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DTSTART;TZID=America/Los_Angeles:20150311T171500
DTEND;TZID=America/Los_Angeles:20150311T190000
DTSTAMP:20260417T130741
CREATED:20150112T202732Z
LAST-MODIFIED:20150112T202732Z
UID:10005032-1426094100-1426100400@thi.ucsc.edu
SUMMARY:DH Working Group Meeting / Reading Group
DESCRIPTION:The Digital Humanities Working Group will meet to discuss a shared reading. This quarter we will consider the field of Digital Humanities broadly and the challenges to the idea of a Digital Humanities field. To spark this discussion\, we will read 3 selections from Matthew Gold\, ed. Debatesin Digital Humanities (First published in print by University of Minnesota\, 2012 and now available and expanded online at http://dhdebates.gc.cuny.edu/debates). \nMatthew Gold\, “The Digital Humanities Moment”\nMatthew Kirshenbaum\, “What Is Digital Humanities and What’s It Doing in English Departments?“\nTom Scheinfeldt\, “Sunsetfor Ideology\, Sunrise for Methodology?“ \nCo-sponsored by the Graduate Student Commons. \nThe Digital Humanities Working Group meets once-a-month to share ongoing work\, read foundational texts\, and create a vision for Digital Humanities at UCSC. All students\, faculty\, and staff welcome. \nContact digitalhumanities@ucsc.edu for more details about any of the above events.\nFollow @DH_UCSC on Twitter and Digital Humanities at UCSC on Facebook.
URL:https://thi.ucsc.edu/event/dh-working-group-meeting-reading-group-2/
LOCATION:Cowell Senior Commons Room\,  Cowell College 1156 High Street\, Santa Cruz\, CA\, 95062-1225\, United States
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DTSTART;TZID=America/Los_Angeles:20150312T161500
DTEND;TZID=America/Los_Angeles:20150312T174500
DTSTAMP:20260417T130741
CREATED:20141104T172829Z
LAST-MODIFIED:20141104T172829Z
UID:10005907-1426176900-1426182300@thi.ucsc.edu
SUMMARY:Felipe De Brigard: "The Explanatory Indispensability of Memory Traces"
DESCRIPTION:Abstract: \nMany philosophers of memory have wondered whether or not it is indispensible to postulate the existence of memory traces to explain remembering. In this talk I will offer an argument in favor of the explanatory indispensability of memory traces. To that end\, I will begin by demonstrating that the main arguments in favor of the claim that we need memory traces to explain remembering share the logical structure of a inference to the best explanation. As a result\, most arguments against the claim that we need memory traces to explain remembering aim to show that we can have equally successful explanations that do not require the postulation of such entities. My argument aims to show that there is a large number of memory phenomena for which explanations that do not postulate the existence of memory traces would be inadequate. \n*** \nAbout: \nFelipe De Brigard\nAssistant Professor\nCenter for Cognitive Neuroscience\nPhilosophy\, Arts & Sciences\nDuke University \n*** \nResearch Interests: Philosophy of Mind\, Cognitive Science and Neuroscience; Neurophilosophy; Moral Psychology \nMost of my research focuses on the way in which memory and imagination interact. So far\, I have explored ways in which episodic memory both guides and constrains episodic counterfactual thinking (i.e.\, thoughts about alternative ways in which past personal events could have occurred)\, and how this interaction affects the perceived plausibility of imagined counterfactual events. I also explore the differential contribution of episodic and semantic memory in the generation of different kinds of counterfactual simulations\, as well as the effect of counterfactual thinking on the memories they derive from. In addition\, my research attempts to understand how prior experience helps to constrain the way in which we reconstruct episodic memories. Finally\, I am also interested in the role of internal attention during conscious recollection. To address these issues I use behavioral and functional magnetic resonance imaging techniques\, as well as the conceptual rigor of philosophical analysis. \n  \n\n  \nThe campus community and interested public are welcome at all Philosophy Department sponsored colloquia\, conferences and workshops. \nSpring 2015 \n\nShelley Wilcox\, San Francisco State\n\nWinter 2015 \n\nRebecca Kukla\, Georgetown\nFelipe De Brigard\, Duke\n\nFall 2014 \n\nEric Schwitzgebel\, UC Riverside: The Moral Behavior of Ethics Professors\n\nMore info at: http://philosophy.ucsc.edu/news-events/colloquia-conferences/index.html
