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DTSTART;TZID=America/Los_Angeles:20220112T120000
DTEND;TZID=America/Los_Angeles:20220112T133000
DTSTAMP:20260428T211609
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SUMMARY:Jean Beaman - Suspect Citizenship
DESCRIPTION:Incidents of state violence and activism against that violence illustrate the continuing significance of race and the persistence of white supremacy in France\, the United States\, and worldwide. Based on past and current ethnographic research and interviews with ethnic minorities in the Parisian metropolitan region\, this talk argues that\, despite France’s colorblind and Republican ethos\, France’s “visible minorities” function under a “suspect citizenship” in which their full societal belonging is never granted. Beaman focuses on the growing problem of state-sponsored violence against ethnic minorities which reveals how France is creating a “bright boundary” (Alba 2005) between whites and non-whites\, furthering disparate outcomes based on race and ethnic origin. By considering the multifaceted dimensions of citizenship and belonging in France\, Beaman demonstrates the limitations of full societal inclusion for France’s non-white denizens and how French Republicanism continues to mark\, rather than erase\, racial and ethnic distinctions. \n \nJean Beaman is Associate Professor of Sociology\, with affiliations with Black Studies\, Political Science\, Feminist Studies\, Global Studies\, and the Center for Black Studies Research\, at the University of California\, Santa Barbara. Previously\, she was faculty at Purdue University and held visiting fellowships at Duke University and the European University Institute (Florence\, Italy). Her research is ethnographic in nature and focuses on race/ethnicity\, racism\, international migration\, and state violence in both France and the United States. She is author of Citizen Outsider: Children of North African Immigrants in France (University of California Press\, 2017)\, as well as numerous articles and book chapters. Her current book project is on suspect citizenship and belonging\, anti-racist mobilization\, and activism against police violence in France. She received her Ph.D. in Sociology from Northwestern University. She is also an Associate Editor of the journal\, Identities: Global Studies in Culture and Power and a Corresponding Editor for the journal Metropolitics/Metropolitiques. She is the Co-PI for the Mellon Foundation Sawyer Seminar grant\, “Race\, Precarity\, and Privilege: Migration in a Global Context” for 2020-2022. \nJean Beaman’s presentation will be presented remotely\, please register here to receive the Zoom link on Wednesday\, January 12. \nThe Center for Cultural Studies hosts a weekly Wednesday colloquium featuring work by faculty and visitors. We gather at 12:00 PM\, with presentations beginning at 12:15 PM. \nFor Winter 2022\, the colloquium will take a hybrid format\, in which some events are fully remote and others have the option of in-person attendance. Attendees have the option to attend in person in Humanities 210 or to watch the presentation on zoom. Those who attend in person must adhere to the campus mask mandate for all indoor activities and must complete UCSC’s symptom-check form before coming to campus. In person attendees are asked to please arrive at 12pm so that the event coordinators can verify the symptom check has been completed. To attend remotely via zoom\, please RSVP in advance\, and you will receive a zoom link on the morning of the colloquium. In most cases\, speakers will appear remotely so that they will not have to present wearing a mask. To RSVP for the full Winter colloquium series\, please use this form. If you have any questions about the colloquium\, please contact Piper Milton (cult@ucsc.edu). \nStaff assistance is provided by The Humanities Institute.
