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X-ORIGINAL-URL:https://thi.ucsc.edu
X-WR-CALDESC:Events for The Humanities Institute
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TZID:America/Los_Angeles
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DTSTART:20120311T100000
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DTSTART:20121104T090000
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131021T123000
DTEND;TZID=America/Los_Angeles:20131021T140000
DTSTAMP:20260506T080249
CREATED:20131017T231717Z
LAST-MODIFIED:20131017T231717Z
UID:10005539-1382358600-1382364000@thi.ucsc.edu
SUMMARY:Rocio Rosales: "Stagnant Immigrant Social Networks and Cycles of Exploitation"
DESCRIPTION:Based on over four years of ethnographic research among street vendors in Los Angeles and on interviews with family members of vendors and former vendors living in Mexico\, Rocio Rosales examines the influence of a sending community and its social networks on migrant outcomes in the US. These social networks affect migration patterns\, ease entry into the fruit vending business but also facilitate exploitation. Furthermore\, these social networks do not always function as effective conduits of information because its members\, due to feelings of shame or embarrassment\, often fail to add to the existing body of knowledge. As a result\, international migration patterns\, job placement\, and exploitative practices do not change or improve for subsequent migrants. This creates a cycle in which social networks become stagnant and successively fail to function as effective conduits of information and resources in ways that might help network members equally and in the aggregate. \nRocio Rosales is a Chancellor’s Postdoctoral Fellow in the Center for Comparative Immigration Studies at the University of California\, San Diego. She completed her Ph.D. in Sociology at UCLA in 2012 and received her A.B. in Sociology (cum laude) with a certificate in Latin American Studies from Princeton University. Her dissertation\, “Hidden Economies in Public Spaces: The Fruit Vendors of Los Angeles\,” examines the social and economic lives of a group of undocumented Latino street vendors. Her research interests include international migration\, informal work\, immigrant and ethnic economies\, Latinos/as in the US\, qualitative methods and urban ethnography. Her work has been funded by the American Philosophical Society (2011)\, John Randolph and Dora Haynes Foundation (2010)\, Ford Foundation (2005-2008)\, and the SSRC Mellon Mays Foundation (2003-2012). Her research appears in the Journal of Ethnic and Migration Studies and in Ethnic and Racial Studies (forthcoming). \nLecture presented by the UCSC Sociology Colloquium Series and the UCSC Center for Labor Studies. \nFor more info\, go to: http://socyeventsucsc.wordpress.com/.\nFor info about access to College 8\, contact: Barbara Laurence\, balauren@ucsc.edu.\n 
URL:https://thi.ucsc.edu/event/rocio-rosales-2/
LOCATION:Rachel Carson College\, Room 301\, Rachel Carson College 1156 High Stree\, Santa Cruz\, CA\, 95064\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131021T143000
DTEND;TZID=America/Los_Angeles:20131021T160000
DTSTAMP:20260506T080249
CREATED:20131016T233001Z
LAST-MODIFIED:20131016T233001Z
UID:10005537-1382365800-1382371200@thi.ucsc.edu
SUMMARY:Graduate Seminar with Visiting Artist Carrie Mae Weems
DESCRIPTION:The recipient of a 2013 MacArthur Foundation grant\, Carrie Mae Weems is a photographer and video installation artist examining the complex and contradictory legacy of African American identity\, class\, and culture in the United States. On October 21st\, she will meet with graduate students in a seminar setting for a conversation about how artists talk about their work to the public and to the critics\, scholars\, and journalists who write about it. Ms. Weems’ art practices intricately document and participate in the ongoing and centuries-old struggle for racial equality\, human rights\, and social inclusion in America. Through photography\, installation\, and video\, Weems addresses an array of issues and demonstrates an overarching commitment to understanding the present by closely examining history. We hope you will join us in a conversation with Ms. Weems about communicating politically and emotionally charged practices to different audiences. \nPlease join us October 21st at 2:30 P.M. in the Digital Arts Research Center (DARC) 230. This will be a participatory conversation so please come with questions and prepared to discuss and present aspects of your work. A public lecture will take place later the same day at 7 P.M. in the Media Theater. \nInformation on Ms. Weems work can be found at http://carriemaeweems.net/ \nSponsored by UC Santa Cruz Arts Division\, Art Department\, UC Presidential Chair in Feminist Critical Race and Ethnic Studies\, Film & Digital Media\, Visual and Media Cultures Colloquia\, The Office for Diversity\, Equity\, and Inclusion\, and Institute of the Arts & Sciences.
