. \nParticipants will focus on the production and circulation of Arab visual cultures across multiple temporal and spatial boundaries: from the historical to the recent\, at “home” and in diaspora. The symposium includes opportunities for seeing film and media and for engaging in scholarly\, critical debates with cultural producers (rather than just “about” them). \nArtists and scholars will visit from Lebanon\, Morocco\, Egypt\, Syria\, Canada\, Europe\, and the US and the work presented will cover a wide area of forms\, styles\, and thematic concerns. \nSymposium screenings\, panels\, and presentations will address topics such as: Movement and Extra-territoriality; Itineraries of Intertextuality; Past\, Present\, and Future Itineraries; Narrative and non-Narrative Itineraries; Archives\, Images\, Memory. \n[/vc_column_text] [/vc_column]
URL:https://thi.ucsc.edu/event/unfixed-itineraries-film-and-visual-culture-from-arab-worlds-2/
LOCATION:Digital Arts Research Center (DARC) Light Lab\, Room 306
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131025T190000
DTEND;TZID=America/Los_Angeles:20131025T214500
DTSTAMP:20260502T033931
CREATED:20131010T215027Z
LAST-MODIFIED:20131010T215027Z
UID:10005533-1382727600-1382737500@thi.ucsc.edu
SUMMARY:Free Angela Davis and All Political Prisoners Film Screening
DESCRIPTION:Free Angela! is a brilliant documentary that captures the sensational murder and kidnapping trial of Black Communist and UCLA Professor Angela Davis in the early 1970s. It provides extraordinary archival footage\, interviews with Davis\, all four of her trial lawyers and the activists who co-led a massive international movement for her freedom. Davis was deeply involved in a movement to help save the lives of three Black prisoners known as the Soledad Brothers\, and was also active in the Black Panther Party and the anti- Vietnam war movement. Davis was indicted as a co-conspirator by a Marin County Grand Jury and when “unavailable” was placed on the FBI’s Ten Most Wanted list.This was the result of an attempt by prisoners from San Quentin to escape during a court case in Marin County on August 7th\, 1970. The judge\, two of the prisoners\, and their young would-be liberator were killed by San Quentin prison guards; the prosecuting attorney and the other escaping prisoner were critically wounded. Condemned in sensational media coverage\, then President Richard Nixon and then California Governor Ronald Reagan denounced Davis as a “dangerous terrorist.” Davis was in fact the target of government revenge as a symbol of the radical fervor of those times. The film tells a complicated story in a comprehensible\, powerful way that continues to reverberate in our own time. \nQ & A following the film with Howard Moore\, lead counsel for Angela Davis\, and Bettina Aptheker\, Professor of Feminist Studies at UC Santa Cruz. \nShowing sponsored by the UC Presidential Chair in Feminist Critical Race & Ethnic Studies and by the Feminist Studies Department at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/free-angela-davis-and-all-political-prisoners-film-screening-2/
LOCATION:Classroom Unit 2\,      Classroom Unit‎ University of California Santa Cruz\, UC Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131026T090000
DTEND;TZID=America/Los_Angeles:20131026T171500
DTSTAMP:20260502T033931
CREATED:20131008T164326Z
LAST-MODIFIED:20131008T164326Z
UID:10005529-1382778000-1382807700@thi.ucsc.edu
SUMMARY:The Stanford School of Philosophy of Science
DESCRIPTION:[vc_column_text width=”1/1″ el_position=”first last”] \nIn the 80s and early 90s\, a group of influential philosophers\, historians\, and philosophers of science were concerned with the following themes: disunity and pluralism of scientific theory and practice the nature of scientific modeling (in its dizzying variety\, including mathematical\, diagrammatic\, and classificatory models) post-positivistic and practice-based articulations of scientific knowledge and practice. The aim of this conference is to invite scholars to reflect on the nature\, thematics\, and influence of the “Stanford School” of philosophy of science. \nThis event is free and open to the public. \nPlease e-mail Jill Covington (jillj@stanford.edu) or Rasmus Grønfeldt Winther (rgw@ucsc.edu) if you have any questions. \nEvent Poster (PDF) \n[/vc_column_text] [vc_column width=”1/2″ el_position=”first”] [rb_section_title title=”Friday\, October 25\, 2013″ icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \n9:00 AM – 12:30 PM\nOpening Comments: \nRasmus Grønfeldt Winther (UC Santa Cruz)\nPanel #1: Next Generation(s) \nJordi Cat (Indiana)\nHasok Chang (Cambridge)\nJonathan Kaplan (Oregon State University)\nNaomi Oreskes (Harvard)\nJanet Stemwedel (San José State University)\nMichael