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DTSTART;TZID=America/Los_Angeles:20160511T183000
DTEND;TZID=America/Los_Angeles:20160511T200000
DTSTAMP:20260425T001144
CREATED:20160426T205804Z
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SUMMARY:Leonardo Art & Science Evening Rendezvous (LASER)
DESCRIPTION:Leonardo Art & Science Evening Rendezvous (LASER) is a national program of evening gatherings that bring artists\, scientists\, and scholars together for informal presentations and conversations. \nPlease join us in the Digital Arts Research Center (DARC) 108 for refreshments at 6:30 p.m. followed at 7 p.m. with presentations by marine biologist Nicole Crane\, artist Elaine Gan\, film archivist Rick Prelinger\, and astrophysicist Enrico Ramirez-Ruiz. \nNicole Crane “One People One Reef: combining culture\, context and science to manage changing ecosystems”\nElaine Gan “Making Time Appear”\nRick Prelinger “Inconvenient Materialities”\nEnrico Ramirez-Ruiz “Turning Stars into Gold” \nThis event is FREE and open to the public. \nParking ($4) is available in the Performing Arts Lot adjacent to Digital Arts Research Center. \n\n  \nNicole Crane is Professor of Biology\, Cabrillo College and a Senior Conservation Scientist at the Oceanic Society. Her research focuses on long term monitoring\, with an emphasis in ecology of coral and temperate reefs with the aim of conservation and protection of marine resources. Crane’s field work includes temperate and tropical reef monitoring\, fish biology\, stream ecology\, plant communities\, and marine mammal ecology. With the Oceanic Society\, she works with communities to set up monitoring programs\, looking at habitat and fish populations on reefs and leading natural history expeditions. \nElaine Gan is a doctoral candidate in the department of Film & Digital Media at UCSC and also serves as art director of Aarhus University Research on the Anthropocene (AURA) in Denmark. She has been a fellow of the New York Foundation for the Arts and a graduate fellow of the Science & Justice Center at UCSC. Recent interdisciplinary projects include co-curating an exhibition titled DUMP! Multispecies Making and Unmaking at Kunsthal Aarhus\, Denmark (2015); running a seminar series on multispecies technologies in the Anthropocene at Haus der Kulturen der Welt/HKW Berlin (2016); and co-editing an anthology\, Arts of Living on a Damaged Planet: Stories from the Anthropocene (forthcoming 2016). \nRick Prelinger is Associate Professor of Film and Digital Media at UC Santa Cruz. An archivist\, writer\, filmmaker and educator\, his collection of 60\,000 ephemeral films was acquired by Library of Congress in 2002. Beginning in 2000\, he partnered with Internet Archive to make a subset of the Prelinger Collection (now 6\,500 films) available online for free viewing\, downloading and reuse. His archival feature Panorama Ephemera (2004) played in venues around the world\, and his new feature project No More Road Trips? received a Creative Capital grant in 2012. His Lost Landscapes participatory urban history projects have played to many thousands of viewers in San Francisco\, Detroit\, Oakland\, Los Angeles and elsewhere. He is a board member of Internet Archive and frequently writes and speaks on the future of archives and issues relating to archival access and regeneration. With Megan Shaw Prelinger\, he co-founded Prelinger Library in 2004. \nEnrico Ramirez-Ruiz is Professor and Chair of Astronomy and Astrophysics at UC Santa Cruz. He is also Director of Theoretical Astrophysics Santa Cruz Institute\, Executive Director and Founder UCSC’s OpenLab\, and the Sophie and Tycho Brahe Visiting Professor at the Niels Bohr Institute. His research focuses on the violent universe with an emphasis on stellar explosions\, gamma-ray bursts\, and accretion phenomena near compact objects. Ramirez-Ruiz is the youngest person to be inducted into the Mexican Academy of Sciences and has earned numerous awards including a Packard Fellowship and a National Science Foundation CAREER Award.