URL:https://thi.ucsc.edu/event/graduate-seminar-with-visiting-artist-carrie-mae-weems-2/
LOCATION:Digital Arts Research Center (DARC) Light Lab\, Room 306
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131021T190000
DTEND;TZID=America/Los_Angeles:20131021T203000
DTSTAMP:20260506T080249
CREATED:20131015T161944Z
LAST-MODIFIED:20131015T161944Z
UID:10005535-1382382000-1382387400@thi.ucsc.edu
SUMMARY:Lecture: Carrie Mae Weems\, photographer
DESCRIPTION:Photographer and video installation artist Carrie Mae Weems examines the complex and contradictory legacy of African American identity\, class\, and culture in the United States. \nWeems will discuss her work and ideas\, drawing on three decades of artistic activity. The recipient of a 2013 MacArthur Foundation “genius” grant\, Weems has exhibited nationally and internationally over the course of her career. \nPresented by the Art Department\, Arts Division\, Digital Arts and New Media\, and Film and Digital Media. Cosponsored by the UC Presidential Chair in Feminist Critical Race and Ethnic Studies\, the Office for Diversity\, Equity\, and Inclusion; Visual & Media Cultures Colloquia\, and the Institute of the Arts & Sciences.
URL:https://thi.ucsc.edu/event/lecture-carrie-mae-weems-photographer-2/
LOCATION:Media Theater\, M110
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131023T121500
DTEND;TZID=America/Los_Angeles:20131023T140000
DTSTAMP:20260506T080249
CREATED:20130906T234038Z
LAST-MODIFIED:20130906T234038Z
UID:10005458-1382530500-1382536800@thi.ucsc.edu
SUMMARY:Jennifer L. Derr: "Embodied Politics and Bilharzia Infection in Colonial Egypt"
DESCRIPTION:Jennifer Derr’s work explores the configuration and experience of the colonial state in Egypt through its construction of the agricultural environments that lined the banks of the Nile River. Derr traces the intersections of the colonial state in Egypt with the material experiences of environmental infrastructure\, resource allocation\, disease\, and the geographies of colonial capitalism. \nJennifer Derr is Assistant Professor of History at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/ccs-jennifer-derr-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20131023T170000
DTEND;TZID=America/Los_Angeles:20131023T183000
DTSTAMP:20260506T080249
CREATED:20130906T162958Z
LAST-MODIFIED:20130906T162958Z
UID:10005455-1382547600-1382553000@thi.ucsc.edu
SUMMARY:Gihan Abou Zeid: "Egyptian Women in Struggle: Then and Now"
DESCRIPTION:Egyptian human rights activist\, journalist and author GIHAN ABOU ZEID is an authority on women’s rights in the Arab world. She was part of the revolution of 2011 that brought millions of people to Tahrir Square. Gihan is the managing editor for the magazine Politics and Religion and writes for the Qatari newspaper Al Arab. She is developing a regional strategy for the United Nations Population Fund (UNFPA) on cooperation between UN agencies and faith-based organizations. Gihan served 9 years as vice president of the NGO’s Forum for Women in Development\, and was a policy adviser for the Ministry of Family and Population in Egypt. \nSponsored by the UC Presidential Chair in Feminist Critical Race and Ethnic Studies. Co-sponsored by the Institute for Humanities Research. For further information\, including disabled access\, please contact Evin Guy\, ecguy@ucsc.edu\, (831) 459-5655. \n  \n \n  \n \n 
URL:https://thi.ucsc.edu/event/gihan-abou-zeid-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131024T180000
DTEND;TZID=America/Los_Angeles:20131024T194500
DTSTAMP:20260506T080249
CREATED:20131004T031116Z
LAST-MODIFIED:20131004T031116Z
UID:10005523-1382637600-1382643900@thi.ucsc.edu
