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DTSTART;TZID=America/Los_Angeles:20250504T160000
DTEND;TZID=America/Los_Angeles:20250504T173000
DTSTAMP:20260618T225944
CREATED:20250318T233218Z
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SUMMARY:The Deep Read: A Conversation with Percival Everett
DESCRIPTION:Join us for a free\, public conversation with author\, Percival Everett\, at UC Santa Cruz’s Quarry Amphitheater on May 4 at 4pm. He’ll discuss his National Book Award-winning novel James with Deep Read Faculty Co-Lead\, Professor of Literature Vilashini Cooppan.  We’ll consider how Everett depicts the possibility of humanity in this novel about the brutality of slavery\, the performance of race\, and the value of language and literacy. Doors open at 3pm\, and we’ll be entertained before the author event from 3-4pm by The Cedar Street Jazz Duo featuring cellist Dr. Renata Bratt and guitarist Brian Fitzgerald. \n \nEvent Logistics: All guest parking will take place at the East Remote Parking Lot (Lot 104). Parking will be free on Sunday. We encourage sustainable transport such as carpooling\, biking\, or utilizing METRO transit services whenever possible. Enter campus through UCSC’s main entrance located at the intersection of Bay and High St. There will be signs directing you to the “Quarry Event.” Shuttle services will be provided. If guests are planning to walk from the lot\, please make time for a 15- 20 walk to the Quarry Amphitheater gates. ADA parking will be located at the Bay Tree Bookstore Parking Lot 102. Each vehicle must display a valid\, DMV-issued ADA placard or plate to be able to park in this area. For these and any further ADA accessibility accommodations please email Quarry@ucsc.edu. \n\n \nThe Deep Read is an annual program of The Humanities Institute at UC Santa Cruz made possible through the generous support of the Helen and Will Webster Foundation. We invite curious minds to think deeply about books and the most pressing issues of our contemporary moment.
URL:https://thi.ucsc.edu/event/the-deep-read-a-conversation-with-percival-everett/
LOCATION:Quarry Amphitheater
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DTSTART;TZID=America/Los_Angeles:20250505T130000
DTEND;TZID=America/Los_Angeles:20250505T130000
DTSTAMP:20260618T225944
CREATED:20250429T203339Z
LAST-MODIFIED:20250429T203748Z
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SUMMARY:Dmitri Nikulin - Bartleby\, the Inscrutable Scrivener: On the Negative Constitution of Action
DESCRIPTION:The History of Consciousness department is pleased to announce the first speaker in their Spring 2025 Speaker Series\, Dmitri Nikulin\, who will be joining them next Monday May 5th to give his talk “Bartleby\, the Inscrutable Scrivener: On the Negative Constitution of Action”. The talk will be held in Hum 1 Rm 420 at 1pm with a virtual attendance option. \nPlease register here in advance for virtual access. \nIn Melville’s celebrated story Bartleby the Scrivener\, everything is put in the negative. The inscrutability and seeming incomprehensibility of the main character’s actions and the challenge presented by his famous “speech-act” of “I prefer not to” makes it particularly challenging to narrate the story and make sense of it. Bartleby comes in negative relief\, elusive in his seeming ordinariness. For this reason\, one has to use uncommon philosophical and literary means\, including apophatic accounts and alliteration\, in order to describe the indescribable\, pointing toward unutterable strangeness and barely explainable human goodness. Bartleby’s acting is inscribed into his mode of being. He writes but does not read and almost does not speak beyond “I would prefer not to.” Not exercising self-reflection\, he does not display any interiority. His apparent non-thinking is translated into an action bound by negativity\, which eventually halts and evaporates. In “preferring not to\,” Bartleby wills nothing. Yet\, since nothing is nothing\, it cannot be willed. Such a will is not a rational will that claims itself for itself as moral and establishes itself in an act of autonomous volition. It is the will that does not will itself and thus wills to stop willing. It is the will that negates and suppresses but does not destroy itself. In this way\, the act of willing nothing does not annihilate the will altogether but rather suspends itself. This establishes a logic of preference that does not prefer anything and hence prefers nothing. The action defined by Bartleby’s silent and motionless being is therefore the action of non-preference. \nDmitri Nikulin is Professor of Philosophy at The New School for Social Research in New York. His interests range from ancient and early modern philosophy to philosophy of literature and of history. He is the author of a number of books including Matter\, Imagination and Geometry (Ashgate\, 2002)\, On Dialogue (Lexington\, 2006)\, Dialectic and Dialogue (Stanford University Press\, 2010)\, Comedy\, Seriously (Palgrave Macmillan\, 2014)\, The Concept of History (Bloomsbury\, 2017)\, Neoplatonism in Late Antiquity (Oxford University Press\, 2019)\, Critique of Bored Reason (Columbia University Press\, 2022)\, and Non-Being in Ancient Thought (Oxford University Press\, forthcoming).