URL:https://thi.ucsc.edu/event/jean-beaman-suspect-citizenship/
LOCATION:Virtual Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220113T172000
DTEND;TZID=America/Los_Angeles:20220113T185500
DTSTAMP:20260428T211609
CREATED:20220110T164252Z
LAST-MODIFIED:20220111T201350Z
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SUMMARY:Living Writers Series: Jane Wong
DESCRIPTION:Jane Wong’s poems can be found in places such as Best American Nonrequired Reading 2019\, Best American Poetry 2015\, American Poetry Review\, POETRY\, AGNI\, Third Coast\, New England Review\, and others. Her essays have appeared in McSweeney’s\, Black Warrior Review\, Ecotone\, The Common\, The Georgia Review\, Shenandoah\, and This is the Place: Women Writing About Home.\n \nA Kundiman fellow\, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program\, Artist Trust\, Harvard’s Woodberry Poetry Room\, 4Culture\, the Fine Arts Work Center\, Bread Loaf\, Hedgebrook\, Willapa Bay\, the Jentel Foundation\, SAFTA\,  Mineral School\, the Barbara Deming Memorial Fund\, and others. \nShe is the author of How to Not Be Afraid of Everything from Alice James Books (2021) and Overpour from Action Books. She holds an M.F.A. in Poetry from the University of Iowa and a Ph.D. in English from the University of Washington and is an Associate Professor of Creative Writing at Western Washington University. \n \nChange Me: Stories of Radical Transformation – A Living Writers Series \nAfter a long period of sheltering in place and an even longer period of restricting our daily movements\, many of us are ready for change. This winter’s living writers all have stories of radical transformation to tell. TC Tolbert searches for a language to enact his transition from being Melissa to being TC; Jane Wong struggles to reconcile her American present with the transnational ghosts of her past; Yuri Herrera’s heroine embarks on a journey across the Mexican American border; Karen Tei Yamashita tells tales of ever changing demographics & invisible histories; Eric Wat’s protagonist remakes himself as he navigates drug abuse\, sexuality\, death and family dynamics; the speaker in Sandra Lim’s book of poems transforms not her life but the way she sees her life. All six writers remind us of the power of literature to transform us. They remind us that when we open a book\, often what we’re really saying is: change me. \nSee the full list of Living Writers Series events on the Creative Writing Program page.
URL:https://thi.ucsc.edu/event/living-writers-series-jane-wong/
LOCATION:Virtual Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220119T120000
DTEND;TZID=America/Los_Angeles:20220119T133000
DTSTAMP:20260428T211609
CREATED:20220106T162250Z
LAST-MODIFIED:20220106T162250Z
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SUMMARY:Caitlin Keliiaa - Occupational Risk: Sexual Surveillance and Federal Regulation of Native Women’s Bodies
DESCRIPTION:This talk examines how bodily regulation unfolded on Native women domestic workers in the early 20th-century Bay Area and how sexual surveillance in the Bay Area Outing Program affected Native women. To this end\, I analyze cases of sexual surveillance\, presumed delinquency\, sexually transmitted infections and policing of Native women’s bodies. Through these intimate stories\, I demonstrate the ways in which the settler state attempted to and at times succeeded in managing and controlling Native women. \n \nCaitlin “Katie” Keliiaa is Assistant Professor of Feminist Studies at UC Santa Cruz. She is an interdisciplinary feminist historian specializing in 20th-century Native experiences in the West. Her scholarship engages Indian labor exploitation\, dispossession and surveillance of Native bodies especially in Native Californian contexts. Her book project examines how Native women domestic workers negotiated and challenged an early 20th-century Indian labor program based in the San Francisco Bay Area. In this work\, Professor Keliiaa centers Native women’s voices uncovered from federal archives. \nThe Center for Cultural Studies hosts a weekly Wednesday colloquium featuring work by faculty and visitors. We gather at 12:00 PM\, with presentations beginning at 12:15 PM. \nFor Winter 2022\, the colloquium will take a hybrid format\, in which some events are fully remote and others have the option of in-person attendance. Attendees have the option to attend in person in Humanities 210 or to watch the presentation on zoom. Those who attend in person must adhere to the campus mask mandate for all indoor activities and must complete UCSC’s symptom-check form before coming to campus. In person attendees are asked to please arrive at 12pm so that the event coordinators can verify the symptom check has been completed. To attend remotely via zoom\, please RSVP in advance\, and you will receive a zoom link on the morning of the colloquium. In most cases\, speakers will appear remotely so that they will not have to present wearing a mask. To RSVP for the full Winter colloquium series\, please use this form. If you have any questions about the colloquium\, please contact Piper Milton (cult@ucsc.edu). \nStaff assistance is provided by The Humanities Institute.
