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DTSTART;TZID=America/Los_Angeles:20250203T172000
DTEND;TZID=America/Los_Angeles:20250203T190000
DTSTAMP:20260422T134838
CREATED:20250116T220930Z
LAST-MODIFIED:20250124T183212Z
UID:10007586-1738603200-1738609200@thi.ucsc.edu
SUMMARY:The Dawn is Too Far: Stories of Iranian-American Life – Film Screening and Discussion with Co-Director/Executive Producer\, Dr. Persis Karim
DESCRIPTION:Join us for a screening of the film\, The Dawn is Too Far: Stories of Iranian-American Life\, and a discussion with the film’s Co-Director and Executive Producer\, Persis Karim\, who will be in conversation with UCSC PhD candidate\, Shirin Towfiq. The film shares a multi-generational perspective of those who came to the U.S. as students\, refugees\, and exiles in the context of the 1979 Iranian Revolution. The film charts the longer history of Iranian Americans in the San Francisco Bay area and the ways they have been impacted by and contributed to the region. The event is presented by the Center for Middle East and North Africa and the Department of Film and Digital Media. \nPersis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University where she also teaches in the Department of Humanities and Comparative and World Literature. She is the editor of three anthologies of Iranian diasporic literature\, and she has published numerous articles about Iranian diasporic literature and culture for academic journals as well as poetry and essays in non-academic publications. The Dawn is Too Far: Stories of Iranian-American Life is her first film and reflects her interest in documenting and sharing the larger history and personal stories of those who are part of the global Iranian diaspora. She co-directed and co-produced the film with Soumyaa Behrens. Karim received her Master’s degree in Middle East Studies and her PhD in Comparative Literature from UT Austin. She is also a poet.
URL:https://thi.ucsc.edu/event/the-dawn-is-too-far/
LOCATION:Communications 150\, Studio C
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200527T121500
DTEND;TZID=America/Los_Angeles:20200527T133000
DTSTAMP:20260422T134838
CREATED:20200526T165327Z
LAST-MODIFIED:20200526T170734Z
UID:10006860-1590581700-1590586200@thi.ucsc.edu
SUMMARY:VIRTUAL - Special Session: Thinking Through Television in a Pandemic
DESCRIPTION:In this time of the COVID-19 pandemic\, more and more people are tuning into television (across streaming platforms\, web series\, and of course also pay\, cable\, and network TV) for news and information\, comfort and company\, narrative pleasure and imaginative stimulation—though also often getting misinformation\, alienation\, or discouragement.  How is TV working\, producing ways of seeing\, knowing\, living\, and feeling during this pandemic\, and what are the implications of that?  How are we thinking through television in these unthinkable times? Lynne Joyrich will take up these questions with some opening remarks\, then open up to a group discussion. \n \nRSVP by 10 AM on Wednesday\, May 27th to receive Zoom link and password.
URL:https://thi.ucsc.edu/event/special-session-thinking-through-television-in-a-pandemic/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150511T190000
DTEND;TZID=America/Los_Angeles:20150511T210000
DTSTAMP:20260422T134838
CREATED:20150508T194252Z
LAST-MODIFIED:20150508T194252Z
UID:10005103-1431370800-1431378000@thi.ucsc.edu
SUMMARY:Public Screening of One Summer
DESCRIPTION:You’re cordially invited to a free public screening of One Summer (2014\, 93min.)\, with Director Yang Yishu (Nanjing University\, China) in person. \nABOUT THE FILM:\nOne Summer is Director Yang Yishu’s first fiction feature. In tracing a woman’s efforts to find her husband and to understand why the police took him away without explanation\, the film portrays the sentiment of perpetual anxiety\, uncertainty and vulnerability that prevails contemporary China.\nThe film was selected for the 19th Busan International Film Festival (Korea\, October 2014 ) and the 21th Vesoul International Film Festival (France\, February 2015)\, and was awarded the Jury’s Prize. \nOne Summer follows Director Yang’s two documentaries\, Who is Haoran? (2006)\, and On the Road (2010). Who is Haoran? was selected for the 59th Locarno International Film Festival\, and the 31th Hong Kong International Film Festival. It has been collected by Songzhuang Art Center (a major base of Chinese independent cinema) and released by Lixianting Film fund.\nOn the Road was selected for the 7th China Documentary Film festival\, the 7th China Independent Film Festival\, and 2011 Seoul Independent Documentary Film & Video Festival. \nABOUT THE DIRECTOR:\nDirector Yang Yishu represents an important voice in contemporary independent Chinese cinema. In addition to making films\, she also teaches as Associate Professor and serves as Associate Director of Film and Video Production Center in the Department of Drama\, Film & TV\, in the School of Liberal Arts at Nanjing University\, China. She has published a monograph\, Film Within Film: A Study of Meta-cinema (2012)\, as well as numerous articles on a wide range of topics\, including gender issues\, independent Chinese cinema\, Jane Campion\, and François Truffaut. \nThe screening will be followed by Q & A with Director Yang Yishu and her daughter who played the daughter in the film. \nThis event is co-sponsored by Departments of Film & Digital Media\, Politics\, and Anthropology. \nPlease direct questions to Yiman Wang (yw3@ucsc.edu)
URL:https://thi.ucsc.edu/event/public-screening-of-one-summer-2/
LOCATION:Communications 150\, Studio C