URL:https://thi.ucsc.edu/event/dmitri-nikulin-bartleby-the-inscrutable-scrivener-on-the-negative-constitution-of-action/
LOCATION:Virtual and In Person
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250506T173000
DTEND;TZID=America/Los_Angeles:20250506T184500
DTSTAMP:20260618T225944
CREATED:20250424T202154Z
LAST-MODIFIED:20250429T214023Z
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SUMMARY:Sandy Rodriguez - Mapping Conflicts across the Californias: The Codex Rodriguez-Mondragón
DESCRIPTION:Join celebrated Los Angeles-based Chicana artist and researcher Sandy Rodriguez for a conversation about her ongoing series Codex Rodriguez-Mondragon with UCSC Professors Jennifer Gonzalez (HAVC) and Kirsten Silva Gruesz (Literature). Sandy Rodriguez’s works are strongly influenced by both the 16th-century colonial and present-day incidents along the US-Mexico border\, her works map resistance to the ongoing cycles of violence on communities of color by blending historical and recent events. The artist uses painstakingly hand-processed color from native plant- and earth-based materials according to Mexican treatises on painting that forge connections to land\, bridging past and present. \nSandy Rodriguez (b. 1975\, National City\, CA) is a Los Angeles-based artist and researcher\, and first generation Chicana raised on the US-Mexico border. Her Codex Rodriguez-Mondragón is made up of a collection of maps and paintings about the intersections of history\, social memory\, contemporary politics\, and cultural production. Rodriguez earned her BFA from California Institute of Arts. \nRodriguez’s works can be found in the permanent collections of the Los Angeles County Museum of Art\, the Crystal Bridges Museum of American Art\, the Amon Carter Museum\, the Denver Art Museum\, the Mellon Art Collection and others. She has been honored with multiple fellowships and awards\, including most recently the 2025-2026 Kully Distinguished Fellowship in American Art from The Huntington Library Art Museum & Botanical Garden\, a 2024 US Latinx Art Fellowship\, the 2023 Jacob Lawrence Award from the American Academy of Arts and Letters\, and the 2023 Hermitage Greenfield Prize. \nSponsored by The Humanities Institute’s Knowing California Research Cluster and the Patricia and Rowland Rebele Fund for the History of Art and Visual Culture. \n\nBanner Image: Codex Rodriguez-Mondragón\, Riverside Art Museum\, Riverside\, CA\, November 4\,2018 – Jan 27\, 2019. Image courtesy of and © Studio Sandy Rodriguez.