URL:https://thi.ucsc.edu/event/caitlin-keliiaa-occupational-risk-sexual-surveillance-and-federal-regulation-of-native-womens-bodies/
LOCATION:Virtual and In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220119T153000
DTEND;TZID=America/Los_Angeles:20220119T170000
DTSTAMP:20260428T211609
CREATED:20220112T224938Z
LAST-MODIFIED:20220113T000752Z
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SUMMARY:Mona El-Ghobashy - "Bread and Freedom: Egypt's Revolutionary Situation"
DESCRIPTION:Bread and Freedom offers a new account of Egypt’s 2011 revolutionary mobilization\, based on a documentary record hidden in plain sight—party manifestos\, military communiqués\, open letters\, constitutional contentions\, protest slogans\, parliamentary debates\, and court decisions. A rich trove of political arguments\, the sources reveal a range of actors vying over the fundamental question in politics: who holds ultimate political authority. The revolution’s tangled events engaged competing claims to sovereignty made by insurgent forces and entrenched interests alike\, a vital contest that was terminated by the 2013 military coup and its aftermath. Now a decade after the 2011 Arab uprisings\, Mona El-Ghobashy rethinks how we study revolutions\, looking past causes and consequences to train our sights on the collisions of revolutionary politics. She moves beyond the simple judgments that once celebrated Egypt’s revolution as an awe-inspiring irruption of people power or now label it a tragic failure. Revisiting the revolutionary interregnum of 2011–2013\, Bread and Freedom takes seriously the political conflicts that developed after the ouster of President Hosni Mubarak\, an eventful thirty months when it was impossible to rule Egypt without the Egyptians. \n \nMona El-Ghobashy is a scholar of Egyptian politics whose research focuses on law and politics\, varieties of protest\, and limited elections in contemporary Egypt. Her work brings out the dynamics of political contestation before and after the 2011 uprising. \nThis event is presented by the Center for the Middle East and North Africa in collaboration with the UCSC Politics Symposium.
URL:https://thi.ucsc.edu/event/mona-el-ghobashy-bread-and-freedom-egypts-revolutionary-situation/
LOCATION:Virtual Event
ATTACH;FMTTYPE=image/jpeg:https://thi.ucsc.edu/wp-content/uploads/2022/01/mona-el-ghobashy-2-e1642027295716.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220121T100000
DTEND;TZID=America/Los_Angeles:20220121T120000
DTSTAMP:20260428T211609
CREATED:20210920T184347Z
LAST-MODIFIED:20220113T192003Z
UID:10005870-1642759200-1642766400@thi.ucsc.edu
SUMMARY:Bishnupriya Ghosh - Multispecies Distributions in the Epidemic Episteme
DESCRIPTION:Bishnupriya Ghosh teaches at the University of California\, Santa Barbara. She has published two monographs\, When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel (Rutgers UP\, 2004) and Global Icons: Apertures to the Popular (Duke Up\, 2011) on global media cultures. Her current work on media\, risk\, and globalization includes the co-edited Routledge Companion to Media and Risk (Routledge 2020) and a new monograph\, The Virus Touch: Theorizing Epidemic Media (under contract\, Duke UP). \n \nPresented by THI’s Center for South Asian Studies.
URL:https://thi.ucsc.edu/event/bishnupriya-ghosh-multispecies-distributions-in-the-epidemic-episteme/
LOCATION:Virtual Event
ATTACH;FMTTYPE=image/jpeg:https://thi.ucsc.edu/wp-content/uploads/2021/09/Dissent-Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220121T120000
DTEND;TZID=America/Los_Angeles:20220121T140000
DTSTAMP:20260428T211609
CREATED:20211116T002729Z
LAST-MODIFIED:20211116T002729Z
UID:10005895-1642766400-1642773600@thi.ucsc.edu
SUMMARY:Demystifying Book Publishing for FirstGen Scholars
DESCRIPTION:Join us for a panel with first-gen authors about their publishing experiences\, followed by a presentation and Q&A with UC Press editors about common publishing topics\, such as choosing the right publisher; preparing a book proposal; how the peer review and Editorial Committee process works; revising your manuscript; and working with publishers to promote your book. Attendees are encouraged to ask questions. A recording will be made available after the event. \nSponsored by: UC Press and the UC Collaborative of Humanities Centers and Institutes \nLearn more at the UC Press FirstGen Program.
