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SUMMARY:Screening and Panel Discussion - The Stuart Hall Project: Revolution\, Politics\, Culture\, and the New Left Experience
DESCRIPTION:A major success in Britain last Fall\, “The Stuart Hall Project” is now being distributed in the USA. It will be screened at UCSC on Tuesday evening\, February 25th. 7:30 PM\, Studio C. (Communications 150) \nThe film\, 102 minutes\, will be followed by an informal panel and general discussion animated by James Clifford (History of Consciousness)\, Jennifer Gonzalez (HAVC)\, and Herman Gray (Sociology). \nRead reviews of and interviews about the film here and here. \nGenerously funded by the Arts Dean’s Fund for Excellence. Co-sponsored by The Center for Cultural Studies and the Department of Film and Digital Media.
URL:https://thi.ucsc.edu/event/screening-and-panel-discussion-the-stuart-hall-project-revolution-politics-culture-and-the-new-left-experience-2/
LOCATION:Communications 150\, Studio C
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DTSTART;TZID=America/Los_Angeles:20131008T190000
DTEND;TZID=America/Los_Angeles:20131008T203000
DTSTAMP:20260424T033249
CREATED:20130930T230141Z
LAST-MODIFIED:20130930T230141Z
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SUMMARY:"The Motherhood Archives" film screening and discussion
DESCRIPTION:Archival montage\, science fiction\, and an homage to 70s feminist filmmaking are woven together to form this haunting and lyrical essay film excavating hidden histories of childbirth in the twentieth century. Assembling an extraordinary archive of over 100 educational\, industrial\, and medical training films (including newly rediscovered Soviet and French childbirth films)\, The Motherhood Archives inventively untangles the complex\, sometimes surprising genealogies of maternal education. Revealing a world of intensive training\, rehearsal\, and performative preparation for the unknown that is ultimately incommensurate with experience\, The Motherhood Archives is a meditation on the maternal body as a site of institutional control\, ideological surveillance\, medical knowledge\, and nationalist state intervention.\n  \nIntroduction by Neda Atanasoski (Feminist Studies) \nPost-screening discussion with the filmmaker\, Irene Lusztig\, and:\nNancy Chen (Anthropology)\nJenny Horne (Film & Digital Media)\nFelicity Schaeffer (Feminist Studies) \nReception to follow in Communications 139\n  \nPresented by the Center for Documentary Arts and Research and the Departments of Anthropology\, Feminist Studies\, and Film & Digital Media.
URL:https://thi.ucsc.edu/event/the-motherhood-archives-2/
LOCATION:Communications 150\, Studio C
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20101122T170000
DTEND;TZID=America/Los_Angeles:20101122T183000
DTSTAMP:20260424T033249
CREATED:20101116T021133Z
LAST-MODIFIED:20101116T021133Z
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SUMMARY:Deann Borshay Liem: Film: "IN THE MATTER OF CHA JUNG HEE"
DESCRIPTION:The Asian Diasporas Research Cluster at the Institute of Humanities Research is pleased to present the following film screening: \nIN THE MATTER OF CHA JUNG HEE (2010) \npreceded by a documentary short-in-progress on the Korean War\, MEMORY OF THE FORGOTTEN WAR\, \nand followed by Q & A with filmmaker\, Deann Borshay Liem \nPoster available here. \nMONDAY\, NOVEMBER 22\, 2010\, 5 p.m. \nCOMMUNICATIONS 150/STUDIO C \n(building located between Baskin Engineering and College 9/10) \nAbout the film: Her passport said she was Cha Jung Hee. She knew she was not. So began a 40-year deception for a Korean adoptee who came to the US in 1966. Told to keep her true identity a secret from her new American family\, this eight-year-old girl quickly forgot she was ever anyone else. But why had her identity been switched? And who was the real Cha Jung Hee? In the Matter of Cha Jung Hee documents the search to find answers. Part mystery\, part personal odyssey\, the film follows acclaimed filmmaker\, Deann Borshay Liem\, as she returns to her native Korea to find her “double\,” the mysterious girl whose place she took in America. Traversing landscapes of memory\, amnesia\, and identity\, while also uncovering layers of deception in her adoption\, Borshay Liem’s moving and provocative film probes the ethics of international adoption and reveals the costs of living a lie. \nAbout the filmmaker: Deann Borshay Liem has over twenty years experience working in development\, production\, and distribution of independent documentaries. She is producer\, director\, and writer for the Emmy Award-nominated documentary\, First Person Plural (Sundance\, 2000)\, and executive producer for Spencer Nakasako’s Kelly Loves Tony (PBS\, 1998) and AKA Don Bonus (PBS\, 1996\, Emmy Award). She served as co-producer for Special Circumstances (PBS\, 2009)\, which follows Chilean exile\, Hector Salgado\, as he attempts to reconcile with former interrogators and torturers in Chile. She was the former director of the Center for Asian American Media (CAAM) where she supervised the development\, distribution\, and broadcast of new films for public television and worked with Congress to support minority representation in public media. A Sundance Institute Fellow and a recipient of a Rockefeller Film/Video Fellowship\, Borshay Liem is the director\, producer\, and writer of the new feature-length documentary\, In the Matter of Cha Jung Hee. \nCo-sponsored by Oakes College\, the Asian American/Pacific Islander Resource Center\, the Department of Film and Digital Media\, the Social Documentation Program\, the Department of History\, and Stevenson College\, this event is free and open to the public. For more information\, please contact Christine Hong at cjhong@ucsc.edu. For disability-related needs\, please contact AA/PIRC at 459-5349 or aapirc@ucsc.edu.
URL:https://thi.ucsc.edu/event/deann-borshay-liem-film-in-the-matter-of-cha-jung-hee-2/
LOCATION:Communications 150\, Studio C
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