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DTSTART;TZID=America/Los_Angeles:20150602T160000
DTEND;TZID=America/Los_Angeles:20150602T180000
DTSTAMP:20260513T004538
CREATED:20150424T173806Z
LAST-MODIFIED:20150424T173806Z
UID:10006124-1433260800-1433268000@thi.ucsc.edu
SUMMARY:Coming Home from War: The Arts and Humanities in the Public Sphere
DESCRIPTION:Join Stephan Wolfert (Founding Director\, Veterans Center for the Performing Arts)\, Humanities and Arts Division faculty and students from UC Santa Cruz\, and local veterans and their families for a discussion about the vital role that literature and the arts can play in understanding the veteran experience and the challenges and opportunities\, for both veterans and civilians\, of returning from war. \nPanelists Include:\n• Charles Hedrick (Professor\, History Department)\n• Dee Hibbert-Jones (Associate Professor\, Art Department; Founder & Co-Director Social Practice Research Center)\n• Kimberly Jannarone (Professor\, Theater Arts Department; Director\, The Odyssey Project)\n• Sean Keilen (Associate Professor\, Literature Department; Director\, Shakespeare Workshop)\n• Brenda Sanfilippo\, (Lecturer\, Literature Department and Writing Program)\n• Stephan Wolfert (Founding Director\, Veterans Center for the Performing Arts \nIn addition\, be sure to join us for “Cry Havoc“! a one-person play by military veteran Stephan Wolfert\, that seamlessly interweaves Shakespeare’s most famous speeches with personal experience to help us understand the national crises we face when we fail in reintegrating our veterans. One night only. \nJune 1\, 2015 | 6pm | Santa Cruz County Veterans Memorial Building. \nBrought to you by the UC Santa Cruz Shakespeare Workshop and the Institute for Humanities Research. \nFREE & OPEN TO THE PUBLIC\nClick here for directions and parking maps: http://ihr.ucsc.edu/directions/\nFor disability related accommodations\, please contact ihr@ucsc.edu or 831-459-5655. \nFacebook \nEVENT PHOTOS:\nIf you have trouble viewing above images\, you may view this album directly on Flickr.
URL:https://thi.ucsc.edu/event/coming-home-from-war-the-arts-and-humanities-in-the-public-sphere-2/
LOCATION:Kresge Town Hall
ATTACH;FMTTYPE=image/jpeg:https://thi.ucsc.edu/wp-content/uploads/2015/04/UC_CryHavHome_fnl_2015.jpg
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DTSTART;TZID=America/Los_Angeles:20150601T173000
DTEND;TZID=America/Los_Angeles:20150601T193000
DTSTAMP:20260513T004538
CREATED:20150424T172713Z
LAST-MODIFIED:20150424T172713Z
UID:10006123-1433179800-1433187000@thi.ucsc.edu
SUMMARY:"Cry Havoc"!
DESCRIPTION:Over 23 million living veterans have been wired for war but never re-wired to come home: Cry Havoc\, a one-person play by military veteran Stephan Wolfert\, that seamlessly interweaves Shakespeare’s most famous speeches with personal experience to help us understand the national crises we face when we fail in re-integrating our veterans. \nThe military recruits citizens and wires them for war\, but does not un-wire them. What does the “De-Cruit® ” process look like? Is there room for improvement in the way in which we re-integrate our veterans back into society? How do we come together to re-learn how to live? The performance is followed by an engaging talk back between actor\, audience\, and veterans that dares to answer these questions. \nFree and open to the public! One night only. \n5:30pm Reception  \n*LIVE music by veteran Paul Damon – Paul Damon Music \n6:00pm Performance  \n*Actor and veteran Stephan Wolfert  – Veterans Center for the Performing Arts\n\nIn addition\, be sure to join actor Stephan Wolfert (Founding Director\, Veterans Center for the Performing Arts)\, and Humanities and Arts Division faculty and students from UC Santa Cruz for “Coming Home from War: The Arts and Humanities in the Public Sphere” a panel discussion on June 2\, 2015 4-6pm at Kresge Town Hall\, UC Santa Cruz. \nBrought to you by the UC Santa Cruz Shakespeare Workshop and the Institute for Humanities Research. \nFREE & OPEN TO THE PUBLIC \nFor disability accommodations please contact IHR at 831-459-5655 or ihr@ucsc.edu. \nDowntown Parking near the Veterans Hall: Front Street Garage No.7 or street metered parking. \nFacebook \n  \n  \nEVENT PHOTOS:\nIf you have trouble viewing above images\, you may view this album directly on Flickr.