SUMMARY:Living Writers Series: Ruth Ellen Kocher
DESCRIPTION:Thresholds and Breaking Points \nThe writers in this series will present across multiple genres\, to include poetry\, fiction\, criticism\, and various hybrid genres. Each will explore ways that language tests thresholds of culture\, race\, nation\, sex\, gender\, and desire through the creative imagination. Central to each will be how these thresholds are performed\, tested\, broken\, clarified and complicated in their works. \nRuth Ellen Kocher is the author of Ending in Planes (Noemi Press\, date TBA)\, Goodbye Lyric: The Gigans and Lovely Gun (Sheep Meadow Press 2014)\, domina Un/blued (Tupelo Press 2013)\, One Girl Babylon (New Issues Press 2003)\, When the Moon Knows You’re Wandering\, winner of the Green Rose Prize in Poetry (New Issues Press 2002)\, and Desdemona’s Fire winner of the Naomi Long Madget Award for African American Poets (Lotus Press 1999). Her poems are widely anthologized\, and she has been awarded fellowships from the Cave Canem Foundation\, the Bucknell Seminar for Younger Poets\, and Yaddo. She is Associate Chair of English and Director of the Creative Writing Program at the University of Colorado where she teaches innovative Poetry\, Poetics\, and Literature. \nLocation and Time: All Readings located at Kresge Town Hall 466 | 6-7:45pm \nThe Living Writers Series is co-sponsored by the Porter College George Hitchcock Poetry Fund\, a Poets & Writers through the grant from the James Irvine Foundation\, the Literature Department and the Creative Writing Program\, Morton Marcus Memorial Poetry Reading\, and a Laurie Sain Creative Writing Endowment.
URL:https://thi.ucsc.edu/event/living-writers-series-ruth-ellen-kocher-2/
LOCATION:Kresge Town Hall
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20131025
DTEND;VALUE=DATE:20131027
DTSTAMP:20260506T080249
CREATED:20130607T155938Z
LAST-MODIFIED:20130607T155938Z
UID:10004824-1382659200-1382831999@thi.ucsc.edu
SUMMARY:"Unfixed Itineraries: Film and Visual Culture from Arab Worlds"
DESCRIPTION:[vc_column width=”1/3″ el_position=”first”] [rb_section_title title=”Organizers” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nPeter Limbrick\, Associate Professor\, Film and Digital Media\, UCSC\nOmnia El Shakry\, Associate Professor\, History\, UC Davis \n[/vc_column_text] [rb_blank_divider height=”35″ width=”1/1″ el_position=”first last”] [rb_section_title title=”Steering Committee” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nShelby Graham\, Director/Curator\, Mary Porter Sesnon Art Gallery\, UCSC\nSoraya Murray\, Assistant Professor\, Film and Digital Media\, UCSC\nIrene Lusztig\, Assistant Professor\, Film and Digital Media\, UCSC\nNeda Atanasoski\, Associate Professor\, Feminist Studies\, UCSC\nJennifer Derr\, Assistant Professor\, History\, UCSC \n[/vc_column_text] [/vc_column] [vc_column width=”2/3″ el_position=”last”] [rb_section_title title=”Unfixed Itineraries” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nUnfixed Itineraries has two components: \na symposium\, free and open to the public\, that will take place October 25-26 2013 at the Digital Arts Research Center (DARC)\, bringing scholars and artists together for two days of screenings\, presentations\, and conversations. \na concurrent exhibition at UCSC’s Mary Porter Sesnon Gallery that runs from October 25-December 10. \nBoth events coincide with the series “Moumen Smihi\, Poet of Tangier\,” curated by UCSC film and digital media professor Peter Limbrick\, which takes place at the Pacific Film Archive\, Berkeley\, between October 10 and 27. Smihi will also be a participant at