Weisberg (University of Pennsylvania)\nRasmus Grønfeldt Winther (UC Santa Cruz) \nChair: Arezoo Islami (Stanford) \n1:30 PM – 5:30 PM\nPanel #2: Parallel Philosophers \nPhilip Kitcher (Columbia)\nHelen Longino (Stanford)\nSergio Martínez Muñoz (National Autonomous University of Mexico\, UNAM)\nBas van Fraassen (San Francisco State University) \nCo-Chairs: Debra Satz (Stanford) and John Perry (Stanford) \n[/vc_column_text] [/vc_column] [vc_column width=”1/2″ el_position=”last”] [rb_section_title title=”Saturday\, October 26\, 2013″ icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \n9:00 AM – 12:30 PM\nPanel #3: Collaborative Local Scientists \nBrian Cantwell-Smith (Toronto)\nPersi Diaconis (Stanford)\nCWF Everitt (Stanford)\nSolomon Feferman (Stanford)\nMarcus Feldman (Stanford)\nMelissa Franklin (Harvard)\nDenis Phillips (Stanford) \nChair: Paolo Mancosu (UC Berkeley) \n1:30 PM – 5:15 PM\nPanel #4: Stanford School Core Members \nNancy Cartwright (Durham)\nJohn Dupré (Exeter)\nPeter Galison (Harvard)\nPeter Godfrey-Smith (CUNY)\nPatrick Suppes (Stanford) \nChair: R. Lanier Anderson (Stanford) \nClosing Comments:\nThomas Ryckman (Stanford) \n[/vc_column_text] [/vc_column] [rb_blank_divider width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nConference organized by Rasmus Grønfeldt Winther. Co-sponsored by Stanford University\, Stanford Philosophy Department\, Stanford Humanities & Sciences Dean’s Office\, Stanford Humanities Center\, Center for the Study of Language and Information\, and the Patrick Suppes Center for History and Philosophy of Science. \n[/vc_column_text]
URL:https://thi.ucsc.edu/event/the-stanford-school-of-philosophy-of-science-2-2/
LOCATION:Cordura Hall – CSLI
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131028T180000
DTEND;TZID=America/Los_Angeles:20131028T210000
DTSTAMP:20260502T033931
CREATED:20131003T230814Z
LAST-MODIFIED:20131003T230814Z
UID:10005480-1382983200-1382994000@thi.ucsc.edu
SUMMARY:Saru Jayaraman: "Behind the Kitchen Door in Santa Cruz and Across America"
DESCRIPTION:More Americans are choosing to dine healthy and ethically at restaurants offering organic and fair-trade ingredients. Yet few diners are aware of the working conditions at the restaurants themselves. How do restaurant workers live on some of the lowest wages in America? And how do poor working conditions—discriminatory labor practices\, exploitation\, and unsanitary kitchens—affect the meals that arrive at our restaurant tables? In her book\, Behind the Kitchen Door\, Saru Jayaraman tries to answer these questions by following a group of restaurant workers\, among the 10 million – many of whom are immigrants and people of color – who make up the nation’s second-largest private sector workforce. Whether you eat haute cuisine or fast food\, the well-being of restaurant workers is a pressing concern\, affecting our health and safety\, as well as our local economies. \nMs. Jayaraman’s talk will be followed with a Q&A session with the author along with Gretchen Regenhardt\, attorney and representative of the Watsonville-based group\, California Rural Legal Assistance\, which is launching a survey and research project on low-wage restaurant workers in Santa Cruz and Monterey Counties. \nSaru Jayaraman is a graduate of Yale Law School and the Harvard Kennedy School of Government and director of the Food Labor Research Center at UC Berkeley.  She is also co-Founder of the Restaurant Opportunities Centers United (ROC United)\, a national organization with 10\,000 members across 26 cities\, which organizes restaurant workers to win workplace justice\, conducts research\, partners with responsible employers\, and launched cooperatively-owned restaurants. She has appeared on Real Time with Bill Maher\, MSNBC\, NBC Nightly News\, and PBS\, among others. \nCalifornia Rural Legal Assistance\, founded in 1966 as a nonprofit legal services program\, now has 21 offices\, providing more than 40\,000 low-income rural Californians with free legal assistance and a variety of community education and outreach programs. \nCo-Sponsored by the UCSC Center for Labor Studies\, the Center for Agroecology and Sustainable Food Systems\, the Sociology Department\, the Chicano Latino Resource Center\,  Oakes College\, and the Institute for Humanities Research. \nFor more information\, please contact smckay@ucsc.edu
URL:https://thi.ucsc.edu/event/behind-the-kitchen-door-2/
LOCATION:Oakes Learning Center\, UCSC
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131029T190000
DTEND;TZID=America/Los_Angeles:20131029T203000
DTSTAMP:20260502T033931
CREATED:20130926T191737Z
LAST-MODIFIED:20130926T191737Z
UID:10005472-1383073200-1383078600@thi.ucsc.edu
SUMMARY:Helene Moglen: "From Frankenstein to Facebook: Reflections on the Dissolution of the Humanities"
