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DTSTART;TZID=America/Los_Angeles:20140504T190000
DTEND;TZID=America/Los_Angeles:20140504T210000
DTSTAMP:20260501T171419
CREATED:20140425T221357Z
LAST-MODIFIED:20140425T221357Z
UID:10005684-1399230000-1399237200@thi.ucsc.edu
SUMMARY:Contemporary Horror Auteur Film Series: Suicide Club
DESCRIPTION:They’re not the enemy.\nThe film that put Shion Sono on the international art house horror map\, Suicide Club opens with the bizarre and eerie sight of 54 uniformed teenage schoolgirls queued up beside a subway platform where they hold hands\, begin to sing\, and then all at once hurl themselves into the path of an arriving train. The police investigation into their deaths seems to be going nowhere when an alarming number of suicides start to sweep through the country\, and a semi-anonymous phone tip directs the detectives to a website keeping count of the suicides\, sometimes listing deaths even before the police know about them. Braiding together this police procedural narrative with comedic skewerings of Japanese popular culture (most notably through the appearances of the fictional pre-teen pop band called Dessert) and some serious misgivings about the loss of interpersonal contact due to developments in technology\, Suicide Club is a tonally shifty film that evades giving the viewer much in the way of resolution even as it leaves you with a set of images and sequences you won’t soon be forgetting. Not to be missed! \nFor the remainder of the quarter\, we will be showing films by contemporary horror film auteurs from France\, Japan\, and the United States each week. Same time\, same place. All are welcome. Tell your family\, invite your friends. \nSponsored (or at least turned a blind eye) by the Literature Department\, and produced by the usual gang of aficionados. More informative flyers to follow weekly.
URL:https://thi.ucsc.edu/event/contemporary-horror-auteur-film-series-suicide-club-2/
LOCATION:Stevenson\, Room 150
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140505T170000
DTEND;TZID=America/Los_Angeles:20140505T183000
DTSTAMP:20260501T171419
CREATED:20140430T180250Z
LAST-MODIFIED:20140430T180250Z
UID:10005724-1399309200-1399314600@thi.ucsc.edu
SUMMARY:Elisabeth L. Cameron: "A Perfect Colonial Storm: Atinga and Iconoclasm in Southwestern Nigeria"
DESCRIPTION:Elisabeth L. Cameron holds the Patricia & Rowland Rebele Endowed Chair in the History of Art and Visual Culture. Her research is concentrated primarily in two regions: Zambia\, where she has observed\, studied\, and documented womenʼs visual culture\, including initiation rites\, art\, power and hierarchy\, and the Democratic Republic of the Congo\, where she has concentrated on colonial and missionary architecture and its impact on indigenous visual culture. Professor Cameron is the author of several publications including Reclusive Rebels: An Approach to the Sala Mpasu and their Neighbors (1991); Isnʼt S/He a Doll? (1996); The Art of the Lega (2001); and numerous articles and reviews. At present\, Professor Cameron is working on a book-length project on the iconoclastic impact of the Atinga movement in Nigeria on the Yoruba during the early 1950s.\n  \nImage Caption: In 2006\, a woman reflects back on her experience as a member of Atinga in 1950. Photograph by Elisabeth Cameron.\n  \nThis event is presented by the Arts Division\, Film & Digital Media\, and History of Art & Visual Culture.