URL:https://thi.ucsc.edu/event/leonardo-art-science-evening-rendezvous-laser-3/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160505T180000
DTEND;TZID=America/Los_Angeles:20160505T200000
DTSTAMP:20260425T001144
CREATED:20160426T202236Z
LAST-MODIFIED:20160426T202236Z
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SUMMARY:Patricia Piccinini and Donna Haraway in Conversation
DESCRIPTION:Australian artist Patricia Piccinini will join UC Santa Cruz professor emerita Donna Haraway for a conversation about their shared interest in what Haraway calls “technoculture and speculative fabulations.” \nPatricia Piccinini works in a variety of media\, including painting\, video\, sound\, installation\, digital prints\, and sculpture. In 2014 she was awarded the Artist Award by the Melbourne Art Foundation’s Awards for the Visual Arts. She is well known for her invented\, hybrid creatures which explore the end limits of evolution\, both technological and biological. These creatures evoke the biotechnology and digital technologies that are challenging the boundaries of humanity. \nAs Donna Haraway writes\, “Piccinini is a compelling story teller in the radical experimental lineage of feminist science fiction. In a sf sense\, Piccinini’s objects are replete with narrative speculative fabulation. Her visual and sculptural art is about worlding; i.e.\, “naturaltechnical” worlds at stake\, worlds needy for care and response\, worlds full of unsettling but oddly familiar critters who turn out to be simultaneously near kin and alien colonists.” \nDonna Haraway is a Distinguished Professor Emerita in the History of Consciousness and Feminist Studies Departments at UC Santa Cruz. She is a prominent scholar in the field of science and technology studies and the author of numerous books and essays that bring together questions of science and feminism\, such as A Cyborg Manifesto: Science\, Technology\, and Socialist-Feminism in the Late Twentieth Century (1985) and Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988). In September 2000\, Haraway was awarded the highest honor given by the Society for Social Studies of Science\, the J.D. Bernal Prize\, for lifetime contributions to the field.
URL:https://thi.ucsc.edu/event/patricia-piccinini-and-donna-haraway-in-conversation-3/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20160202T183000
DTEND;TZID=America/Los_Angeles:20160202T200000
DTSTAMP:20260425T001144
CREATED:20160126T184516Z
LAST-MODIFIED:20160126T184516Z
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SUMMARY:LASER (Leonardo Art & Science Evening Rendezvous)
DESCRIPTION:The institute of the Arts and Sciences and the Arts Division at the University of California\, Santa Cruz present:\n\nLASER\n\n\n\n\n\n\n\n\n\nTuesday\, February 2\, 2016\n\n\n\n\nDigital Arts Research Center (DARC) 108\n\n\n\n\n\nLeonardo Art/Science Evening Rendezvous (LASER) is a national program of evening gatherings that bring artists\, scientists\, and scholars together for informal presentations and conversations. \nPlease join us in the Digital Arts Research Center (DARC) 108 for refreshments at 6:30 p.m. followed at 7 p.m. with presentations by: \nWes Modes\, “A Secret History of American River People” \nChristopher Wilmers\, “Who knew there was a puma in my backyard!” \nBeth Shapiro\, “How to Clone a Mammoth” \nDee Hibbert-Jones & Nomi Talisman\, “Making Last Day of Freedom” \nThis event is FREE and open to the public. \nParking ($4) is available in the Performing Arts Lot adjacent to Digital Arts Research Center. \nBIOS: \nWes Modes is a Santa Cruz artist focused on social practice\, sculpture\, performance and new media work. He holds an MFA from the Digital Art and New Media program at UCSC. He has exhibited his art and performed regionally since 1996. He is also a UCSC art lecturer and curator for the Santa Cruz Museum of Art and History. In other lives\, he is a high-tech runaway\, writer\, community organizer\, geek\, and mischief-maker. \nChristopher Wilmers is a wildlife ecologist who studies how global change influences animal behavior\, population dynamics and community organization. An Associate Professor of Environmental Studies at UC Santa Cruz\, Wilmers is the founder and lead researcher for the Santa Cruz Puma Project—the most comprehensive study of Northern California cougars. Since 2008\, Wilmers and his team of researchers have fitted mountain lions in Northern California with specially designed collars with radio telecommunications\, global positioning\, and an accelerometer device to record activities like pouncing and even mating. \nBeth Shapiro is an evolutionary biologist who specializes in the genetics of ice age animals and plants to help develop strategies for the conservation of species under threat from climate change today. A pioneer in the young field called “ancient DNA\,” Shapiro is an Associate Professor of Ecology and Evolutionary Biology at UCSC. She has been named a Royal Society University Research Fellow\, Searle Scholar\, Packard Fellow\, and a National Geographic Emerging Explorer. In 2009\, Shapiro received a MacArthur “genius” award. Her recent book is How to Clone a Mammoth: The Science of De-extinction. \nDee Hibbert-Jones & Nomi Talisman collaborate on art\, film and interactive projects that look at the ways power structures and politics impact everyday lives. Hibbert-Jones is an Associate Professor of Art & New Media at UCSC; Talisman is a freelance editor and animator. Their current film project\, Last Day Of Freedom\, has won multiple awards\, including the International Documentary Association’s Best Short Film of 2015; Best Short Film at Full Frame Documentary Festival; and the Filmmaker Award from the Center for Documentary Studies\, among others. \nFor more information\, email ias@ucsc.edu \n  \n 