URL:https://thi.ucsc.edu/event/cry-havoc-2/
LOCATION:Santa Cruz Veterans Hall Auditorium
ATTACH;FMTTYPE=image/jpeg:https://thi.ucsc.edu/wp-content/uploads/2015/04/UC_CryHavHome_fnl_2015.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150314T130000
DTEND;TZID=America/Los_Angeles:20150314T163000
DTSTAMP:20260513T004538
CREATED:20141021T165817Z
LAST-MODIFIED:20141021T165817Z
UID:10005000-1426338000-1426350600@thi.ucsc.edu
SUMMARY:Shakespeare and Music
DESCRIPTION:Shakespeare is famous for his speeches\, but the London theaters where his plays took place were also filled with music. “Shakespeare and Music” is a symposium exploring the popular music of Renaissance England\, the practice of vocal and instrumental music in Shakespeare’s plays\, and Shakespeare’s meditation on music as a metaphor for his art and its effects. Featuring a keynote address by Ross Duffin\, The Fynette H. Kulas Professor of Music at Case Western University and author of Shakespeare’s Songbook (W.W. Norton 2004). Free and open to the public. The symposium is held in conjunction with “Treasures from the Age of Shakespeare”\, a performance of the Baltimore Consort for the Santa Cruz Baroque Festival at 7:30pm in the UCSC Music Recital Hall  (Tickets:  scbaroque.org/tickets). \nPanelists:\n\nRoss Duffin: “Reconstructing Shakespeare’s Songbook”\nSamuel Arkin: “Shakespeare’s Music and Shylock’s Ears”\nAriane Helou: “Shakespeare’s Singers”\n\nSponsors:\nShakespeare Workshop\, Institute for Humanities Research\, and the Arts Division. \nDirections & Parking:\nParking $3 (permits available at vending machines in parking lot 126 “Performing Arts”).\nClick here for directions to the Digital Arts Research Center (DARC). \nJoin the Conversation:\nFacebook\n#ihrevents \n  \n\n  \nAfter the conference\, please join us at the Santa Cruz Baroque Festival featuring:\nTreasures From the Age of Shakespeare with The Baltimore Consort\nMarch 14\, 2015 @ 7:30pm\nUCSC Music Recital Hall\n$5 student tickets / $20 seniors / $25 general\nClick here for tickets \n  \nIf you have trouble viewing above images\, you may view this album directly on Flickr.
URL:https://thi.ucsc.edu/event/shakespeare-and-music-conference-2/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20140523
DTEND;VALUE=DATE:20140525
DTSTAMP:20260513T004538
CREATED:20130703T182656Z
LAST-MODIFIED:20130703T182656Z
UID:10005424-1400803200-1400975999@thi.ucsc.edu
SUMMARY:"Working w/ Shakespeare: The Winter's Tale" Conference
DESCRIPTION:[vc_column_text width=”1/1″ el_position=”first last”] \nIn celebration of Shakespeare’s 450th birthday\, Working w/ Shakespeare fosters a dialogue between three professions that are especially dedicated to understanding his work: literary critics\, theater designers\, and professional actors. What makes literary criticism\, design\, and performance different as forms of interpretation? How might their distinctive practical techniques and theoretical concerns enrich and transform each other? These questions are the framework for the conference’s three workshops\, each of which will focus on The Winter’s Tale. \n[/vc_column_text] [vc_column width=”1/3″ el_position=”first”] [rb_section_title title=”Workshop I: Acting with Shakespeare” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \n \nMike Ryan is an actor and the Co-Artistic Director of Santa Cruz Shakespeare. Acting with Shakespeare is an interactive workshop that explores how actors move from the page to the stage; how verse\, rhetoric and complex imagery are made more intelligible to the ear; and how to pull useful clues from Shakespeare’s text that translate the spoken word into action. As one of Shakespeare’s final works\, The Winter’s Tale combines bold experimentation with verse form with the theatrical cunning of a producer at the peak of his game. \n[/vc_column_text] [/vc_column] [vc_column width=”1/3″] [rb_section_title title=”Workshop II: Designing with Shakespeare” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \n \nKate Edmunds\, Professor of Theater Arts at UC Santa Cruz\, has designed scenery for over thirty years\, from New York to California\, to great acclaim. In Designing with Shakespeare\, participants