URL:https://thi.ucsc.edu/event/felipe-de-brigard-2/
LOCATION:Humanities 2\, Room 259
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DTSTART;TZID=America/Los_Angeles:20150312T180000
DTEND;TZID=America/Los_Angeles:20150312T193000
DTSTAMP:20260417T130741
CREATED:20150219T183313Z
LAST-MODIFIED:20150219T183313Z
UID:10006026-1426183200-1426188600@thi.ucsc.edu
SUMMARY:Sikh Rappers & Social Justice
DESCRIPTION:[vc_row][vc_column][vc_column_text]\nSikh hip-hop artists Baagi and Hoodini will explore facets of the immigrant and minority experience in multicultural America\, in an evening of music\, poetry and collective discussion. The evening will touch on topics such as race relations and social inequalities in today’s complex society. Free and open to the public. Refreshments will be served. \nBaagi\n“Babbey nu Kanna\, Gaggay nu Bihari.” In spelling the word “Baagi\,” the celebration of a rebellious Punjabi heritage is reborn. Baagi is one of the few artists to rap exclusively in Panjabi. Born and raised in Bombay until moving to Los Angeles in his early teens\, Baagi brings a unique perspective both to Hip-Hop and to the evolution of Punjabi culture. A childhood passion for composing Punjabi poetry coupled with his love for Hip-Hop eventually turned an after-school hobby into a career of expression. This artist uses Farsi\, Hindi and Panjabi vocabulary to add a new voice to the musical conglomerate. Baagi uses his platform to paint pictures of social issues\, easygoing personal anecdotes\, and day-to-day experiences\, as seen through the lens of a young man influenced by the intersections of many worlds. Professor Navdeep Dhillon writes\, “I am looking to forward to seeing what else he comes up with and remain optimistic that he will be the breath of fresh air for Punjabi music\, both in Punjab and overseas…” Baagi has performed extensively throughout North America and has collaborated with renowned Punjabi artists such as Nishawn Bhullar and Tigerstyle. His debut album\, titled Baagi Di Vaari\, is available for free download at http://beabaagi.bandcamp.com. You can follow him on Twitter @BaagiMedia. \nHoodini\nHoodini\, also known as Hoodeez the Hindoo\, has been hailed as “one of the most lyrical and charismatic emcees of South Asian descent” by critics. The poet and Hip-Hop artist combines witty wordplay\, lyrical agility\, and keen storytelling to present a novel narrative to his audience with natural ease. Born and raised in Los Angeles to immigrant parents from Punjab\, Hoodini shares the experiences of a young man trying to find his way in an increasingly complex society. He is both participator and observer\, analytical of the world around him while reporting on it with humor and abandon. In listening to a Hoodini record\, you may easily find yourself migrating from a commentary on issues of race relations to a jaunty reminiscence of a past love interest\, often within the same verse. Hoodeez has released four studio albums to date and has shared the stage with notable Hip-Hop artists including Blu\, Pacific Division\, Skeme\, and RZA of the Wu-Tang Clan. You can keep up with his latest works at http://HoodiniDidIt.com and on Twitter @HoodiniDidIt. \nDirections & Parking\nClick here for directions\, parking info\, and maps. \nJoin the Conversation:\nClick here for a recap of the event from the Division of Social Sciences.\n \nFacebook\n#ihrevents \n\n  \n  \nEVENT PHOTOS: \nIf you have trouble viewing above images\, you may view this album directly on Flickr. \n  \n  \nEVENT VIDEO: \n  \nSikh Rappers from IHR on Vimeo.