URL:https://thi.ucsc.edu/event/laser-leonardo-art-science-evening-rendezvous-3/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20151109T193000
DTEND;TZID=America/Los_Angeles:20151109T213000
DTSTAMP:20260425T001144
CREATED:20151028T222516Z
LAST-MODIFIED:20151028T222516Z
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SUMMARY:UPDATED TIME: Amalia Mesa-Bains Talk & Film Screening of "Eduardo Carrillo: A Life of Engagement"
DESCRIPTION:Monday\, November 9\, 2015\n6 PM\, Digital Arts Research Center (DARC) 108 \nThe Institute of the Arts and Sciences and the Museo Eduardo Carrillo invite you to a talk by internationally renowned artist Amalia Mesa-Bains and a screening of the Museo’s new 30 minute documentary Eduardo Carrillo: A Life of Engagement. \nAmalia Mesa-Bains is an artist\, scholar\, curator\, and writer who has been involved in the Chicano artist movement since the 1960s. Dr. Mesa-Bains is a leading altar installation artist\, incorporating Chicano culture and folk traditions into her work. She was the curator for the traveling exhibition\,Ceremony of Memory\, and the regional committee chair (Northern California) for the exhibitionChicano Art: Resistance and Affirmation\, 1965-1985 (CARA). She also has written extensively on Chicano art. \nEduardo Carrillo was a founding faculty member at Oakes College at UC Santa Cruz\, beloved Professor of Art and a renowned painter and muralist. He came of age during the dynamic social change on the 1960s. His tenure at UCSC (1972-1997) began at a turning point on the campus; there was a commitment to become more socially conscious and representative of diversity. Mesa-Bains and Eduardo worked together on a project called the CALIFAS SEMINAR at the Mary Porter Sesnon Gallery\, Porter College\, UCSC in April\, 1982. Califas gathered Chicano/a artists to discuss the evolving role they played in society. It was a breakthrough event. \nFilmed over 4 years across California and in Baja California\, Mexico\, the award winning documentary\, A Life of Engagement\, documents the artist’s relationship with his Mexican cultural heritage as he negotiated the challenges first generation Americans faced during the tumultuous social changes of the 60s and 70s. It features commentary by Amalia Mesa- Bains. \nJoin us November 9 at 6 pm in Digital Art Research Center\, RM 108. The event is FREE and open to the public. Parking is available in the Performing Arts Lot for $4. \nThis program is cosponsored by the Chicano Latino Research Center. Institute programs are supported by the Division of the Arts and and our annual donors.
URL:https://thi.ucsc.edu/event/amalia-mesa-bains-talk-film-screening-of-eduardo-carrillo-a-life-of-engagement-3/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20151103T183000
DTEND;TZID=America/Los_Angeles:20151103T200000
DTSTAMP:20260425T001144
CREATED:20151028T221555Z
LAST-MODIFIED:20151028T221555Z
UID:10006293-1446575400-1446580800@thi.ucsc.edu
SUMMARY:Leonardo Art/Science Evening Rendezvous (LASER)
DESCRIPTION:Leonardo Art/Science Evening Rendezvous (LASER) is a national program of evening gatherings that bring artists\, scientists\, and scholars together for informal presentations and conversations. \nPlease join us in the Digital Arts Research Center (DARC) 108 for refreshments at 6:30 p.m. followed at 7 p.m. with presentations by: \nGiacomo Bernardi “Finding general patterns in the natural world: underwater cuckoos” \nEmily Brodsky “Stress in Faults” \nRobin Hunicke “The Art of Play” \nA. Laurie Palmer “If I were you\, I’d call me us” \nBios: \nGiacomo Bernardi is Professor of Ecology and Evolutionary Biology at UC Santa Cruz. His laboratory research focuses on the ecology of coral reefs and understanding speciation mechanisms in marine organisms.​ Bernardi did his undergrad and grad school at the University of Paris where he earned a PhD in Molecular Biology. He did a Post Doc at the Pasteur Institute in Tunis\, Tunisia and a Post Doc at Stanford University’s Hopkins Marine Station before being hired at UCSC. \nEmily Brodsky is a professor and earthquake physicist at the UC Santa Cruz. Her research focuses on identifying the processes that trigger earthquakes and constraining the forces and processes that occur inside a fault zone during slip. Prof. Brodsky earned her A.B. from Harvard in 1995\, Ph.D. from Caltech in 2001 and was a 2001 Miller Fellow at the University of California\, Berkeley. She has published over 80 peer-reviewed articles and presented over 75 invited lectures or keynote talks. Her work was been featured in major press outlets such as the BBC\, NPR\, Time Magazine\, NY Times\, Nature\, Reuters\, LA Times and The Wall Street Journal. \nRobin Hunicke is the Director of the new Art\, Games & Playable Media BA program at UC Santa