URL:https://thi.ucsc.edu/event/demystifying-book-publishing-for-firstgen-scholars/
LOCATION:Virtual Event
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2021/11/Demystifying-Book-publishing-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220124T160000
DTEND;TZID=America/Los_Angeles:20220124T181500
DTSTAMP:20260428T211609
CREATED:20220124T214230Z
LAST-MODIFIED:20220124T214934Z
UID:10005927-1643040000-1643048100@thi.ucsc.edu
SUMMARY:Pamela Z - Seminar in Composition
DESCRIPTION:Please join us on Monday\, January 24\, at 4:00 PM\, for our keynote event in Pamela Z’s 2022 UC Santa Cruz residency\, jointly funded by the University Library\, the Humanities Institute\, and the Institute for Arts and Sciences’ Surge: Afrofuturism Festival. Pamela Z’s residency begins with her January 24 seminar on composition\, and culminates with a May 14 concert undertaken in collaboration with the Institute of Arts and Sciences\, and UC Santa Cruz graduate students. \nThe January lecture-seminar\, delivered remotely via Zoom\, will address a range of issues arising in her approach to composition\, including but not limited to interactions of fixed media and ‘real-time’ elements in performance\, and approaches to composition with voice and text. The lecture portion will be followed by presentations by UC Santa Cruz composers Alexander Wand and Seth Glickman\, on their new works-in-progress\, and finally by discussion and dialogue among the participants. \n  \n \n 
URL:https://thi.ucsc.edu/event/pamela-z-seminar-in-composition/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220126T120000
DTEND;TZID=America/Los_Angeles:20220126T133000
DTSTAMP:20260428T211609
CREATED:20220106T162631Z
LAST-MODIFIED:20220120T174837Z
UID:10007035-1643198400-1643203800@thi.ucsc.edu
SUMMARY:Xavier Livermon - Safe Houses? Queerness\, Performance\, and the Land Question in South Africa
DESCRIPTION:During the height of COVID restrictions in 2020\, a group of Black queer artists in Cape Town occupied a ritzy home that had been converted into an Air B and B. They intended to overstay their original booking in order to bring attention to the issue of inequitable housing policy in South Africa\, and the particular ways that the continuation of apartheid urban planning created disproportionate vulnerabilities for Black queer folk in Cape Town. In this talk\, I will consider the political implications of joining queerness with the land question in post-apartheid South Africa through direct political action and performance. \n \nXavier Livermon is Associate Professor of Critical Race and Ethnic Studies at UCSC \nThe Center for Cultural Studies hosts a weekly Wednesday colloquium featuring work by faculty and visitors. We gather at 12:00 PM\, with presentations beginning at 12:15 PM. \nFor Winter 2022\, the colloquium will take a hybrid format\, in which some events are fully remote and others have the option of in-person attendance. Attendees have the option to attend in person in Humanities 210 or to watch the presentation on zoom. Those who attend in person must adhere to the campus mask mandate for all indoor activities and must complete UCSC’s symptom-check form before coming to campus. In person attendees are asked to please arrive at 12pm so that the event coordinators can verify the symptom check has been completed. To attend remotely via zoom\, please RSVP in advance\, and you will receive a zoom link on the morning of the colloquium. In most cases\, speakers will appear remotely so that they will not have to present wearing a mask. To RSVP for the full Winter colloquium series\, please use this form. If you have any questions about the colloquium\, please contact Piper Milton (cult@ucsc.edu). \nStaff assistance is provided by The Humanities Institute.