URL:https://thi.ucsc.edu/event/sikh-rappers-social-justice-2/
LOCATION:Stevenson Fireside Lounge\, Humanites 1 University of California\, Santa Cruz Cowell College\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20150312T180000
DTEND;TZID=America/Los_Angeles:20150312T194500
DTSTAMP:20260417T130741
CREATED:20141002T192016Z
LAST-MODIFIED:20141002T192016Z
UID:10005854-1426183200-1426189500@thi.ucsc.edu
SUMMARY:Living Writers Series: Student Reading TBD
DESCRIPTION:To end the Winter 2015 Living Writers Series\, a selected student TBD will present their work. \n  \n\n  \nWinter 2015 Living Writers Series: \nJanuary 15: Cherrie Moraga\, poet/playwright \nJanuary 22: Veronica Reyes & Javier Huerta\, poets \nJanuary 29: Korimar Press\, Lorenzo Herrera Y Lozano (publisher) & Maya Chincilla (poet) \nFebruary 5: Rigoberto Gonzalez\, poet \nFebruary 12: Luis Alfaro\, performance artist/playwright \nFebruary 19: John Jota Leanos\, filmmaker \nFebruary 26: Anita Hill\, attorney \nMarch 5: Maceo Montoya\, fiction writer \nMarch 12: student reading \n  \nThe Living Writers Series is a free and public event held Thursdays\, 6:00-7:45 pm in Humanities Lecture Hall 206. Click here for more information\, or email ktyamash@ucsc.edu.
URL:https://thi.ucsc.edu/event/living-writers-series-student-reading-tbd-2-2/
LOCATION:Humanities Lecture Hall\, Room 206\, UCSC Humanities Lecture Hall\, 1156 High Street\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20150313T120000
DTEND;TZID=America/Los_Angeles:20150313T133000
DTSTAMP:20260417T130741
CREATED:20150112T201340Z
LAST-MODIFIED:20150112T201340Z
UID:10005028-1426248000-1426253400@thi.ucsc.edu
SUMMARY:Friday Forum for Graduate Research: Jessica Calvanico
DESCRIPTION:Friday Forum For Graduate Research: A weekly interdisciplinary colloquium series for sharing graduate research across the humanities. Join us for light refreshments and weekly presentations by your fellow graduate students. Fridays from 12:00 – 1:30pm in Humanities 1\, Room 202. \n  \n\nWinter 2015 Schedule: \nJanuary 16th – Jesica Siham Fernández\, Social Psychology\, “Latina/o Children as Cultural Citizens: Membership\, Sense of Belonging\, Space and Rights” \nJanuary 23rd – Wes Modes\, DANM\, “A Secret History of American River People” \nJanuary 30th – Aubrey Hobart\, Visual Studies\, “The Queen of Heaven and the Prince of Angels: Saintly Rivalry in Colonial Mexico” \nFebruary 6th – Melissa Brzycki\, History\, “Inventing the Socialist Child\, 1945-1976” \nFebruary 13th – Delio Vásquez\, HISC\, “The Criminal Revolutionary and the Revolutionary Criminal: Illegal Black Resistance in the 60s and 70s” \nFebruary 20th – Melissa Yinger\, Literature\, “Ronsard’s Echo-critical Poetic Narcissism: The Elegies for Narcissus and Gâtine” \nFebruary 27th – Tracy Perkins\, Sociology\, “From Protest to Policy: The Political Evolution of California Environmental Justice Activism\, 1980s-2010s” \nMarch 6th – Michael Wilson\, Politics\, “Violent Constructions: Classifying\, Explaining\, and Misrepresenting Contentious Politics” \nMarch 13th – Jessica Calvanico\, Feminist Studies\, “On the Politics of Owning a Kara Walker” \n  \nThis event series is also made possible through the generous support of the departments of Literature\, History of Consciousness. Anthropology\, Feminist Studies\, HAVC\, Philosophy\, Politics\, Psychology\, Sociology\, Institute for Humanities Research\, as well as the GSA and GSC.