URL:https://thi.ucsc.edu/event/elisabeth-cameron-2/
LOCATION:Porter College\, Room D245
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140506T163000
DTEND;TZID=America/Los_Angeles:20140506T193000
DTSTAMP:20260501T171419
CREATED:20140311T200649Z
LAST-MODIFIED:20140311T200649Z
UID:10004916-1399393800-1399404600@thi.ucsc.edu
SUMMARY:Christopher Krebs: "What Makes Books Dangerous? The Case of Tacitus' Germania"
DESCRIPTION:Tacitus’ Germania\, a brief ethnography of the peoples the Romans called Germani\, exerted a profound impact on the European History of ideas. By no fault of its author\, it ended up as an ideological cornerstone of the National Socialist regime. This talk will trace the influence of the Germania and reflect more generally on what it is that makes books “dangerous.” \nChristopher B. Krebs is associate professor of classics at Stanford university. He has also held appointments at Harvard university\, the Bavarian Academy of Sciences\, the École Normale Supérieure (Paris)\, and the University of Oxford. His research interests are in ancient historiography\, Latin lexicography\, and the classical tradition. His most recent monograph is A Most Dangerous Book: Tacitus’ Germania from the Roman Empire to the Third Reich\, which won the 2012 Christian Gauss Award. He is currently engaged in studies of Caesar and the intellectual life of the first century BCE. He also enjoys writing for wider audiences to communicate his fascination with the ancient world and its long and lasting reach. \nRefreshments at 4:30 and reception to follow the lecture. \nLecture presented by UCSC’s Classical Studies\, and the Departments of History and Literature. For more information\, please contact hedrick@ucsc.edu
URL:https://thi.ucsc.edu/event/christopher-krebs-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140506T184500
DTEND;TZID=America/Los_Angeles:20140506T210000
DTSTAMP:20260501T171419
CREATED:20140429T170032Z
LAST-MODIFIED:20140429T170032Z
UID:10005722-1399401900-1399410000@thi.ucsc.edu
SUMMARY:LASER: Leonardo Art/Science Evening Rendezvous
DESCRIPTION:UCSC’s Institute of the Arts and Sciences invites you to the final LASER of the academic year Tuesday\, May 6! Leonardo Art/Science Evening Rendezvous (LASER) is a national program of evening gatherings that bring artists\, scientists\, and scholars together for informal presentations and conversations. Please join us in the Digital Arts Research Center (DARC) 108 for refreshments at 6:45 p.m. followed at 7 p.m. with presentations by:\n  \nPaul Koch\, “Conservation Paleobiology: Mining the Past to Plan for the Future”\nNorman Locks\, “Photographic Social Landscape Narratives by an Abstract Realist”\nElaine Sullivan\, “Old Places & New Technologies: Visualizing an Ancient Egyptian Temple in 4D”\nRonaldo V. Wilson\, “Art Digital—Ars Poetica”\n  \nPaul Koch is Dean of Physical and Biological Sciences and Professor of Earth and Planetary Sciences at UCSC. His research focuses on vertebrate paleoecology and evolution\, which he places in environmental context through reconstruction of ancient ecosystems and climates. Koch’s work often includes biogeochemical analysis of animal tissues (teeth\, bones\, fur\, skin\, etc.) or environmental samples (soil minerals\, fossil plants\, etc) to study environmental changes over the Cenozoic (the last 65 million years.) In this talk\, Koch will discuss how the study of Paleobiology is used in thinking about\, and planning for\, the environmental future. \nNorman Locks is a photographer and Professor of Art at UCSC. He has exhibited his photographic works widely around the United States\, Japan\, and the Czech Republic and published numerous essays and photographic portfolios. His talk will discuss current and past projects including “Digital Narratives\,” an ongoing series of landscape panoramas designed to pose questions about human\, social\, environmental concerns. In “Digital Narratives”\, Locks makes reference to both the forms within art history and to poetic forms to narrate the past\, current\, and future entanglements between people and landscapes. \nElaine Sullivan is Assistant Professor of History at UCSC. Sullivan is an Egyptologist and a Digital Humanist whose work focuses on applying new technologies to ancient cultural materials. Her talk will discuss the Digital Karnak Project\,  a multi-phased 3D virtual reality model of the famous ancient Egyptian temple complex of Karnak. Sullivan will show imagery from the model and discuss how geo-temporal exploration of ancient places offers completely new ways to look at archaeological sites. \nRonaldo V. Wilson is a Assistant Professor of Poetry\, Fiction and Literature in the Literature Department at UCSC. He is the author of Narrative of the Life of the Brown Boy and the White Man (University of Pittsburgh\, 2008)\, winner of the 2007 Cave Canem Poetry Prize and Poems of the Black Object (Futurepoem Books\, 2009)\, winner of the Thom Gunn Award and the Asian American Literary Award in Poetry in 2010. His latest book is Farther Traveler: Poetry\, Prose\, Other (Counterpath Press\, 2013). This talk/screening will explore the activities between poetry\, art\, dance\, and visual art\, exemplified through Wilson’ mixed-media video series TEAR-E-AVATAR\, recently completed during his tenure as a 2014 artist-in-residence through the Center for Art and Thought (CA+T). Wilson will explore the ways that digital technologies (video\, audio recordings\, movie and music software) complicate and help to render\, and ultimately reveal what’s possible as both the poem’s form and its formation.