the symposium. http://bampfa.berkeley.edu/filmseries/smihi \nThe Unfixed Itineraries symposium will encourage innovative perspectives on Arab film and visual culture\, emphasizing their multifaceted and plural nature. Rather than homogenize “the Arab world\,” for example\, we stress the multiple worlds that have been made by diverse histories. Instead of taking for granted the meaning of the word “Arab\,” our event continually questions fixed narratives that produce rigid identities. And by refusing the common tendency to reduce Arab art to the realm of the political or the religious\, we also affirm the inspiring\, arresting pleasures of the aesthetic\, the sensory\, the intellectual\, and the social aspects of film and media from the region. \nParticipants will focus on the production and circulation of Arab visual cultures across multiple temporal and spatial boundaries: from the historical to the recent\, at “home” and in diaspora. The symposium includes opportunities for seeing film and media and for engaging in scholarly\, critical debates with cultural producers (rather than just “about” them). \nArtists and scholars will visit from Lebanon\, Morocco\, Egypt\, Syria\, Canada\, Europe\, and the US and the work presented will cover a wide area of forms\, styles\, and thematic concerns. \nSymposium screenings\, panels\, and presentations will address topics such as: Movement and Extra-territoriality; Itineraries of Intertextuality; Past\, Present\, and Future Itineraries; Narrative and non-Narrative Itineraries; Archives\, Images\, Memory. \n[/vc_column_text] [/vc_column]
URL:https://thi.ucsc.edu/event/unfixed-itineraries-film-and-visual-culture-from-arab-worlds-2/
LOCATION:Digital Arts Research Center (DARC) Light Lab\, Room 306
ATTACH;FMTTYPE=:
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131025T190000
DTEND;TZID=America/Los_Angeles:20131025T214500
DTSTAMP:20260506T080249
CREATED:20131010T215027Z
LAST-MODIFIED:20131010T215027Z
UID:10005533-1382727600-1382737500@thi.ucsc.edu
SUMMARY:Free Angela Davis and All Political Prisoners Film Screening
DESCRIPTION:Free Angela! is a brilliant documentary that captures the sensational murder and kidnapping trial of Black Communist and UCLA Professor Angela Davis in the early 1970s. It provides extraordinary archival footage\, interviews with Davis\, all four of her trial lawyers and the activists who co-led a massive international movement for her freedom. Davis was deeply involved in a movement to help save the lives of three Black prisoners known as the Soledad Brothers\, and was also active in the Black Panther Party and the anti- Vietnam war movement. Davis was indicted as a co-conspirator by a Marin County Grand Jury and when “unavailable” was placed on the FBI’s Ten Most Wanted list.This was the result of an attempt by prisoners from San Quentin to escape during a court case in Marin County on August 7th\, 1970. The judge\, two of the prisoners\, and their young would-be liberator were killed by San Quentin prison guards; the prosecuting attorney and the other escaping prisoner were critically wounded. Condemned in sensational media coverage\, then President Richard Nixon and then California Governor Ronald Reagan denounced Davis as a “dangerous terrorist.” Davis was in fact the target of government revenge as a symbol of the radical fervor of those times. The film tells a complicated story in a comprehensible\, powerful way that continues to reverberate in our own time. \nQ & A following the film with Howard Moore\, lead counsel for Angela Davis\, and Bettina Aptheker\, Professor of Feminist Studies at UC Santa Cruz. \nShowing sponsored by the UC Presidential Chair in Feminist Critical Race & Ethnic Studies and by the Feminist Studies Department at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/free-angela-davis-and-all-political-prisoners-film-screening-2/