URL:https://thi.ucsc.edu/event/xavier-livermon-safe-houses-queerness-performance-and-the-land-question-in-south-africa/
LOCATION:Virtual Event
ATTACH;FMTTYPE=image/jpeg:https://thi.ucsc.edu/wp-content/uploads/2022/01/UNTITLED-4-2-e1641486373557.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220127T172000
DTEND;TZID=America/Los_Angeles:20220127T185500
DTSTAMP:20260428T211609
CREATED:20220106T192133Z
LAST-MODIFIED:20220120T192346Z
UID:10007042-1643304000-1643309700@thi.ucsc.edu
SUMMARY:Living Writers: Karen Tei Yamashita and Eric Wat
DESCRIPTION:After a long period of sheltering in place and an even longer period of restricting our daily movements\, many of us are ready for change. This winter’s living writers all have stories of radical transformation to tell. TC Tolbert searches for a language to enact his transition from being Melissa to being TC; Jane Wong struggles to reconcile her American present with the transnational ghosts of her past; Yuri Herrera’s heroine embarks on a journey across the Mexican American border; Karen Tei Yamashita tells tales of ever changing demographics & invisible histories; Eric Wat’s protagonist remakes himself as he navigates drug abuse\, sexuality\, death and family dynamics; the speaker in Sandra Lim’s book of poems transforms not her life but the way she sees her life. All six writers remind us of the power of literature to transform us. They remind us that when we open a book\, often what we’re really saying is: change me. \nThe Living Writer Series is sponsored by The Puknat Literary Endowment\, The Porter Hitchcock Poetry Fund\, The Laurie Sain Endowment\, The Humanities Institute\, and Bookshop Santa Cruz. \n \nKaren Tei Yamashita is an award-winning writer who was born in Oakland\, California. For many years she was Professor of Literature at University of California\, Santa Cruz. Her works\, several of which contain elements of magic realism\, include novels I Hotel (2010)\, Circle K Cycles (2001)\, Tropic of Orange (1997)\, Brazil-Maru (1992)\, and Through the Arc of the Rain Forest (1990). Yamashita’s novels emphasize the necessity of polyglot\, multicultural communities in an increasingly globalized age\, even as they destabilize orthodox notions of borders and national/ethnic identity. She has also written a number of plays\, including Hannah Kusoh\, Noh Bozos and O-Men which was produced by the Asian American theatre group\, East West Players. Her most recent book is the story collection\, Sansei and Sensibility (2020). Karen Tei Yamashita: The Complete Works is now available from Coffeehouse Press. In 2021\, Yamashita was named the recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters. \nEric Wat’s first book\, The Making of a Gay Asian Community (2002)\, has been described as a “foundational text in queer Asian American historiography.” Almost twenty years later\, he wrote a follow-up about AIDS activism in the Asian American community\, Love Your Asian Body (2021). But his first love was fiction. In 2016\, after his grandmother passed away\, he quit the best job in the world to write his novel\, Swim (2019). He wrote Swim for queer folks whose main concern in life isn’t coming out\, for people who are dealing with addiction (or know loved ones who are)\, and for adult children who are struggling to take care of their aging parents (and in so doing are confronted by their imperfect relationships). Wat lives and writes in Los Angeles.