URL:https://thi.ucsc.edu/event/laser-leonardo-artscience-evening-rendezvous-2/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140507T120000
DTEND;TZID=America/Los_Angeles:20140507T133000
DTSTAMP:20260501T171419
CREATED:20140228T204304Z
LAST-MODIFIED:20140228T204304Z
UID:10005669-1399464000-1399469400@thi.ucsc.edu
SUMMARY:Lauren Berlant: "On Being in Life Without Wanting the World: On Biopolitics and the Attachment to Life"
DESCRIPTION:This talk is located in a shattered\, yet intelligible zone defined by being in life without wanting the world–a state traversing misery and detachment that\, the talk claims\, is well-known to historically structurally subordinated people (people of color\, of non-normative sexuality\, proletarianized laborers . . .). Reading with Claudia Rankine (Don’t Let Me Be Lonely)\, the novel and film of A Single Man (Christopher Isherwood\, 1964; Tom Ford\, 2009)\, and Harryette Mullen (Sleeping with the Dictionary (2002)\, it describes life at the limit of optimism in terms of a dissociative poetics. \nLauren Berlant teaches English at the University of Chicago. Her national sentimentality trilogy — The Anatomy of National Fantasy (1991)\, The Queen of America Goes to Washington City (1997) and The Female Complaint (2008) — has morphed into a quartet\, with Cruel Optimism (2011) addressing precarious publics and the aesthetics of affective adjustment in the contemporary US and Europe. Her interest in affect\, aesthetics\, and politics is also expressed in the edited volumes Intimacy (2000)\, Compassion (2004)\, and On the Case (Critical Inquiry\, 2007). Her most recent sexuality books are Desire/Love (2012) and\, with Lee Edelman\, Sex\, or the Unbearable (2014). Her current projects are to do with modes of comic and of recessive affective performance in relation to critical theory\, political emotion\, and imaginaries of the social.
URL:https://thi.ucsc.edu/event/lauren-berlant-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140507T150000
DTEND;TZID=America/Los_Angeles:20140507T170000
DTSTAMP:20260501T171419
CREATED:20140310T175945Z
LAST-MODIFIED:20140310T175945Z
UID:10004914-1399474800-1399482000@thi.ucsc.edu
SUMMARY:Lauren Berlant: Sex\, or the Unbearable — a faculty-graduate student seminar
DESCRIPTION:Sex\, or the Unbearable (Duke University Press\, 2013) is a dialogue between Lauren Berlant and Lee Edelman\, two leading theorists of sexuality\, politics and culture. In juxtaposing sex and the unbearable they don’t propose that sex is unbearable\, but that it unleashes unbearable contradictions\, which we nonetheless struggle to bear. Through interpretations of works of cinema\, photography\, critical theory\, and literature\, Berlant and Edelman explore what it means to live with negativity\, with those divisions that may be irreparable. Together\, they consider how such negativity affects politics\, theory and intimately felt encounters. \nLauren Berlant is George M. Pullman Distinguished Service Professor of English at the University of Chicago. She is the author of Cruel Optimism\, The Female Complaint\, and The Queen of America Goes to Washington City\, all also published by Duke University Press. \nLee Edelman is Fletcher Professor of English Literature at Tufts University. He is the author of L’impossible Homosexuel; No Future\, also published by Duke University Press; and Homographesis. \nThe book is available at the Literary Guillotine\, on the DUP web site\, as an e-book and for download at https://anonfiles.com/file/2cdfec2994dea16fa6535d23ce016801. \nThe seminar aspires for people to have read the entire (short!) book but welcomes readers of the introduction\, chapter 3 and the afterword. For more information please contact Carla Freccero\, freccero@ucsc.edu and Deborah Gould\, dbgould@ucsc.edu. \nCo-sponsored by Oakes College and the Center for Cultural Studies. Staff support provided by the Institute for Humanities Research.
