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X-ORIGINAL-URL:https://thi.ucsc.edu
X-WR-CALDESC:Events for The Humanities Institute
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DTSTART;TZID=America/Los_Angeles:20180211T140000
DTEND;TZID=America/Los_Angeles:20180211T160000
DTSTAMP:20260427T034509
CREATED:20180110T195917Z
LAST-MODIFIED:20180110T195917Z
UID:10006575-1518357600-1518364800@thi.ucsc.edu
SUMMARY:Santa Cruz Pickwick Club: Little Dorrit in Historical Context
DESCRIPTION:Santa Cruz Pickwick Club featuring Little Dorrit \nThe Pickwick Book Club is a community of local bookworms\, students\, and teachers who meet monthly to discuss a nineteenth-century novel\, beginning this January with Charles Dickens’s Little Dorrit. Join us each month for conversations about the novel and guest speaker presentations to help us contextualize our readings. \n  \nSanta Cruz Pickwick Club meets every second Sunday of each month from January – May 2018 at 2pm at the Santa Cruz Museum of Art and History. \nSchedule: \nJanuary 14th: Introduction of the Novel\nFebruary 11th: Little Dorrit in Historical Context\nMarch 11th: Victorian Colonialism\nApril 8th: “How Did the Grim Reaper’s Swift Scythe Sharpen Little Dorrit’s Plot?”\nMay 13th: The Dickens Universe \nMore information\, including schedule can be found by visiting: https://goo.gl/zFQq2M. \n  \nBook club is free and open to the public.\nRegistration requested. \nQuestions? Contact Courtney at (831)459-2103 or dpj@ucsc.edu.
URL:https://thi.ucsc.edu/event/santa-cruz-pickwick-club-little-dorrit-historical-context/
LOCATION:Museum of Art & History\, 705 Front Street\, Santa Cruz\, CA\, 95060\, United States
ATTACH;FMTTYPE=image/jpeg:https://thi.ucsc.edu/wp-content/uploads/2018/01/Pickwick-flyer.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180214T120000
DTEND;TZID=America/Los_Angeles:20180214T133000
DTSTAMP:20260427T034509
CREATED:20170809T182322Z
LAST-MODIFIED:20180220T183204Z
UID:10005406-1518609600-1518615000@thi.ucsc.edu
SUMMARY:Neel Ahuja: "Reversible Human: Rectal Feeding\, Gut Plasticity\, and Racial Control in US Carceral Warfare"
DESCRIPTION:Neel Ahuja’s research explores the relationship of the body to forms of imperial warfare and security. Focusing on the association of rectal feeding\, used as a form of medical rape in CIA prisons\, and bodily plasticity\, the presentation argues that the terrorist body is not only a useful discursive figure in the current wars\, but also an experimental material that can be used to modulate time\, sensation\, and resistance toward forms of racial control. \nNeel Ahuja teaches in the interdisciplinary humanities programs at UC Santa Cruz. \nEvent Photos:\nIf you have trouble viewing above images\, you may view this album directly on Flickr.  \nThe Center for Cultural Studies hosts a weekly Wednesday colloquium featuring work by faculty and visitors. The sessions consist of a 40-45 minute presentation followed by discussion. We gather at noon\, with presentations beginning at 12:15 PM. Participants are encouraged to bring their own lunches; the Center provides coffee\, tea\, and cookies. \nAll Center for Cultural Studies events are free and open to the public. Staff assistance is provided by the Institute for Humanities Research.
URL:https://thi.ucsc.edu/event/cultural-studies-colloquium-11-2/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180215T120000
DTEND;TZID=America/Los_Angeles:20180215T133000
DTSTAMP:20260427T034509
CREATED:20180118T181104Z
LAST-MODIFIED:20180220T184337Z
UID:10006583-1518696000-1518701400@thi.ucsc.edu
SUMMARY:Daniel Lee: "A Sleepy English Village and a North African Jew: An Unlikely Story of French Resistance during World War Two"
DESCRIPTION:The story of the Free French who rallied to Charles de Gaulle in London following the fall of France in June 1940 is well-known. But until now\, historians have ignored the experiences of men and women from France and the French Empire who were not sympathetic to De Gaulle and the Free French\, but who nonetheless fought in Britain for the allied cause. In the same vein\, existing scholarship has not explored how North African Jews\, persecuted by Vichy antisemitic laws\, sought to re-integrate into the new structures that emerged following the allied liberation of North Africa in November 1942. This talk will re-examine these dual phenomena through the unlikely lens of the village of Elvington in Yorkshire and the diary of a North African Jewish airman stationed there\, whose story reveals a new Sephardi perspective on World War Two. \nEvent Photos:\nIf you have trouble viewing above images\, you may view this album directly on Flickr.  \nDaniel Lee is a Vice-Chancellor’s Fellow in the Department of History at the University of Sheffield. Before joining Sheffield in 2015\, Lee was a British Academy postdoctoral fellow at Brasenose College\, Oxford. His first book\, Pétain’s Jewish Children: French Jewish Youth and the Vichy Regime\, 1940–1942 was published with Oxford University Press in 2014. He has held fellowships at the Institute of Historical Research\, the European University Institute\, Yad Vashem and the United States Holocaust Memorial Museum. As a BBC Radio 3 New Generation Thinker\, Lee is a regular broadcaster on radio.