will move from the written to the spoken word\, and then from words to the visual images that reflect their own thoughts\, developing designs for The Winter’s Tale that communicate their own insights about the play. Through design\, we will try to “see what we mean” when we work with Shakespeare. \n[/vc_column_text] [/vc_column] [vc_column width=”1/3″ el_position=”last”] [rb_section_title title=”Workshop III: Writing with Shakespeare” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \n \nSean Keilen teaches Shakespeare in the Literature Department at UC Santa Cruz. Writing with Shakespeare takes The Winter’s Tale as the starting point for a dialogue about literary criticism’s long-standing investment in the hermeneutics of suspicion and the prospect of grounding interpretation\, instead\, in aesthetic experience. Suppose that we approach Shakespeare’s play not only as an object for analysis but also as a model for thinking and writing about art. What\, then\, could our criticism become? \n[/vc_column_text] [/vc_column] [rb_blank_divider height=”35″ width=”1/1″ el_position=”first last”] [vc_column width=”1/2″ el_position=”first”] [rb_section_title title=”Schedule” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nFriday\, May 23\nLocation: Digital Arts Research Center\, Room 108 (Map – Park in lot #126) \n9:00-9:30 AM – Welcome and Introductions \n9:30 AM -12:00 PM – Workshop I: Acting with Shakespeare \n12:00-1:00 PM – Lunch @ DARC 3rd floor balcony \nLocation: Theater Arts\, Second Stage (Map – Park in lot #126) \n1:00-3:30 PM – Workshop II: Designing with Shakespeare \nSaturday\, May 24\nLocation: Humanities Building 1\, Room 210 (Map – Park in lot #109) \n9:30 AM – 12:00 PM – Workshop III: Writing with Shakespeare \n12:00-12:30 PM – Closing Lunch Reception \n[/vc_column_text] [/vc_column] [vc_column width=”1/2″ el_position=”last”] [rb_section_title title=”Sponsors” icon=”con-none” border=”true” margin=”35″ width=”1/1″ el_position=”first last”] [vc_column_text width=”1/1″ el_position=”first last”] \nWorking w/ Shakespeare: The Winter’s Tale is presented by Shakespeare’s Disciplines\, a research cluster of the Institute for Humanities Research\, with generous support from the Dean of Arts\, the Seigfried B. and Elisabeth M. Puknat Literary Studies Endowment and the Department of Literature\, and w/Shakespeare\, a Multicampus Research Group of the University of California Humanities Network. \n[rb_blank_divider height=”35″ width=”1/1″ el_position=”first last”] \n[rb_button size=”medium” style=”light” url=”mailto:ihr@ucsc.edu” label=”Request Readings” target=”_blank” width=”1/1″ el_position=”first last”]  \n[/vc_column_text] [/vc_column]
URL:https://thi.ucsc.edu/event/working-with-shakespeare-2/
LOCATION:UC Santa Cruz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140410T180000
DTEND;TZID=America/Los_Angeles:20140410T200000
DTSTAMP:20260513T004538
CREATED:20140313T213514Z
LAST-MODIFIED:20140313T213514Z
UID:10004920-1397152800-1397160000@thi.ucsc.edu
SUMMARY:Film Screening: Caesar Must Die
DESCRIPTION:Winner of the Golden Bear at the Berlinale\, Paolo and Vittorio Taviani’s Caesar Must Die deftly melds narrative and documentary in a transcendently powerful drama-within-a-drama. The film was made in Rome’s Rebibbia Prison\, where the inmates are preparing to stage Shakespeare’s Julius Caesar. After a competitive casting process\, the roles are eventually allocated\, and the prisoners begin exploring the text\, finding in its tale of fraternity\, power and betrayal parallels to their own lives and stories. Hardened criminals\, many with links to organised crime\, these actors find great motivation in performing the play. As we witness the rehearsals\, beautifully photographed in various nooks and crannies within the prison\, we see the inmates also work through their own conflicts\, both internal and between each other. \nDiscussion after the film will be led by the UCSC Shakespeare’s Disciplines Research Cluster.
URL:https://thi.ucsc.edu/event/film-screening-caesar-must-die-2/
LOCATION:Digital Arts Research Center (DARC) Dark Lab\, Santa Cruz\, CA\, 95064\, United States
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