DESCRIPTION:UC Santa Cruz Emeriti group presents an Emeriti Faculty Lecture cosponsored by the Center for Cultural Studies and the Department of Literature \nAre accounts of our love affairs with our machines stories of imprisonment or empowerment? Are we in charge of our avatars\, personal profiles and robots\, or have they actually mastered us? Drawing on Mary Shelley’s iconic science fiction novel\, Frankenstein\, Moglen explores the relation of humanism to technology and considers the various realities that pleasures of the virtual have concealed. \nHelene Moglen is a literary\, feminist\, and psychoanalytic critic. In addition to the books and articles she has published in the area of literary studies\, she has written about literacy\, pedagogy\, competition among academic women\, power\, and the erosion of the humanities. She is the author of The Trauma of Gender: A Feminist Theory of the English Novel (UC Press 2001) and the co-editor of Female Subjects in Black and White: Race\, Psychoanalysis\, Feminism (UC Press\, 1997). \nFREE parking is available in the Performing Arts lot. For questions or accommodation requirements\, contact UC Santa Cruz Special Events Office at 831.459.5003 or specialevents@ucsc.edu.
URL:https://thi.ucsc.edu/event/helene-moglen-from-frankenstein-to-facebook-reflections-on-the-dissolution-of-the-humanities-2/
LOCATION:Music Center Recital Hall\, Music Center\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131029T190000
DTEND;TZID=America/Los_Angeles:20131029T210000
DTSTAMP:20260502T033931
CREATED:20131028T220427Z
LAST-MODIFIED:20131028T220427Z
UID:10005546-1383073200-1383080400@thi.ucsc.edu
SUMMARY:Film Screening: Gold (1934)
DESCRIPTION:The Golden Plague Forging Its Path of Annihilation! \nOne of the few expressly science fiction films produced under German National Socialism\, Gold makes a spectacle of British-German relations in the early years of the Third Reich. An “evil” British alchemist sabotages a “good” German chemist’s experimental attempt to obtain gold from base metals with the help of an atomic reactor\, and the chemist dies in the ensuing explosion. The deceased chemist’s “good” engineer assistant\, Werner Holk (Hans Alber)\, survives the disaster and starts to look for the parties responsible for the death of his mentor. Effectively kidnapped by the Brits during his search and coerced into aiding them\, Holk finds himself in a vast underwater facility where the atomic reactor designed by his dead friend is being reconstructed on a grand scale. While attempting to sabotage this new alchemical project before it destroys the world economy with mass-produced artificial gold\, Holk also has to figure out what to do about his feelings for the daughter of the British alchemist\, Florence (Brigitte Helm). Playing on many of the anxieties and fears connected with Germany’s experiences with hyperinflation in the 1920s\, Hartl’s film is a unique peek into Nazi cinema of the 1930s. Wittily “sampled” in Curt Siodmak’s American sci-fi classic\, The Magnetic Monster (1953)\, excerpts from which will be shown as well\, Gold is not to be missed! \n  \nPresented by It Came from the Thirties! For the remainder of the quarter\, we will be showing 1930s films from different countries each week. Same time\, same place. All are welcome. Tell your family\, invite your friends.
URL:https://thi.ucsc.edu/event/film-screening-gold-1934-2/
LOCATION:Porter C-118
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131030T121500
DTEND;TZID=America/Los_Angeles:20131030T140000
DTSTAMP:20260502T033931
CREATED:20130906T234502Z
LAST-MODIFIED:20130906T234502Z
UID:10005459-1383135300-1383141600@thi.ucsc.edu
SUMMARY:Clare Monagle: "Neo-medievalism and the Postcolonial: International Relations Theory and Temporality"
DESCRIPTION:Though an historian of medieval thought\, Clare Monagle’s most recent work turns to the twentieth-century and the deployment of the Middle Ages in International Relations Theory. Monagle argues that charting the medieval in this frame enables a new insight into the understanding of historical time that informs the discipline of international relations. \nClare Monagle is a graduate of Monash and the Johns Hopkins Universities. She received her PhD in 2007. She is broadly interested in history of intellectuals in the Middle Ages\, as well as the histories of the institutions that housed them. Her work is also concerned with the “medievalism” of twentieth and twenty-first century thought\, that is\, the uses to which the concept of the medieval is put within definitions of modernity and progress.
URL:https://thi.ucsc.edu/event/ccs-clare-monagle-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
END:VCALENDAR