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131025
DTEND;VALUE=DATE:20131027
DTSTAMP:20260422T134838
CREATED:20130607T155938Z
LAST-MODIFIED:20130607T155938Z
UID:10004824-1382659200-1382831999@thi.ucsc.edu
SUMMARY:"Unfixed Itineraries: Film and Visual Culture from Arab Worlds"
DESCRIPTION:[vc_column width=”1/3″ el_position=”first”] [rb_section_title title=”Organizers” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nPeter Limbrick\, Associate Professor\, Film and Digital Media\, UCSC\nOmnia El Shakry\, Associate Professor\, History\, UC Davis \n[/vc_column_text] [rb_blank_divider height=”35″ width=”1/1″ el_position=”first last”] [rb_section_title title=”Steering Committee” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nShelby Graham\, Director/Curator\, Mary Porter Sesnon Art Gallery\, UCSC\nSoraya Murray\, Assistant Professor\, Film and Digital Media\, UCSC\nIrene Lusztig\, Assistant Professor\, Film and Digital Media\, UCSC\nNeda Atanasoski\, Associate Professor\, Feminist Studies\, UCSC\nJennifer Derr\, Assistant Professor\, History\, UCSC \n[/vc_column_text] [/vc_column] [vc_column width=”2/3″ el_position=”last”] [rb_section_title title=”Unfixed Itineraries” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nUnfixed Itineraries has two components: \na symposium\, free and open to the public\, that will take place October 25-26 2013 at the Digital Arts Research Center (DARC)\, bringing scholars and artists together for two days of screenings\, presentations\, and conversations. \na concurrent exhibition at UCSC’s Mary Porter Sesnon Gallery that runs from October 25-December 10. \nBoth events coincide with the series “Moumen Smihi\, Poet of Tangier\,” curated by UCSC film and digital media professor Peter Limbrick\, which takes place at the Pacific Film Archive\, Berkeley\, between October 10 and 27. Smihi will also be a participant at the symposium. http://bampfa.berkeley.edu/filmseries/smihi \nThe Unfixed Itineraries symposium will encourage innovative perspectives on Arab film and visual culture\, emphasizing their multifaceted and plural nature. Rather than homogenize “the Arab world\,” for example\, we stress the multiple worlds that have been made by diverse histories. Instead of taking for granted the meaning of the word “Arab\,” our event continually questions fixed narratives that produce rigid identities. And by refusing the common tendency to reduce Arab art to the realm of the political or the religious\, we also affirm the inspiring\, arresting pleasures of the aesthetic\, the sensory\, the intellectual\, and the social aspects of film and media from the region. \nParticipants will focus on the production and circulation of Arab visual cultures across multiple temporal and spatial boundaries: from the historical to the recent\, at “home” and in diaspora. The symposium includes opportunities for seeing film and media and for engaging in scholarly\, critical debates with cultural producers (rather than just “about” them). \nArtists and scholars will visit from Lebanon\, Morocco\, Egypt\, Syria\, Canada\, Europe\, and the US and the work presented will cover a wide area of forms\, styles\, and thematic concerns. \nSymposium screenings\, panels\, and presentations will address topics such as: Movement and Extra-territoriality; Itineraries of Intertextuality; Past\, Present\, and Future Itineraries; Narrative and non-Narrative Itineraries; Archives\, Images\, Memory. \n[/vc_column_text] [/vc_column]
URL:https://thi.ucsc.edu/event/unfixed-itineraries-film-and-visual-culture-from-arab-worlds-2/
LOCATION:Digital Arts Research Center (DARC) Light Lab\, Room 306
ATTACH;FMTTYPE=:
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20130225T193000
DTEND;TZID=America/Los_Angeles:20130225T213000
DTSTAMP:20260422T134838
CREATED:20130206T171918Z
LAST-MODIFIED:20130206T171918Z
UID:10005353-1361820600-1361827800@thi.ucsc.edu
SUMMARY:“Mendelsohn’s Incessant Visions” Screening and Q&A with Director Duki Dror
DESCRIPTION:Free and Open to the Public\nGeneral Admission Seating\, first come\, first served\nParking available in Performing Arts Lot ($4) \nSynopsis: This film is a cinematic mediation about the untold story of Erich Mendelsohn\,  whose life and career were as enigmatic and tragic as the path of the century. He drew sketches on tiny pieces of paper and sent them from the trenches to a young cellist\, who was waiting for him in Berlin.  She thought he was a genius and after WWI\, she helped him become the busiest architect in Germany.  When she planned to leave him for a communist poet\, he built a perfect house for her\, entirely planned by him from the lakeview living room\, to the silverware and her evening gowns.  When the Nazis came to power\, they abandoned the house and left Germany forever.  Erich and Louise Mendelsohn have wandered between continents\, between world wars\, between success and failure.  The buildings that Erich built around the world\, scattered as a trail of their journey\, have changed the history of architecture. \nAward-winning filmmaker and current Schusterman Visiting Artist\, Duki Dror (The Journey of Vaan Nguyen\, Raging Dove) has created a spectacular interpretation based on Erich and Louise’s relationship\, for one of the most captivating chapters in the development of modern art. \nWatch the Trailer \nPresented by The Arts Division and Film and Digital Media. Co-Sponsored by the Center for Jewish Studies\, Arts Dean’s Arts Excellence Fund\, and Santa Cruz Jewish Film Festival.
URL:https://thi.ucsc.edu/event/mendelsohns-incessant-visions-screening-and-qa-with-director-duki-dror-2/
LOCATION:Media Theater\, M110
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