URL:https://thi.ucsc.edu/event/lauren-berlant-sex-or-the-unbearable-a-discussion-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140508
DTEND;VALUE=DATE:20140510
DTSTAMP:20260501T171419
CREATED:20140219T005141Z
LAST-MODIFIED:20140219T005141Z
UID:10005638-1399507200-1399679999@thi.ucsc.edu
SUMMARY:The Humanities and Changing Conceptions of Work Culminating Conference
DESCRIPTION:Making the MA/PhD Work Post Graduation: A Career Workshop for Humanities Graduate Students \nMay 8 \n 9:00 AM       Breakfast and Registration (please pre-register) \n10:00            Welcome by David Theo Goldberg\, UCHRI \n10:15            The Working Life \nThis two-part conversation with Christine Baker\, Director\, California Department of Industrial Relations\,Ralph Lewin\, Director\, Cal Humanities\, and Alison Mudditt\, Director\, University of California Press\, addresses the evolving nature of work in our contemporary moment and the transformation of the culture and environments of work. The panelists will also reflect upon their own paths from education to careers. \n11:15              Coffee Break \n11:45              Continuation of The Working Life… \n12:45 PM        Lunch \n1:45                Front Liners Panel: Demystifying the HR Screen \nEver wonder what happens to your resume after you hit SEND? WestEd Human Resources recruiting managers along with another industry HR department (TBA) provide a look behind the HR curtain at who reads your resume and what they’re looking for. \n3:00                The Art of the Informational Interview \nWhat is an informational interview? And why is it important? What do you do in it\, and who should you contact for one? Dr. Debra Behrens\, PhD Career Counselor\, UC Berkeley\, presents the art of the informational interview and answers any questions you may have about the process and experience. \n3:30                Coffee Break \n4:00                Resume Workshop with The Resume Studio \nThis interactive\, hands-on workshop\, geared towards Humanities graduate students\, will be preceded by an online workshop to facilitate the creation of a resume that can be workshopped at the conference. Be prepared to walk away with a resume that looks quite different from your CV. \n6:30               Hosted Dinner \nMay 9 \nCulminating Conference–More Details Coming Soon! \n8:30      Breakfast and Registration \n9:00      Welcome and Introductions\, Carolyn de la Pena\, UC Davis\, and David Theo Goldberg\, UCHRI \n9:30      Session I: Precarious Labor \n11:00     Break \n11:15     Session 2: University + Public + Labor \n1:00       Lunch \n1:45       Session 3: The Culture of Labor/Cultural Labor \n3:30       Break \n3:45       Session 4: The Future of Work and the Humanities \n5:30       Reception \nConference grants will be awarded to up to three graduate students from each UC campus (transportation and lodging\, if required\, covered by UCHN). The deadline for applying for a conference grant is April 7\, 2014. Visit humanitiesandwork.org for more information and to register for the workshop.\n 
URL:https://thi.ucsc.edu/event/the-humanities-and-changing-conceptions-of-work-culminating-conference-2/
LOCATION:Santa Cruz\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140508
DTEND;VALUE=DATE:20140511
DTSTAMP:20260501T171419
CREATED:20130607T160149Z
LAST-MODIFIED:20130607T160149Z
UID:10004826-1399507200-1399766399@thi.ucsc.edu
SUMMARY:Anthropocene: Arts of Living on a Damaged Planet Conference