URL:https://thi.ucsc.edu/event/karen-tei-yamashita-and-eric-wat/
LOCATION:Virtual Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220129T170000
DTEND;TZID=America/Los_Angeles:20220129T190000
DTSTAMP:20260428T211609
CREATED:20211209T213608Z
LAST-MODIFIED:20220104T022705Z
UID:10005898-1643475600-1643482800@thi.ucsc.edu
SUMMARY:The Kapany Collection–Sikh Art in America
DESCRIPTION:The Eloise Pickard Smith Gallery brings you a remarkable collection of Sikh art from Narinder S. and Satinder K. Kapany. Narinder S. Kapany established an endowed chair in entrepreneurship\, the Narinder Kapany Professorship in Entrepreneurship\, based initially at UCSC’s Baskin School of Engineering in support of the school’s leadership in the establishment of a comprehensive entrepreneurship program for the campus. This was the second endowed chair funded by Kapany\, who was a Regents Professor at UC Santa Cruz from 1977 to 1983 as well as a UC Santa Cruz Foundation Trustee. In 1999\, he endowed the Narinder Singh Kapany Chair in Optoelectronics at the Baskin School of Engineering. Kapany\, a Sikh\, was a research scientist\, entrepreneur\, art collector and philanthropist\, he is widely acknowledged as the father of fiber optics. \nThis unique exhibit introduces both Sikh art and ethos as well as a historical look at the Sikh migration and history from Punjab to America\, and more specifically California. It is our objective to enlighten the audience as to what and who the Sikh religion and people represent and their relevance\, not just here\, but around the world. \nThe main gallery displays a rare collection of both antique and contemporary art which does well to establish the history of the Sikh religion beginning with the spiritual teachings of Guru Nanak\, the first Guru (1469–1539)\, and of the nine Sikh gurus who succeeded him. Works reflect the gurus\, gurdwaras\, the Golden Temple–preeminent spiritual site of Sikhism\, rituals and religious communities. Three phulkaris\, loosely translated as  ”flower work”\, (large embroidered textiles in silk and cotton) draw inspiration from the wheat\, corn and barley farmed in much of Punjab. Lastly\, a set of intricately painted miniatures\, portraits on bone and ivory of the court and family\, often given to visiting dignitaries.\nThe Ann Dizikes Annex features a graphic timeline depicting the migration of the Sikhs in the late 1800’s to the present day. It presents a rich story of the important events and people that brought to life the current Sikh population we see today with its gurdwaras\, community\, agricultural and scientific contributions. \nThis is an exhibit not to be missed. We encourage all to come enjoy the magnificent art and the interesting\, rich culture and history of the Sikh people and their religion.
URL:https://thi.ucsc.edu/event/the-kapany-collection-sikh-art-in-america/
LOCATION:Eloise Pickard Smith Gallery\, Cowell College\, Cowell College‎ 1156 High Street\, Santa Cruz\, CA\, 95064\, United States
ATTACH;FMTTYPE=image/jpeg:https://thi.ucsc.edu/wp-content/uploads/2021/12/humnews-image.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220130T170000
DTEND;TZID=America/Los_Angeles:20220130T190000
DTSTAMP:20260428T211609
CREATED:20220113T203748Z
LAST-MODIFIED:20220113T203748Z
UID:10005911-1643562000-1643569200@thi.ucsc.edu
SUMMARY:Watsonville is in the Heart Online Screening: Dollar a Day\, Ten Cents a Dance
DESCRIPTION:ONLINE SCREENING: Talk Story II: Dollar a Day\, Ten Cents a Dance screening\, and community discussion. \nOn Sunday\, January 30\, the Watsonville is in the Heart (WIITH) project team rings in 2022 with a screening of Geoffrey Dunn and Mark Schwartz’s Dollar a Day\, Ten Cents a Dance (1984). The documentary offers a portrait of Filipino agricultural workers\, who traveled to California in the early through the mid-twentieth century. \nJoin community members for a conversation between director Geoffrey Dunn\, local philanthropist and activist George Ow\, and Steve McKay\, professor of Sociology at the University of California\, Santa Cruz and co-Principal Investigator of WIITH. \n \nThis event is part of the larger community-engaged public oral history project Watsonville is in the Heart (led by UCSC historian Kat Gutierrez and labor sociologist Steve McKay)\, in collaboration with the Tobera Project. \nFor general information\, please contact toberaproject@gmail.com. The event will be live-streamed and will be live-captioned. A recording of the event will be made available through YouTube. \nThis project is supported by a Humanities for All Quick Grant. \n 
URL:https://thi.ucsc.edu/event/watsonville-is-in-the-heart-online-screening-dollar-a-day-ten-cents-a-dance/
LOCATION:Virtual Event
END:VEVENT
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