URL:https://thi.ucsc.edu/event/sandy-rodriguez-mapping-conflicts-across-the-californias-the-codex-rodriguez-mondragon/
LOCATION:UCSC Science and Engineering Library\, Room 206\, 580 Red Hill Rd\, Santa Cruz\, CA\, 95064\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250506T190000
DTEND;TZID=America/Los_Angeles:20250506T190000
DTSTAMP:20260618T225944
CREATED:20250422T194132Z
LAST-MODIFIED:20250502T184614Z
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SUMMARY:A Conversation with Journalist Jazmine Hughes
DESCRIPTION:Interested in Journalism? Come for a conversation with writer and editor Jazmine Hughes. \nJazmine Hughes is a writer and editor\, and the recipient of two National Magazine Awards. Hughes was a longtime member of the editorial staff at the New York Times\, where she penned profiles of cultural figures including Lil Nas X\, Whoopi Goldberg\, Danny DeVito\, Viola Davis\, and Judge Judy. \n  \nThis event is presented by Kresge’s Media and Society Series and City on a Hill Press\, with support from The Humanities Institute\, The Alumni Association\, The Council of Provosts\, and the department of Critical Race and Ethnic Studies. \n 
URL:https://thi.ucsc.edu/event/jazmine-hughes-interested-in-journalism/
LOCATION:Namaste Lounge – College 9\, Namaste Lounge\, Santa Cruz\, CA\, 95064\, United States
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DTSTART;TZID=America/Los_Angeles:20250507T121500
DTEND;TZID=America/Los_Angeles:20250507T133000
DTSTAMP:20260618T225944
CREATED:20250501T202326Z
LAST-MODIFIED:20250501T202552Z
UID:10007681-1746620100-1746624600@thi.ucsc.edu
SUMMARY:Deirdre de la Cruz – “It’s Your Curse\,” and Other Lessons in Repairing Historical Harm
DESCRIPTION:The University of Michigan possesses extensive archival\, photographic\, archaeological and natural history collections from the Philippines\, many of which were built during the American colonial period from objects\, images\, and ancestors taken without the consent of local source communities. This talk introduces a multi-year\, collaborative effort by Michigan faculty\, curators\, collection managers\, students\, and community partners to develop and enact reparative approaches to these collections. It reflects on how the historical and contemporary specificities of the Philippines and its diaspora both contribute to and complicate on-going conversations around museums\, repatriation\, and historical justice. \nDeirdre de la Cruz is a historian and anthropologist whose work examines global formations and global relations from the historical and cultural vantage point of the Philippines. Her first and second books trace the discursive\, material and performative processes through which the Philippine emerges as a major spiritual and religious center over the long twentieth century. For the last several years\, de la Cruz has also served as co-PI of ReConnect/ReCollect: Reparative Connections to Philippine Collections at the University of Michigan\, a collaborative project of public scholarship that seeks to repair historical harm by creating models for more ethical and equitable Philippine collections. De la Cruz is Associate Professor of History and Asian Languages and Cultures at the University of Michigan and currently serves as Director of the Doctoral Program in Anthropology and History. She is also an award-winning teacher\, and with U-M undergraduates has been building The Philippines and the University of Michigan\, an online exhibit of student-led original research and writing on the history of the relationship between the Philippines and the University of Michigan. \nSponsored by the Center for Southeast Asian Coastal Interactions. \n\n \nSpring 2025 COLLOQUIUM SERIES \nTHE CENTER FOR CULTURAL STUDIES hosts a weekly Wednesday colloquium featuring work-in-progress by faculty & visitors. We are pleased to announce our Spring 2025 Series. Sessions begin promptly at 12:15 PM and end at 1:30 PM (PST) in Humanities Building 1\, Room 210. Staff assistance is provided by The Humanities Institute.
URL:https://thi.ucsc.edu/event/deirdre-de-la-cruz-its-your-curse-and-other-lessons-in-repairing-historical-harm/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
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DTSTART;TZID=America/Los_Angeles:20250507T150000
DTEND;TZID=America/Los_Angeles:20250507T163000
DTSTAMP:20260618T225944
CREATED:20250506T200556Z
LAST-MODIFIED:20250506T200556Z
UID:10007688-1746630000-1746635400@thi.ucsc.edu