URL:https://thi.ucsc.edu/event/friday-forum-for-graduate-research-jessica-calvanico-2/
LOCATION:Humanities 1\, Room 202
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DTSTART;TZID=America/Los_Angeles:20150314T130000
DTEND;TZID=America/Los_Angeles:20150314T163000
DTSTAMP:20260417T130741
CREATED:20141021T165817Z
LAST-MODIFIED:20141021T165817Z
UID:10005000-1426338000-1426350600@thi.ucsc.edu
SUMMARY:Shakespeare and Music
DESCRIPTION:Shakespeare is famous for his speeches\, but the London theaters where his plays took place were also filled with music. “Shakespeare and Music” is a symposium exploring the popular music of Renaissance England\, the practice of vocal and instrumental music in Shakespeare’s plays\, and Shakespeare’s meditation on music as a metaphor for his art and its effects. Featuring a keynote address by Ross Duffin\, The Fynette H. Kulas Professor of Music at Case Western University and author of Shakespeare’s Songbook (W.W. Norton 2004). Free and open to the public. The symposium is held in conjunction with “Treasures from the Age of Shakespeare”\, a performance of the Baltimore Consort for the Santa Cruz Baroque Festival at 7:30pm in the UCSC Music Recital Hall  (Tickets:  scbaroque.org/tickets). \nPanelists:\n\nRoss Duffin: “Reconstructing Shakespeare’s Songbook”\nSamuel Arkin: “Shakespeare’s Music and Shylock’s Ears”\nAriane Helou: “Shakespeare’s Singers”\n\nSponsors:\nShakespeare Workshop\, Institute for Humanities Research\, and the Arts Division. \nDirections & Parking:\nParking $3 (permits available at vending machines in parking lot 126 “Performing Arts”).\nClick here for directions to the Digital Arts Research Center (DARC). \nJoin the Conversation:\nFacebook\n#ihrevents \n  \n\n  \nAfter the conference\, please join us at the Santa Cruz Baroque Festival featuring:\nTreasures From the Age of Shakespeare with The Baltimore Consort\nMarch 14\, 2015 @ 7:30pm\nUCSC Music Recital Hall\n$5 student tickets / $20 seniors / $25 general\nClick here for tickets \n  \nIf you have trouble viewing above images\, you may view this album directly on Flickr.
URL:https://thi.ucsc.edu/event/shakespeare-and-music-conference-2/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20150314T160000
DTEND;TZID=America/Los_Angeles:20150314T173000
DTSTAMP:20260417T130742
CREATED:20150312T162339Z
LAST-MODIFIED:20150312T162339Z
UID:10005063-1426348800-1426354200@thi.ucsc.edu
SUMMARY:Vera Gribanova: "Head movement\, ellipsis\, and Russian polarity focus"
DESCRIPTION:Vera Gribanova is Assistant Professor of Linguistics at Stanford University.\n  \nAbstract: \nIn this talk I chart the interaction between head movement\, ellipsis\, and non-canonical word orders in the analysis of a variety of Russian responses to statements or questions that raise polar alternatives in the discourse.\n  \n(1) Evgenija poslala posylku v Moskvu?\nEvgenija send.PST.3SG.F package.ACC to Moscow.LOC\n‘Did Eugenia send the package to Moscow?’ \na. (Net\,) Ne poslala / (Da\,) Poslala.\nNo NEG send.PST.3SG.F / yes send.PST.3SG.F\n‘(No\,) she didn’t / (Yes\,) she did.’ \nb. (Də) (net\,) ne poslala ona eë!\nPRT no NEG send.PST.3SG.F she.nom it.F.ACC\n‘(No\,) she DIDN’T send it!’ \nc. V Moskvu {poslala / da}\, a v Piter {ne poslala / net}.\nto Moscow {send.PST.3SG.F / yes} but to Piter {NEG send.PST.3SG.F / no}\n‘To Moscow yes (she did)\, to St. Petersburg\, no (she didn’t).’\n  \nAlthough some of these seemingly diverse constructions have already received individual analyses (Kazenin\, 2006; Laleko\, 2010; Gribanova\, 2013; Bailyn\, To appear)\, I argue that besides sharing a discourse function\, they are also syntactically unifiable. As a first step\, I defend an axis of novel claims about the expression of polarity in canonical Russian clauses: features associated with polarity are located in Pol\, but may be expressed in a lower head (Neg)\, which enters the syntactic derivation with unvalued polarity features that are valued via an agree relation with Pol. I then extend this analysis to the cases in (1)\, arguing that these involve the expression of polarity features in a high clausal Polarity head (Pol)\, either via the realization of polarity particles or via the movement of the verbal complex to this high position (yielding discourse-marked vso orders). \nSince many of the expressions in (1) also involve some readily observable form of ellipsis (Kazenin\, 2006; Gribanova\, 2013)\, the resulting empirical picture provides fertile ground for an exploration of the