Cruz. A game designer and producer by training\, she has a background in computer science\, fine art and applied game studies. She has been designing\, making and teaching about games for over 12 years (Journey\, Boom Blox\,MySims\, TheSims2). Robin is also the Co-Founder of the independent game studio Funomena\, where she is currently working on a puzzling fable called Luna and a joyful and musical physics playground called Wattam. Recognized as an influential Woman in Games\, Robin is also an outspoken evangelist for diversity of thought and participation in game design and game culture. In this talk\, she will talk about how game developers can create novel\, experimental games by designing for feeling. \nA. Laurie Palmer is an artist\, writer\, and teacher. Her work includes sculpture\, installation\, writing\, and public art. She is concerned with material explorations of matter’s active nature as it asserts itself on different scales and in different speeds\, and she collaborates on strategic actions that work for social and environmental justice. Her book In the Aura of a Hole: Exploring Sites of Material Extraction (Black Dog\, London\, 2014) investigates what happens to places where materials are removed from the ground\, and how these materials move between the earth and our bodies. Palmer collaborated with the artist group Haha for 20 years on site- and community-based projects. She currently collaborates with Chicago Torture Justice Memorials (CTJM) and the Prison Neighborhood Arts Program (PNAP)\, both based in Chicago. She has shown her work\, both independently and with Haha\, at national and international venues. \nThis event is FREE and open to the public. Parking is available in the Performing Arts Lot adjacent to Digital Arts Research Center.
URL:https://thi.ucsc.edu/event/leonardo-artscience-evening-rendezvous-laser-3/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150519T183000
DTEND;TZID=America/Los_Angeles:20150519T200000
DTSTAMP:20260425T001144
CREATED:20150512T161034Z
LAST-MODIFIED:20150512T161034Z
UID:10005107-1432060200-1432065600@thi.ucsc.edu
SUMMARY:Last LASER (Leonardo Art/Science Evening Rendezvous) of the Year
DESCRIPTION:The Institute of the Arts and Sciences invites you to final Leonardo Art/Science Evening Rendezvous (LASER) of the year on May 19 in the Digital Arts Research Center (DARC) 108. Join us for refreshments at 6:30 p.m. followed at 7 p.m. with presentations by: \n• Daniel Press “What is Recycling Good For? The Case of American Paper Today” \n• Roger Linington “Where Do Medicines Come From? In Search of Therapeutics From the World’s Oceans” \n• Anita Chang “Designing Practices in Cross-disciplinary Collaborations and Identities: A Case Study of the Transmedia Documentary Project Tongues of Heaven/RootTongue” \n• Kim Abeles “frugalworld.org and a galleryofsolutions”\n  \nBios: \nDaniel Press is the Olga T. Griswold Professor of Environmental Studies and Executive Director of the Center for Agroecology and Sustainable Food Systems at UC Santa Cruz. His research interests include environmental politics and policy\, land preservation\, water quality regulation and management\, industrial ecology\, and policy analysis. He is the author of Democratic Dilemmas in the Age of Ecology: Trees and Toxics in the American West (Duke University Press\, 1994)\, Saving Open Space: The Politics of Local Preservation in California (UC Press\, 2002)\, and American Environmental Policy: The Failures of Compliance\, Abatement and Mitigation (Edward Elgar\, 2015). \nRoger Linington is Associate Professor of Biochemistry at UC Santa Cruz. His research centers on marine natural products used in biomedical science. Linington’s research has two major focuses: drug discovery for neglected infectious diseases including malaria\, TB and dengue fever\, and the use of natural products as probes for biological systems. \nAnita Chang is an independent filmmaker\, educator and writer. She is also currently a PhD Candidate in Film and Digital Media\, UC Santa Cruz. Chang’s films are engaged in discourses on (post)colonialism\, ethnography\, diaspora and cross-cultural representation. Chang has taught film in numerous community and academic settings in San Francisco\, Nepal and Taiwan. Honors include grant awards from Creative Capital\, Fulbright Foundation\, San Francisco Arts Commission\, National Geographic and KQED Peter J. Owens Filmmaker program. Her essays have appeared in positions: asia critique\, Concentric: Literary and Cultural Studies and Taiwan Journal of Indigenous Studies. \nKim Abeles is an activist and artist whose installations and community projects cross disciplines and media to explore biography\, geography and environment. The work merges hand-crafted materials with digital representations. Abeles received the 2013 Guggenheim Memorial Fellowship\, and is a recipient of fellowships from J. Paul Getty Trust Fund for the Visual Arts\, California Community Foundation and Pollock-Krasner Foundation. She is a 2014/15 Lucas Visual Arts Fellow at the Montalvo Arts Center. She has exhibited in 22 countries\, frequently creating artworks site specific to the location\, including large-scale installations for exhibitions in Vietnam\, Thailand\, Czech Republic\, England\, China\, and South Korea.