DESCRIPTION:Can humans and other species continue to inhabit the earth together? Through noticing\, describing\, and imagining\, we renuew conversation about life on earth. \nConference schedule: Thursday\, May 8\, 2014\, 7-9 pm\nUrsula K. Le Guin\nDiscussants: James Clifford and Donna Haraway \nTickets no longer available for The Rio Theater. However\, there are still two options for attending: 1) A few seats will be available at The Rio Theater on a first-come\, first-serve basis. There will be a line outside the theater on the evening of the event for these last-minute seats. 2) The event with be live-casted to the Humanities Lecture Hall (Room 206)\, and you are welcome to view it there (as seating permits).    \nFriday\, May 9\, 2014\nCollege 9/10 Multipurpose Room UCSC campus\nNo registration\, all welcome \n9:00am Introduction \nAnna Tsing \n9:20-10:50am Inhabiting Multispecies Bodies\nDonna Haraway (speculative fabulation) and Margaret McFall-Ngai (microbes)\nDiscussant: Jenny Reardon (Sociology) \n11:00am-12:30pm On Damaged Landscapes \nKate Brown (plutonium) and  Deborah Bird Rose (extinction)\nDiscussants: Eric Porter (History)\, William Cronon (History) \n1:45-3:15pm Caring for Country/Rewilding\nJens-Christian Svenning (future megafaunas) and Jessica Weir (indigenous ecologies)\nDiscussants: Ingrid Parker (Biology)\, Chris Connery (Literature) \n3:45-5:45pm Memory\, History\, Place\nWilliam Cronon (American landscapes)\nDiscussants: Andrew Mathews (Anthropology)\, Jens-Christian Svenning (Biology)   \nSaturday\, May 10\, 2014\nCollege 9/10 Multipurpose Room\, UCSC campus\nNo registration\, all welcome \n9:30-11:00am Arts of Noticing\nDeborah Gordon (ants) and Anne Pringle (lichens)\nDiscussants: Donna Haraway (Science Studies)\, Anna Tsing (Anthropology) \n11:15am-12:45pm Cross-Species Histories\nCarla Freccero (wolf/men) and Marianne Lien (homeless salmon)\nDiscussants: Thomas Wentzer (Philosophy)\, Maya Peterson (History) \n1:45-2:45pm Gardens and Graves\nLesley Stern (US-Mexico borderlands) \n3:00-5:00pm Roundtable Nils Bubandt (anthropology)\, Margaret Fitzsimmons (environ- mental studies)\, Peter Funch (zoology)\, Nora Bateson (film) \nFor more information\, visit the conference website.
URL:https://thi.ucsc.edu/event/environmental-humanities-interdisciplinary-conference-2/
LOCATION:UC Santa Cruz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140508T190000
DTEND;TZID=America/Los_Angeles:20140508T200000
DTSTAMP:20260501T171419
CREATED:20140124T190640Z
LAST-MODIFIED:20140124T190640Z
UID:10004906-1399575600-1399579200@thi.ucsc.edu
SUMMARY:Living Writers Series: Ursula Le Guin (live at the Rio Theater with live feed to Hum Hall) in concert with conference: Anthropocene:  Arts of Living on a Damaged Planet (hosted by Anna Tsing)
DESCRIPTION:Spring 2014 UCSC Creative Writing Living Writers lineup: \nUrsula LeGuin is the author of over thirty novels\, children’s books\, and short story\, poetry and essay collections\, mainly in the genres of fantasy and science fiction. LeGuin’s work includes the Earthsea and Hainish Cycle novels and short fiction; The Unreal and the Real: Selected Stories;Finding My Elegy: New and Selected Poems; and The Catwings Collection.  \nNote: this event will begin at 7:00 p.m.\, and will be a simulcast of a live talk. \nThe spring 2014 Living Writers Reading Series\, Dislocations and the Imagined\, will take place on Thursday evenings at 6:00 p.m. in the Humanities Lecture Hall\, room 206. These readings are free and open to the public. \nMore info and full conference agenda at: anthropo.ihr.ucsc.edu
