“The Quotidian Lucy and Other Constructions” explores some recent site-specific and studio performances (written/visual/sonic) that serve as interventions between theory and practice. Discussing new works on paper, video, and in performance, Wilson seeks to inhabit and engage with questions of memory, genre, form, and discipline as strategies through which to examine race, sex, and desire in concert with what vocabularies emerge and accrete in rendering multiple drafts of the self through poetic persona, character, and movement.

Ronaldo V. Wilson, PhD is the author of four collections: Narrative of the Life of the Brown Boy and the White Man, Poems of the Black Object, Farther Traveler: Poetry, Prose, Other, and Lucy 72. The recipient of fellowships from Cave Canem, the Djerassi Resident Artists Program, the Ford Foundation, Kundiman, MacDowell, the National Research Council, the Provincetown Fine Arts Work Center, the Center for Art and Thought, and Yaddo, Wilson is an interdisciplinary artist, having performed in multiple venues, including the Pulitzer Arts Foundation, UC Riverside’s Artsblock, Louisiana State University’s Digital Media Center Theater, Georgetown’s Lannan Center, Southern Exposure Gallery, and Casa Victoria Ocampo in Buenos Aires. He is Professor of Creative Writing and Literature at U.C. Santa Cruz.