SUMMARY:Jaco de Swart - Dark Matter\, Dirty Xenon\, and the Limits of Laboratory Experiments
DESCRIPTION:The History of Consciousness earthecologies x technoscience conversations and the Science and Justice Research Center are pleased to invite you to the following talk entitled Dark Matter\, Dirty Xenon\, and the Limits of Laboratory Experiments with Jaco de Swart (MIT\, Visiting Scholar at Science and Justice Research Center). This event will take place May 7th at 3pm in Humanities Building 1\, Room 210. \nLaboratory sciences crucially depend on experiments being clean. But what is clean? In this talk\, I open up versions of clean relating to different ontological registers\, and trace the material practices of cleaning as they are attuned to experimental specificities. My case is the XENONnT experiment in the Gran Sasso Mountains of Italy which is meant to detect dark matter in the form the hypothetical WIMP – the Weakly Interacting Massive Particle. This experiment is clean when it is ‘free from signals that mimic dark matter’. In practice\, such cleanliness has been difficult to achieve – soaps may be radioactive\, steel may spread electronegativity\, and humans are altogether dangerously filthy. And because\, at least thus far\, dark matter remains elusive\, it is impossible to tell whether the meticulously cleaned detector is adequately clean. Additional cleaning efforts will make the detector sensitive to neutrino particles: a background that cannot be cleaned away. As the experimenters dread the possibility that this means their experiment will end in limbo\, other physicists are now trying to detect other hypothetical dark matter particles with other kinds of experiments\, requiring other kinds of cleanliness. The XENONnT experiment itself\, meanwhile\, has had to ensure that it does not interfere with environmental cleanliness\, as per the demands of the surrounding society. \nThis work is done in collaboration with Annemarie Mol (University of Amsterdam). \nJaco de Swart is an AIP Helleman Postdoctoral Fellow at MIT’s Program in STS and Department of Physics\, and a Visiting Scholar at the UCSC’s Science and Justice Research Center. He received his PhD at the Institute of Physics at the University of Amsterdam\, was a postdoctoral researcher at the Amsterdam School for Social Science Research and has held visiting positions at Princeton University and the Institute for Advanced Study. His research focuses on historical and anthropological studies of open problems in cosmology\, and he is currently writing a book on the history of dark matter under contract with MIT Press. De Swart is also a member of several physics collaborations to help develop social and environmentally responsible research practices. He has a passion for science communication—appearing in PBS NOVA’s Decoding the Universe—and is bassist in the band X Raiders.
URL:https://thi.ucsc.edu/event/jaco-de-swart-dark-matter-dirty-xenon-and-the-limits-of-laboratory-experiments/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
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DTSTART;TZID=America/Los_Angeles:20250508T172000
DTEND;TZID=America/Los_Angeles:20250508T185500
DTSTAMP:20260618T225944
CREATED:20250402T173624Z
LAST-MODIFIED:20250402T173624Z
UID:10007647-1746724800-1746730500@thi.ucsc.edu
SUMMARY:Living Writers with Tsering Wangmo Dhompa
DESCRIPTION:Living Writers Series – Spring 2025 \nInsight\, Writings: Third World and Other Imaginaries \nTsering Wangmo Dhompa‘s most recent work is The Politics of Sorrow (Columbia University Press). Other works include the chapbook Revolute (Albion Books\, 2021) three collections of poetry: My Rice Tastes Like the Lake\, In the Absent Everyday and Rules of the House (all from Apogee Press\, Berkeley). Dhompa’s first non-fiction book\, A Home to Tibet was published by Penguin India. Dhompa is an Associate Professor in the English Department at Villanova University. \nAbout the Living Writers Series\nThe Living Writers Series (LWS) is a live reading series organized especially for the Creative Writing Program community at UCSC. There is a new series each quarter\, and each series features writers with unique voices. The LWS is open to all creative writing students and the public. \n\nSponsored by the Porter Hitchcock Poetry Fund\, the Laurie Sain Endowment\, the Humanities Institute\, The Literature Department\, Creative Writing Program\, and the Center for Racial Justice.