URL:https://thi.ucsc.edu/event/center-jewish-studies-daniel-lee/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
ATTACH;FMTTYPE=image/png:https://thi.ucsc.edu/wp-content/uploads/2018/01/Daniel-Lee-Poster-2.15.18.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180215T172000
DTEND;TZID=America/Los_Angeles:20180215T185000
DTSTAMP:20260427T034509
CREATED:20171227T183840Z
LAST-MODIFIED:20180110T213725Z
UID:10006571-1518715200-1518720600@thi.ucsc.edu
SUMMARY:Living Writers Series: Duriel E. Harris
DESCRIPTION:Duriel E. Harris\, poet\, performer\, and sound artist\, is author of No Dictionary of a Living\nTongue\, Drag and Amnesiac and coauthor of the poetry video Speleology. Current undertakings\ninclude “Blood Labyrinth” and the solo performance project Thingification. Harris is an\nassociate professor of English in the graduate creative writing program at Illinois State\nUniversity and the Editor of Obsidian: Literature & Arts in the African Diaspora. \n  \nLiving Writers Series Winter 2018: \nPerforming Women: Race\, Art\, and Space \nPerforming Women: Race\, Art and Space features four contemporary writers/artists whose writing and art moves between multiple modes: poetry\, prose\, visual and textile arts\, photography\, film\, dance\, and improvisation to address questions of gender\, sexuality\, and race.  This series will explore the intersections of literature\, writing and performance\, and the ways that themes of nation\, exile\, trauma\, and joy move through individual\, collective and individual artistic practices.\nThis series will also feature three “Live Models\,” in the form of master conversations/performances\, mainly for the Creative/Critical (and other) graduate students\, faculty\, and the larger Cowell College Community. \n  \nWinter 2018 Schedule:\nJanuary 25th: Jennifer Tamayo\nFebruary 1st: Karen Tei Yamashita\nFebruary 15th: Duriel E. Harris\nFebruary 22nd: Cecilia Vicuña\nMarch 15th: UCSC Creative Writing Program\, Undergraduate Student Reading \n  \nAll Living Writers readings are free and open to the public. Please contact Ronaldo Wilson at rvwilson@ucsc.edu with any questions or concerns. \n \nThis event is co-sponsored by the Porter College George Hitchcock Poetry Endowment\, Laurie Sain Creative Writing Endowment\, the Chicano Latino Research Center\, Cowell College\, Bay Tree Bookstore\, the Siegfried B. and Elisabeth M. Puknat Literary Series Endowment\, and Literature Department and Creative Writing Program.
URL:https://thi.ucsc.edu/event/living-writers-series-duriel-e-harris-2/
LOCATION:Humanities Lecture Hall\, Room 206\, UCSC Humanities Lecture Hall\, 1156 High Street\, Santa Cruz\, CA\, 95064\, United States
ATTACH;FMTTYPE=image/jpeg:https://thi.ucsc.edu/wp-content/uploads/2017/12/living-writers-w18.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20180216T132000
DTEND;TZID=America/Los_Angeles:20180216T152000
DTSTAMP:20260427T034509
CREATED:20171115T194744Z
LAST-MODIFIED:20180209T185132Z
UID:10005430-1518787200-1518794400@thi.ucsc.edu
SUMMARY:Adam Ussishkin: "Roots\, or consonants? On the early role of morphology in lexical access"
DESCRIPTION:Words consist of a phoneme or letter sequence that maps onto meaning. Most prominent theories of both auditory and visual word recognition portray the recognition process as a connection between these units and a semantic level. However\, there is a growing body of evidence in the priming literature suggesting that there is an additional\, morphological level that mediates the recognition process. In morphologically linear languages like English\, however\, morphemes and letter or sound sequences are co-extensive\, so the source of priming effects between related words could be due to simple phonological overlap as opposed to morphological overlap. In Semitic languages\, though\, the morphological structure of words reduces this confound\, since morphemes are interdigitated in a non-linear fashion. Semitic words are typically composed of a discontiguous root (made up of three consonants) embedded in a word pattern specifying the vowels and the ordering between consonants and vowels. Active-passive pairs in Maltese illustrate this relationship (the root is underlined); e.g.\, fetaħ ‘open’-miftuħ ‘opened’. In this talk\, I report on a series of experiments on the Semitic language Maltese investigating the extent to which root morphemes facilitate visual and auditory word recognition\, and to what extent potential priming effects are independent of the phonological overlap typically inherent in morphological relationships. These experiments make use of the visual masked (Forster and Davis\, 1984) and auditory masked (Kouider and Dupoux\, 2005) priming techniques. The results of the experiments show that not only do roots facilitate visual and auditory word recognition in Maltese\, but that these morphological effects are independent of phonological overlap effects. \nAdam Ussishkin is associate professor in the Department of Linguistics\, with appointments in the UA Cognitive Science program\, the UA Second Language Acquisition and Teaching program\, the Department of Middle Eastern and North African Studies\, The Arizona Center for Judaic Studies\, and the Center for Middle Eastern Studies. His research focuses on the lexicon\, and is informed by psycholinguistic experimentation\, as well as formal and laboratory phonology and morphology. Much of the research he conducts centers on Semitic languages\, especially Maltese and Modern Hebrew. He also works on corpus creation and evaluation.
URL:https://thi.ucsc.edu/event/adam-ussishkin-2/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
ORGANIZER;CN="Linguistics Department":MAILTO:mjzimmer@ucsc.edu
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