URL:https://thi.ucsc.edu/event/last-laser-leonardo-artscience-evening-rendezvous-of-the-year-2/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150331T184500
DTEND;TZID=America/Los_Angeles:20150331T200000
DTSTAMP:20260425T001144
CREATED:20150323T181832Z
LAST-MODIFIED:20150323T181832Z
UID:10006065-1427827500-1427832000@thi.ucsc.edu
SUMMARY:Leonardo Art and Science Evening Rendezvous (LASER)
DESCRIPTION:Please join us for another Leonardo Art and Science Evening Rendezvous (LASER) March 31 in the Digital Arts Research Center (DARC) 108. There will be refreshments at 6:45 p.m. followed at 7 p.m. with presentations by the conceptual artist/photographer Catherine Wagner\, Mills College; documentary filmmaker Jennifer Maytorena Taylor\, UCSC; composer\, artist\, and bio-acoustic reseacher David Dunn\, UCSC\, and archeologist/anthropologist J. Cameron Monroe\, UCSC. \nDavid Dunn “Communication within the Soundscape” \nJ. Cameron Monroe “Cana in Dahomey – A West African City in the Era of the Slave Trade.” \nJennifer Maytorena Taylor “Selfies\, Surveillance\, and Social Documentation” \nCatherine Wagner  “Art & Science: Investigating Matter” \nThe event is free and open to the public. Parking is available for $4 in the adjacent Theater Arts parking lot.\n  \n\nDavid Dunn is Assistant Professor of Sound Art and Design in Music and Digital Arts and New Media at UC Santa Cruz. Dunn is a a composer\, artist\, and bio-acoustic researcher who prefers to lecture and engage in site-specific interactions or research-oriented activities. Much of his work is focused upon listening strategies and technologies for environmental sound monitoring in both aesthetic and scientific contexts. \nJ. Cameron Monroe is an Associate Professor of Anthropology and the Director of the Archaeological Research Center at UC Santa Cruz. Specializing in the Archaeology of West Africa and the African Diaspora\, Professor Monroe directs the Abomey Plateau Archaeological Project (Bénin)\, which explores the dynamic histories of urbanism in West African during the era of the trans-Atlantic slave trade. He has published numerous articles and two books\, including The Precolonial State in West Africa: Building Power in Dahomey (Cambridge University Press\, 2014). \nJennifer Maytorena Taylor is Assistant Professor in Social Documentation and the Department of Film and Digital Media at UC Santa Cruz. She imakes character-based films about real people with extraordinary stories\, often with Latino themes and Spanish-language content. Recent films include the award-winning feature documentaries New Muslim Cool and Special Circumstances and Street Knowledge 2 College\, a 15-part web series for PBS.org. \nCatherine Wagner is an artist and Professor of Studio Art\, Mill College. She has received many major awards\, including the Rome Prize \, a Guggenheim Fellowship\, NEA Fellowships\, and the Ferguson Award. Her work is represented in major collections  such as the Los Angeles County Museum of Art\, SFMOMA\, The Whitney Museum of American Art\, MFA Houston. Wagner also published several monographs\, including American Classroom\, Art & Science: Investigating Matter\, and Cross Sections
URL:https://thi.ucsc.edu/event/leonardo-art-and-science-evening-rendezvous-laser-2-2/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
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