URL:https://thi.ucsc.edu/event/living-writers-with-tsering-wangmo-dhompa/
LOCATION:Humanities Lecture Hall\, Room 206\, UCSC Humanities Lecture Hall\, 1156 High Street\, Santa Cruz\, CA\, 95064\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250508T173000
DTEND;TZID=America/Los_Angeles:20250508T173000
DTSTAMP:20260618T225944
CREATED:20250411T184110Z
LAST-MODIFIED:20250429T223408Z
UID:10007662-1746725400-1746725400@thi.ucsc.edu
SUMMARY:Nauenberg History of Science Lecture with Jessica Riskin
DESCRIPTION:Professor of Insects and Worms: Jean-Baptiste Lamarck and his Life-Made World \nJean-Baptiste Lamarck (1744-1829) was the Professor of Insects and Worms at the Museum of Natural History in Paris. Living through the storms of the French Revolution and Napoleonic period\, he founded biology\, coining the term to name a new science devoted to all and only living things\, and authored the first theory of evolution. Lamarck’s science was foundational to modern biology\, yet its radicalism – he usurped God’s monopoly on Creation and re-assigned it to mortal\, living beings – brought him and his ideas plenty of trouble. During Lamarck’s lifetime\, Napoleon and his scientific inner circle hated him and did what they could to undermine him. Charles Darwin then adopted central elements of Lamarck’s theory\, but after Darwin’s death\, his most influential followers re-interpreted his theory to eradicate all traces of Lamarckism\, rendering organisms once again the passive objects of outside forces\, allowing room for an omnipotent God working behind the scenes. This conception of living organisms as passive in the evolutionary process has remained dominant since the turn of the twentieth century. In contrast\, in Lamarck’s theory\, living beings were active\, creative\, self-making and world-making. Elements of this very different conception of living organisms have recently\, gradually been returning to mainstream biology in fields such as niche construction and epigenetic inheritance. The lecture will present Lamarck’s radical\, embattled\, and perhaps re-emerging approach to living things\, their evolutionary and ecological agency\, and the science that studies them. \nMay 8\, 2025\nReception 5 p.m.\nLecture 5:30 p.m.\nLa Feliz Room\, Seymour Marine Discover Center and Virtual\nFree and open to the public \n \n  \nJessica Riskin is Frances and Charles Field Professor of History at Stanford University where she teaches modern European history and the history of science. Her work examines the changing nature of scientific explanation\, the relations of science\, culture and politics\, and the history of theories of life and mind. Her books include The Restless Clock: A History of the Centuries-Long Argument over What Makes Living Things Tick (2016)\, which was awarded the 2021 Patrick Suppes Prize in the History of Science from the American Philosophical Society\, and Science in the Age of Sensibility (2002)\, which received the American Historical Association’s J. Russell Major prize for best book in French history. She is a regular contributor to various publications including Aeon\, the Los Angeles Review of Books and the New York Review of Books. \n  \n\nNauenberg History of Science Lecture\nThe Nauenberg History of Science Lecture was established in honor of Michael Nauenberg\, a founding faculty member in the Physics Department at UCSC who came to the campus in 1966. During his distinguished academic career\, he contributed to a remarkably broad range of fields\, including particle physics\, condensed matter physics\, astrophysics\, chaos theory\, fluid dynamics\, and the history of physics in the 17th-18th centuries. \nAmongst Professor Nauenberg’s passions\, he deeply believed in the importance of interdisciplinary scholarship connecting the sciences with the humanities. Following his retirement in 1994\, he pursued his long-standing interests in the history of science\, writing books and articles about Joseph Banks\, Robert Hooke\, Christiaan Huygens\, and Isaac Newton. The Nauenberg History of Science Lecture series aims to bring the best historians of science to UCSC to share the importance of this interdisciplinary work with faculty\, students\, and interested community members. You can support the series by contributing here. \nThe Nauenberg History of Science Lecture is presented by the UC Santa Cruz Emeriti Association and co-sponsored by the Ecology and Evolutionary Biology Department\, History Department\, and Science and Justice Research Center.