LOCATION:Classroom Unit 2\,      Classroom Unit‎ University of California Santa Cruz\, UC Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20131026T090000
DTEND;TZID=America/Los_Angeles:20131026T171500
DTSTAMP:20260506T080249
CREATED:20131008T164326Z
LAST-MODIFIED:20131008T164326Z
UID:10005529-1382778000-1382807700@thi.ucsc.edu
SUMMARY:The Stanford School of Philosophy of Science
DESCRIPTION:[vc_column_text width=”1/1″ el_position=”first last”] \nIn the 80s and early 90s\, a group of influential philosophers\, historians\, and philosophers of science were concerned with the following themes: disunity and pluralism of scientific theory and practice the nature of scientific modeling (in its dizzying variety\, including mathematical\, diagrammatic\, and classificatory models) post-positivistic and practice-based articulations of scientific knowledge and practice. The aim of this conference is to invite scholars to reflect on the nature\, thematics\, and influence of the “Stanford School” of philosophy of science. \nThis event is free and open to the public. \nPlease e-mail Jill Covington (jillj@stanford.edu) or Rasmus Grønfeldt Winther (rgw@ucsc.edu) if you have any questions. \nEvent Poster (PDF) \n[/vc_column_text] [vc_column width=”1/2″ el_position=”first”] [rb_section_title title=”Friday\, October 25\, 2013″ icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \n9:00 AM – 12:30 PM\nOpening Comments: \nRasmus Grønfeldt Winther (UC Santa Cruz)\nPanel #1: Next Generation(s) \nJordi Cat (Indiana)\nHasok Chang (Cambridge)\nJonathan Kaplan (Oregon State University)\nNaomi Oreskes (Harvard)\nJanet Stemwedel (San José State University)\nMichael Weisberg (University of Pennsylvania)\nRasmus Grønfeldt Winther (UC Santa Cruz) \nChair: Arezoo Islami (Stanford) \n1:30 PM – 5:30 PM\nPanel #2: Parallel Philosophers \nPhilip Kitcher (Columbia)\nHelen Longino (Stanford)\nSergio Martínez Muñoz (National Autonomous University of Mexico\, UNAM)\nBas van Fraassen (San Francisco State University) \nCo-Chairs: Debra Satz (Stanford) and John Perry (Stanford) \n[/vc_column_text] [/vc_column] [vc_column width=”1/2″ el_position=”last”] [rb_section_title title=”Saturday\, October 26\, 2013″ icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \n9:00 AM – 12:30 PM\nPanel #3: Collaborative Local Scientists \nBrian Cantwell-Smith (Toronto)\nPersi Diaconis (Stanford)\nCWF Everitt (Stanford)\nSolomon Feferman (Stanford)\nMarcus Feldman (Stanford)\nMelissa Franklin (Harvard)\nDenis Phillips (Stanford) \nChair: Paolo Mancosu (UC Berkeley) \n1:30 PM – 5:15 PM\nPanel #4: Stanford School Core Members \nNancy Cartwright (Durham)\nJohn Dupré (Exeter)\nPeter Galison (Harvard)\nPeter Godfrey-Smith (CUNY)\nPatrick Suppes (Stanford) \nChair: R. Lanier Anderson (Stanford) \nClosing Comments:\nThomas Ryckman (Stanford) \n[/vc_column_text] [/vc_column] [rb_blank_divider width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nConference organized by Rasmus Grønfeldt Winther. Co-sponsored by Stanford University\, Stanford Philosophy Department\, Stanford Humanities & Sciences Dean’s Office\, Stanford Humanities Center\, Center for the Study of Language and Information\, and the Patrick Suppes Center for History and Philosophy of Science. \n[/vc_column_text]
URL:https://thi.ucsc.edu/event/the-stanford-school-of-philosophy-of-science-2-2/
LOCATION:Cordura Hall – CSLI
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