URL:https://thi.ucsc.edu/event/living-writers-series-ursula-le-guin-live-at-the-rio-theater-with-live-feed-to-hum-hall-in-concert-with-conference-anthropocene-arts-of-living-on-a-damaged-planet-hosted-by-anna-tsing-2/
LOCATION:Humanities Lecture Hall\, Room 206\, UCSC Humanities Lecture Hall\, 1156 High Street\, Santa Cruz\, CA\, 95064\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140508T190000
DTEND;TZID=America/Los_Angeles:20140508T210000
DTSTAMP:20260501T171419
CREATED:20131211T224014Z
LAST-MODIFIED:20131211T224014Z
UID:10004874-1399575600-1399582800@thi.ucsc.edu
SUMMARY:Ursula K. le Guin
DESCRIPTION:Anthropocene: Arts of Living on a Damaged Planet \nVideo \nUrsula K. Le Guin is one of the most-loved writers of our time. Her work includes science fiction\, novels\, essays\, and children’s books. \nDonna Haraway the author of When Species Meet. \nJames Clifford is the author of Returns: Becoming Indigenous in the Twenty-First Century. \nTickets Required • Sign up free at www.anthropocene.brownpapertickets.com \nMore info and full conference agenda at: anthropo.ihr.ucsc.edu
URL:https://thi.ucsc.edu/event/ursula-k-le-guin-2/
LOCATION:Rio Theater\, 1205 Soquel Avenue\, Santa Cruz\, CA\, 95062\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140509T133000
DTEND;TZID=America/Los_Angeles:20140509T163000
DTSTAMP:20260501T171419
CREATED:20140407T184910Z
LAST-MODIFIED:20140407T184910Z
UID:10005680-1399642200-1399653000@thi.ucsc.edu
SUMMARY:10th Annual Graduate Research Symposium
DESCRIPTION:Join us at 1:30 pm on Friday\, May 9th\, for the 10th Annual Graduate Research Symposium. This event offers graduate students an opportunity to share their research with faculty\, staff\, friends\, colleagues and the local community in the form of poster\, oral\, live or multimedia presentations. \nThis year’s event will take place in the “Information Commons South” area on the 2nd floor of the McHenry Library. The Symposium will feature up to 30 oral and live presentations\, 64 poster presentations and 10 media presentations. The Awards Reception begins at 3:30\, with refreshments being provided by the Global Village Café. \nFor more information\, please visit the Graduate Division website: http://graddiv.ucsc.edu/current-students/student-achievements/graduate-research-symposium.html
URL:https://thi.ucsc.edu/event/10th-annual-graduate-research-symposium-2/
LOCATION:McHenry Library\, UCSC
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140509T160000
DTEND;TZID=America/Los_Angeles:20140509T173000
DTSTAMP:20260501T171419
CREATED:20130918T225913Z
LAST-MODIFIED:20130918T225913Z
UID:10004842-1399651200-1399656600@thi.ucsc.edu
SUMMARY:Jean Fox Tree: "Spontaneous Communication"
DESCRIPTION:Spontaneous communication\, both verbal and written\, includes a wide variety of phenomena generally not found in prepared communication. These include restarted ideas\, ums and uhs\, words like you know and like\, and prosodic phenomena such as uptalk. Spontaneous communication also includes other behaviors whose productions might vary across spontaneous and rehearsed settings\, such as facial expressions\, gestures\, laughter\, backchannels\, and quotation devices. In this talk\, I will present some of the research findings coming out of my lab that provide information about why these phenomena are produced and how they are used. \nJean Fox Tree is Professor of Psychology at UC Santa Cruz.
URL:https://thi.ucsc.edu/event/linguistics-colloquium-jean-fox-tree-2/
LOCATION:Santa Cruz\, 95064\, United States
ORGANIZER;CN="Linguistics Department":MAILTO:mjzimmer@ucsc.edu
END:VEVENT
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