interaction of ellipsis and head movement\, ultimately shedding light on the controversial question of the modular status of head movement (see Matushansky 2006; Roberts 2010 for useful overviews). Considering the head movement alone\, a consequence of my proposal is that there are two possible landing sites for the verb: an intermediate position below T and the surface position of the subject for canonical svo orders (Bailyn\, 1995; Gribanova\, 2013) and a high position (above the surface position of the subject) for various instantiations of polarity focus\, yielding discourse-marked vso orders. We can combine this observation with insights from the current literature on ellipsis in Russian\, which suggests that at least two sizes of ellipsis site are available: TP (Kazenin\, 2006) and vP (Gribanova\, 2013). Crossing the ellipsis and head movement possibilities\, we arrive at four logical possibilities: \nI demonstrate that only three of these are attested\, explaining the impossibility of the variant in D as the result of a violation of MaxElide (Merchant\, 2008)\, a constraint which forces ellipsis of a larger domain over a smaller one in certain configurations. The effect of MaxElide canonically emerges when a variable inside the ellipsis site is bound from outside that ellipsis site — that is\, it emerges in the context of movement in the narrow syntax. The finding that head movement also may trigger a MaxElide effect indicates — echoing similar findings by Hartman (2011) — that it\, too\, occurs in the narrow syntax.\n  \nReferences\nBailyn\, John Frederick. 1995. Underlying phrase structure and ‘short’ verb movement in Russian. Journal of Slavic Linguistics 3 (1): 13–58. \nBailyn\, John Frederick. To appear. Against a VP ellipsis account of Russian verb-stranding constructions. In Studies in Japanese and Korean linguistics and beyond\, ed. Alexander Vovin. Folkestone and Leiden: Global Oriental/Brill. \nGribanova\, Vera. 2013. Verb-stranding verb phrase ellipsis and the structure of theRussian verbal complex. Natural Language and Linguistic Theory 31 (1): 91–136. \nHartman\, Jeremy. 2011. The semantic uniformity of traces: Evidence from ellipsis parallelism. Linguistic Inquiry 42 (3): 367–388. \nKazenin\, Konstantin. 2006. Polarity in Russian and typology of predicate ellipsis. Moscow State University. \nLaleko\, Oksana. 2010. Negative-contrastive ellipsis in Russian: Syntax meets information structure. In Formal studies in Slavic linguistics\, eds. Anastasia Smirnova\, Vedrana Mihaliˇcek\, and Lauren Ressue\, 197–218. Newcastle upon Tyne\, UK: Cambridge Scholars Publishing. \nMatushansky\, Ora. 2006. Head movement in linguistic theory. Linguistic Inquiry 1: 69–109. \nMerchant\, Jason. 2008. Variable island repair under ellipsis. In Topics in ellipsis\, ed. Kyle Johnson\, 132– 153. Cambridge: Cambridge University Press. \nRoberts\, Ian. 2010. Agreement and head movement: Clitics\, incorporation\, and defective goals. Cambridge\, MA: MIT Press.
URL:https://thi.ucsc.edu/event/vera-gribanova-head-movement-ellipsis-and-russian-polarity-focus-2/
LOCATION:Santa Cruz\, CA\, 95064\, United States
ORGANIZER;CN="Linguistics Department":MAILTO:mjzimmer@ucsc.edu
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150314T193000
DTEND;TZID=America/Los_Angeles:20150314T210000
DTSTAMP:20260417T130742
CREATED:20141021T164104Z
LAST-MODIFIED:20141021T164104Z
UID:10004999-1426361400-1426366800@thi.ucsc.edu
SUMMARY:Santa Cruz Baroque Festival: Treasures from the Age of Shakespeare
DESCRIPTION:Featuring: The Baltimore Consort \nHeavenly harmony and earthly delights from the time of the bard. Reveal in the triumphal return of America’s favorite early music ensemble\, playing their ‘exquisite consort’ of Renaissance instruments -lute\, cittern\, viols\, and flute. Concertgoers will also enjoy the grand prize winning group from our Youth Chamber Music Competition. UCSC Music Recital Hall. \n  \nIndividual ticket prices: $25 general\, $20 seniors\, $5 student & youth. Purchase tickets to the concert online at: scbaroque.org/tickets \n  \nJoin us for “Shakespeare and Music” Conference earlier in the day on March 14\, 2015 from 1:00 pm – 4:30 pm. Free and open to the public. Click here for more info: ihr.ucsc.edu/event/shakespeare-and-music-conference
URL:https://thi.ucsc.edu/event/treasures-from-the-age-of-shakespeare-2/
LOCATION:Music Center Recital Hall\, Music Center\, Santa Cruz\, CA\, 95064\, United States
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