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X-WR-CALDESC:Events for The Humanities Institute
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DTSTART;TZID=America/Los_Angeles:20120118T120000
DTEND;TZID=America/Los_Angeles:20120118T140000
DTSTAMP:20260426T171032
CREATED:20111202T001059Z
LAST-MODIFIED:20111202T001059Z
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SUMMARY:Anna Tsing: "Critical Description After Progress"
DESCRIPTION:The Cultural Studies Colloquium Series Presents:\nAnna Tsing\nAnna Tsing\nProfessor\, Anthropology\, UCSC \n“Critical Description After Progress” \nProfessor Tsing’s current research tracks the commerce and ecology of a high-value wild mushroom to illuminate contemporary dilemmas of capitalism and multispecies life.  The in-progress Living in Ruins explores the consequences of building capitalist supply chains among cultural and biological histories of disturbance and precarious survival. \n———————————————————————————————————— \nThe Center for Cultural Studies hosts a weekly Wednesday colloquium featuring work by faculty and visitors.  The sessions consist of a 30-40 minute presentation followed by discussion.  We gather at noon\, with presentations beginning at 12:15 PM.  Participants are encouraged to bring their own lunches; the Center provides coffee\, tea\, and cookies. \nALL COLLOQUIA ARE IN HUMANITIES 210.
URL:https://thi.ucsc.edu/event/csc-anna-tsing-3/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20120119T173000
DTEND;TZID=America/Los_Angeles:20120119T190000
DTSTAMP:20260426T171032
CREATED:20120110T205600Z
LAST-MODIFIED:20120110T205600Z
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SUMMARY:Visual Performance Studies Presents: Kimberly Jannarone
DESCRIPTION:Temporalities of Reenactment: A Speaker Series\, 2011-2012 \n\n \n\nKimberly Jannarone \n Theater Arts\, Digital Arts and New Media\, History of Consciousness\, UCSC \nMemory and Mass Performance \nThe recent retrospective of the work of Marina Abramovic at MOMA in New York brought to wide public attention the phenomenon of what she called the “reperformance” of her earlier work\, which had only existed until then as one-time events recorded on film.  Bringing this ephemeral performance work into the museum space as a live artifact raised consciousness of a broader trend currently taking place in contemporary dance\, theatre\, film\, video and performance art.  Reenactment raises questions of the differences between reconstruction\, revival\, adaptation\, reinvention\, quotation\, amplification\, and the kinds of temporalities these strategies to recover past performance signify. But beyond the terminological questions\, issues of artist identity\, authenticity\, and history emerge in direct relationship with performative documentary activity. The question of the event and the document become dramatically foregrounded. The question of trauma and catharsis in relation to reenactment is salient as became clear in our first seminar with Chip Lord and Magaret Morse. \n\n\n\nReenactment of the work of one artist by another has been a form of contemporary creativity in theatre\, film\, dance\, and performance for some time\, but has been gaining momentum as a major trend of artistic production and research.  Clearly\, it evokes the connections of historiography and interpretation to art making that documents the past in a non-literal or even paradoxical yet exacting and rigorous way that evades certain mimetic conventions.  It is time to ask what sorts of temporality are deployed in reenactments\, and how new sorts of temporality reframe notions of documentation\, reconstruction/reinvention\, citation/quotation\, and amplification of an earlier work or event in the contemporary moment. \nThis year-long speaker series will present artists and scholars specializing in this area of contemporary creativity. \n 
URL:https://thi.ucsc.edu/event/vps-jannarone-3/
LOCATION:Cowell Conference Room\, Cowell College\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20120119T180000
DTEND;TZID=America/Los_Angeles:20120119T194500
DTSTAMP:20260426T171032
CREATED:20111207T214307Z
LAST-MODIFIED:20111207T214307Z
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SUMMARY:R. Zamora Linmark: "Collaborators\, Collectors & Collectives"
DESCRIPTION:R. Zamora Linmark\nCreative Writing and Literature present:\nUCSC Winter Living Writers Series \nR. Zamora Linmark \nCollaborators\, Collectors & Collectives\nRonaldo V. Wilson\, Visiting Assistant Professor \nCollaborators\, Collectors & Collectives is a reading/performance series by poets who write and disseminate poetry across multiple disciplines and communities.  Whether as editors\, publishers\, activists\, teachers\, multi-media artists\, and/or co-collaborators\, the featured poets in this series present work that reflects their dynamic engagements in the world. \nThursdays / 6:00 -7:45 pm / Humanities Lecture Hall \nContact: Ronaldo V. Wilson\, rvwilson@ucsc.edu or visit http://creativewriting.ucsc.edu \nCo-sponsored by the Siegfried B. & Elisabeth Mignon Puknat Literary Studies Endowment\, Porter College George Hitchcock Poetry Fund\, Poets & Writers through the grant from the James Irvine Foundation\, Asian American/Pacific Islander Resource Center\, Literature Department and the Creative Writing Program.
URL:https://thi.ucsc.edu/event/lws-r-zamora-linmark-3/
LOCATION:Humanities Lecture Hall\, Room 206\, UCSC Humanities Lecture Hall\, 1156 High Street\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20120120T140000
DTEND;TZID=America/Los_Angeles:20120120T160000
DTSTAMP:20260426T171032
CREATED:20120119T195308Z
LAST-MODIFIED:20120119T195308Z
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SUMMARY:Chris Chen: "An Axiomatic Chorus": Serial Black Identities and Allegories of Improvisation in Nathaniel Mackey's
DESCRIPTION:The Literature Department invites you to attend a talk held in conjunction with the search for\na position in African-American Literature (Modernism to Contemporary): \nChris Chen \n“An Axiomatic Chorus”: Serial Black Identities and Allegories of Improvisation in Nathaniel Mackey’s\nFrom A Broken Bottle Traces of Perfume Still Emanate. \nChristopher Chen is a Holloway Postdoctoral Fellow at University of California\, Berkeley. He received a Ph.D. at Berkeley in 2011 and an MFA in poetry writing from the Iowa Writers Workshop. His dissertation is a comparative study of contemporary African American and Asian American poetry\, which explores how the pervasive use of non-narrative\, serial poetic forms registers intra- and interracial conflict and foregrounds the question of racial comparison as both impossible and unavoidable in the post-civil rights era.
URL:https://thi.ucsc.edu/event/chris-chen-an-axiomatic-chorus-serial-black-identities-and-allegories-of-improvisation-in-nathaniel-mackeys-3/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
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