URL:https://thi.ucsc.edu/event/jessica-riskin/
LOCATION:The Seymour Marine Discovery Center\, 100 McAllister Way\, Santa Cruz\, CA\, 95060\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250509T110000
DTEND;TZID=America/Los_Angeles:20250509T130000
DTSTAMP:20260618T225944
CREATED:20250422T195954Z
LAST-MODIFIED:20251002T195127Z
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SUMMARY:PhD+ Workshop - Academic Book Publishing with the University of Minnesota Press
DESCRIPTION:Join Jason Weidemann\, an Editorial Director at the University of Minnesota Press\, for a “publishing bootcamp” workshop\, geared toward graduate students\, post docs\, and early career scholars working on their first books. Together we’ll discuss information on the editorial process – how to talk to editors\, revising the dissertation\, and proposals. \nTime will be left for sharing current works and what presses attendees might look into. Jason’s itinerary allows for additional one-on-one consultations to practice pitching works\, etc. To schedule a time\, contact: colleen@ucsc.edu. \n \nJason Weidemann is an Editorial Director at the University of Minnesota Press. Jason Weidemann seeks manuscripts that make field-defining interventions in their core disciplines\, contribute to interdisciplinary conversations\, and communicate to readers beyond the academy\, including activists\, policymakers\, community members\, and general readers. His broad interests in Native and indigenous studies includes literary studies\, the social sciences\, legal studies\, and education. He also acquires works in cultural and human geography\, science and technology studies\, anthropology\, and sociology. Special interests include environmental politics\, multispecies ethnography\, urban studies\, global flows of labor and capital\, and Asian studies. Of specific interest are manuscripts that examine the social and racial dimensions of medicine and science. Proposals for translations from Japanese are welcomed\, specifically science fiction and critical theory. He is also interested in manuscripts on the social aspects of video games and digital communication. Subject areas: anthropology\, Asian studies\, media studies\, geography\, Native and Indigenous studies\, sociology\, science and technology \nFor more information: https://scijust.ucsc.edu/2025/04/15/may09-uminnpress/ \nCo-hosted by the UCSC Science & Justice Research Center\, The Humanities Institute\, and the Division of Graduate Studies.
URL:https://thi.ucsc.edu/event/jason-weidemann-a-publication-workshop/
LOCATION:Humanities 1\, Room 210\, 1156 high st\, Santa cruz\, CA\, 95060\, United States
CATEGORIES:PhD+ Event
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250510T093000
DTEND;TZID=America/Los_Angeles:20250510T180000
DTSTAMP:20260618T225944
CREATED:20250429T213603Z
LAST-MODIFIED:20250429T213631Z
UID:10007680-1746869400-1746900000@thi.ucsc.edu
SUMMARY:BayPhon 2025 at UCSC
DESCRIPTION:UCSC Linguistics is hosting BayPhon\, a workshop on Phonetics and Phonology\, on Saturday\, May 10\, 2025. BayPhon brings together faculty and students from linguistics departments in the region\, including Stanford\, UC Berkeley\, San José State\, and UCSC. \nBayPhon is part of a tradition known as “Phrend” (and before that\, “Trend”)\, where linguistics departments in the broader Bay Area (San José State\, Stanford\, UC Berkeley\, UC Santa Cruz) come together at one of our institutions to stay in touch about research and provide opportunities for students and faculty to present their work on phonetics and phonology. \nPlease see this website for the program and more information.
URL:https://thi.ucsc.edu/event/bayphon-2025-at-ucsc/
LOCATION:Humanities 1\, Room 202
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250510T100000
DTEND;TZID=America/Los_Angeles:20250510T100000
DTSTAMP:20260618T225944
CREATED:20250409T180617Z
LAST-MODIFIED:20250409T180631Z
UID:10007659-1746871200-1746871200@thi.ucsc.edu
SUMMARY:Saturday Shakespeare: A Midsummer Night's Dream
DESCRIPTION:Saturday Shakespeare in Santa Cruz Presents A Midsummer Night’s Dream\, featuring a series of readings and conversations held Saturday mornings from April 26 to May 24\, 2025. The 1st hour will be spent in conversation with a guest speaker\, and during the 2nd hour volunteers will read aloud part of the play. During the final session\, on May 24th\, a film will be presented. Meetings will take place in the Aptos Library Community Room (in person) and over Zoom (virtual). \nFor more information\, Zoom link\, or to be a reader\, contact: saturdayshakespeare@gmail.com \nThe guest speaker on May 10 is Charles Pasternak\, actor\, director\, Artistic Director of Santa Cruz Shakespeare. Readings: Act 3\, Scene 2; Act 4\, Scene 1 \nAll Scheduled Meetings \n\nApril 26: Michael Warren\nMay 3: Julia Lupton\nMay 10: Charles Pasternak\nMay 17: Sean Keilen\nMay 24 (Film Screening)
URL:https://thi.ucsc.edu/event/saturday-shakespeare-a-midsummer-nights-dream-3/
LOCATION:Aptos Library\, 7695 Soquel Dr\, Aptos\, 95003\, United States
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